Oil Painting "Italian Street Scene" by Elizabeth R. Withington

Southern European harbor scene, oil on board, signed indistinctly L/R "Anuplaeasen", Measures: 27" x 39", framed 34" x 46 1/2".

Oscar Miller Rhode Island, 1867-1921 Interior scene of a woman knitting and a child playing. Signed lower right "Oscar Miller". Dimensions Oil on canvas laid down on board, ...

An antique American or British oil on canvas still life painting. Signed L. Allinson lower right. Framed. Circa the late 19th century. Antique Still Life Paintings For Collectors. ...

A very large beautiful oil painting by Hartman, "Theatre de Vaudeville" oil on canvas. Measures: 36" x 48" view and 47" x 59" framed. Artist Hartman Medium Oil on canvas. ...

Two accompanying street scene oil paintings of a European town. Appears to be France. Painted on canvas with original painted wood frames. Each measures 18" x 22.25" x 1.5"

The 1970s oil-on-paper painting illustrates semi-abstractly a street scene with two figures, vehicle and building. Mulberry, yellow and green are the stand-out colors. Cream mat with...

Mid-Century Italian genre scene oil painting on canvas depicting a plaza / street scene with blooming flowers and umbrella-shaded tables surrounded by buildings in a carved rectangul...

Painting, Street Scene, Signed Bela Kadar, (Hungary 1877-1955), un-framed, oil on board. Bela Kadar was born in Hungary in 1877. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwath Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden's gallery with other artist's of Der Sturm, Kadar met Katherine Dreier whose Societe Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of which in September 1928 Kadar travelled from Europe to attend. Bela Kadar incorporated themes of Hungarian...