Oil Painting by Joseph Milner Kite

Oil on canvas of a Pueblo painted by Luciano. Paint is applied with a palette knife in heavy form creating an abstract image of a Spanish Pueblo in Madr...

This untouched American landscape is a perfect example of the Hudson River School in the 19th century. The folk nature of the scene may indi...

Frans Roofhooft(1888-1957), a Belgian artist was known for floral still lifes' and landscapes. This painting is a classic example of his work. The oil painting depicts a bounty of fl...

These stunning paintings of ancient warriors in full costume offer a dramatic and colorful palate for a room decor, circa 1950.

Joseph Garlock (1884-1980) "Untitled" oil painting on canvas, signed and dated 1958 Additional Information: Materials: Oil on canvas, stained wood Dimensions: image: 18 1/2" x ...

Surrealist oil painting on panel by Joseph Laureys (1944-2020) Belgium Painting - Vintage - decoration Oil on panel, signed bottom right. Symbolistic, surrealistic atmosphere. Joseph...

Modern Oil Painting, Urban Landscape by Joseph RAUMANN, France 1960s. Picturesque scene of a French village, with its typical buildings and street corners. Oil on canvas with very ...

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...