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Neopolitan School Landscape by 19th Century Artist Gabriele Smargiassi

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Impressionist Landscape by Early 20 Century Hungarian Artist Barkasz Lajos
By Barkasz Lajos
Located in Vancouver, British Columbia
A signed oil painting on canvas of a man walking on a path beside a stream at dawn/dusk by Hungarian artist Barkasz Lajos (1880-1960). The canvas is ...
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Early 20th Century Hungarian Art Nouveau Paintings

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19 Century Italian Clock Landscape Painting
Located in Vancouver, British Columbia
An early/mid-19th century Italian clock painting indistinctly signed on the lower right corner. The oil painting is set in a period Empire gilt frame and d...
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Antique Mid-19th Century Italian Empire Paintings

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19th Century Romantic Movement Painting "The Explorer" Unsigned
Located in Vancouver, British Columbia
This original oil painting on canvas depicts a forlorn young couple sitting on/by a large rock at ocean's edge, either lost, shipwrecked, or possibly exploring. He gazes at a map, de...
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Antique Mid-19th Century British Romantic Paintings

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Late 19th Century Oil Painting Called ‘Le Bouton Rose’ by Emil Preuss
Located in Vancouver, British Columbia
A very suggestive oil painting of a beautiful bare breasted woman which could be a prostitute or a temptress leaning out a mindow offering a rose bud to an admirer, and seemingly encouraged to do the gesture be a woman half hidden behind the curtain. This work was executed by an obscure artist named Emil Preuss (German, 1866-1950). After an original titled "Le Bouton Rose" by Antoine Wiertz...
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Antique Late 19th Century German Romantic Paintings

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Canvas

Gentleman with his Three Children by 18th Century English Artist John Opie
By John Opie
Located in Vancouver, British Columbia
A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...
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Antique Late 18th Century British George III Paintings

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Canvas

19th Century Rendition of “The Blind Fiddler” in the Tate by Sir David Wilkie
By Sir David Wilkie
Located in Vancouver, British Columbia
An extremely true to the original work by Scottish-born artist Sir David Wilkie, (1785–1841) now displayed in the Tate Gallery in London The painting ...
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Antique Late 19th Century English Georgian Paintings

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