Saint Catherine of Alexandria, European School, Circa Late 17th to Early 18th Ct

This grand conventual chest of drawers, dating from the late 17th to early 18th century, embodies the timeless elegance of south american craftsmanship. Its imposing structure, likely crafted for monastic use, reflects both the austerity and the opulence of the Baroque era. The chest is constructed of rich, dark wood, showcasing exquisite hand-carved details that adorn the façade and sides. A stunning focal point is its intricate floral carved handles, which are particularly well-preserved, offering a glimpse into the fine artistry of its time. The chest’s interior reveals a spacious compartment designed for storing precious items, lined with aged wood that speaks of centuries of history. Its sturdy construction and imposing size make it not only a functional storage piece but also a commanding presence in any room. This chest has survived the ages in remarkable condition, with its patina adding to its historic charm. Ideal for collectors of antique furniture, this piece offers both historical value and practical use, making it a perfect addition to a sophisticated home or collection. Its size and craftsmanship make it a centerpiece that commands attention, resonating with the monastic life it once served. A rare find, this chest of drawers stands as a testament to the skill and artistry of spanish colonial era furniture...

This 17th-century oil on canvas from Spanish Colonial Peru features a striking depiction of Our Lady of Sorrows. The Virgin is shown with a somber expr...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

This exquisite early 18th-century Spanish Colonial oil painting, originating from Bolivia, portrays “Mary, Queen of Heaven.” With meticulous craftsmanship, it illustrates the Coronat...

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding the Child portrayed with the wedding ring in his hand, enriched with a precious stone. According to the Golden Legend, Catherine of Alexandria was a very beautiful young woman, the only daughter of the king of Costa, who had refused to marry the emperor Maxentius because she was a Christian and devoted to Christ. Maxentius, unable to convince her to sacrifice to idols, had sent to call the wisest men and fifty philosophers and orators who presented themselves and tried to divert her from faith in Christ. Catherine, however, played so well that she was able to convert them, arousing the anger of the emperor who condemned them to the stake. Catherine, however, who had criticized Maxentius for the new persecutions against the Christians, was sentenced to prison without food. Abandoned for twelve days, she was fed by a dove sent by God. Maxentius then decided to execute her with the torture of the toothed wheel become her attribute iconographic; but by divine intervention this broke and the young was saved. Finally, she was beheaded and milk flowed from her neck. Catherine’s princely status is witnessed here by her sumptuous dress. The iconography of the mystical marriage was born in the fifteenth century, probably because the traditional iconographic attribute, the wheel, was sometimes so small as to look like a ring, and refers to a vision that will always remain present in the mind and heart of the saint. In Heaven she appeared to her, among the Angels and Saints, Christ the Child, in the arms of the Virgin. He took a precious ring that the Virgin Mary handed to her and put it in her finger, saying "I, your Creator and Saviour, take you in marriage; confident that you will keep you pure until you celebrate your eternal wedding with me, in Paradise" When Catherine was laughing, she found in her finger the same ring that she had seen and had in Heaven, and she considered herself forever the bride of Christ. In this extraordinary episode we can see the heart of Catherine’s religious sense, and of all her spirituality. For her, Christ is like the bridegroom, with whom there is a relationship of intimacy, communion and fidelity; he is the beloved, whom she loves above all...

Cretan Dalmatian school, 17th century Marriage of St. Catherine Oil on panel, 52 x 60 cm Framed, 40 x 49 cm The oil on panel painting we describe here shows the Mystical Marriage...

This is a KPM style hand painted plaque of Saint Catherine of Alexandria. The bright colors of her robes highlight her porcelain skin. Sh...

Late 17th century oil on joined wood panel interpretation of The Vision of Saint Hubertus by Albrecht Durer. It was painted in 1501 and became a very po...