Niek van der Plas, Beach Scene

Niek van der Plas is a Dutch painter born in 1954, he paints impressionist scenes of Holland's beaches and dunes, bulb fields, city scenes in Amsterdam and Maastricht and other typic...

Niek van der Plas is a Dutch painter born in 1954, he paints impressionist scenes of Holland's beaches and dunes, bulb fields, city scenes in Amsterdam and Maastricht and other typic...

Niek van der Plas paints impressionist scenes of Holland's beaches and dunes, bulb fields, city scenes in Amsterdam and Maastricht, and other typically Du...

Niek van der Plas paints impressionist scenes beaches, dunes, bulb fields, city scenes. Figures are often central in the work of this painter, who was born in 1954 and who is notable...

This Flemish painting of "Pastoral Scene" is from Belgium and is made from oil on canvas, 18th century. Flemish paintings flourished from the early 1...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Attributed to Leon Kroll oil on wood board painting of a Connecticut scene. The small but well done painting is representative of work done by Kroll. The painting depicting a Connect...

Painting, Street Scene, Signed Bela Kadar, (Hungary 1877-1955), un-framed, oil on board. Bela Kadar was born in Hungary in 1877. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwath Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden's gallery with other artist's of Der Sturm, Kadar met Katherine Dreier whose Societe Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of which in September 1928 Kadar travelled from Europe to attend. Bela Kadar incorporated themes of Hungarian...