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Spanish Painting Portrait“Castilian Macebearer”José Alcázar Tejedor Roma school

$7,195.07
$9,917.2127% Off
£5,352.41
£7,377.4027% Off
€6,000
€8,27027% Off
CA$9,852.52
CA$13,580.0527% Off
A$10,954.66
A$15,099.1727% Off
CHF 5,719.92
CHF 7,883.9527% Off
MX$133,344.86
MX$183,793.6627% Off
NOK 72,983.66
NOK 100,595.8127% Off
SEK 68,382.20
SEK 94,253.4727% Off
DKK 45,674.69
DKK 62,954.9427% Off
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About the Item

One of a kind and very Excellent oil on canvas, signed, dated 1880 and located in Rome, work of José Alcázar Tejedor. It represents a mace-bearer, the absolute protagonist of the scene, which derives from his clothing and, mainly, because he carries the ceremonial mace. This attire dates back to medieval times. The original outfit is called a tabard. This clothing was worn by monarchs and kings of arms, later passing to the heralds and mace-bearers of courts and town councils. The character's fabrics are of a rich red velvet; vibrant colours, gold embroidery... suggest the character's recognition. He also wears red stockings, a doublet and an undershirt. In this outfit, different heraldic motifs are represented. If it is read as a quartered shield, the reading would be the following: In 1 of Castile: in a gules field a gold castle cleared with azure; in 2: of Leon, in a silver field a rampant lion of purple crowned with gold, armed and lampased with gules. In 3 of Aragon: in a gold field four poles of gules. In 4: quartered in the cross of Aragon and the Kingdom of Sicily: 1 and 3, in a gold field four poles of gules; 2 and 4, in a silver field a sable eagle crowned with gold and beaked and limbed with gules. These motifs can also be seen in the character's cape, with a border of gold castles on a gules field. The figure occupies the centre of the composition and stands out for the richness of the details in his attire, contrasting with the architectural background of neutral tones. Warm tones predominate, such as the red of the attire and the gold of the embroidery. The greyish background further highlights the chromatic details. The lights and shadows are delicately worked, especially in the folds of the clothing, which contributes to the sensation of volume. The work shows great realism in the treatment of textures. The softness of the velvet, the shine of the gold and the hardness of the marble can be appreciated. This attention to detail is characteristic of 19th century academic painting. The young man's posture is slightly relaxed but formal, leaning on the mace. The ceremonial mace is a ceremonial instrument like a silver or silver-plated bronze sceptre that ends in a spheroid with crest and relief decorations. Maces date back to the early modern age and were carried by bailiffs (known as maceros) in front of town councils and municipal or legislative corporations. It has its origins in the combat maces used in the Ancient and Middle Ages, and evoked the memory of the Roman fasces, which were carried by the lictors or executors of justice in front of the praetors, consuls and other authorities of Ancient Rome. This work belongs to the genre known as casacones painting in Spain, works (generally small format) featuring elegant characters from the 18th century, such as "Il Contino" by Marià Fortuny, or musketeers and other characters of baroque inspiration. These works derive from the influence of Velázquez and his contemporaries, both in their setting and in their form, although we will generally find hedonistic and joyful themes, far from baroque themes. José Alcázar Tejedor (Madrid, 1850 – 1907) José Alcázar Tejedor was a Spanish painter, born in Madrid, specialized in genre scenes, mostly religious themes. He developed his training at the San Fernando School of Fine Arts in Madrid, as a disciple of Federico de Madrazo. Later he expanded his studies in Paris thanks to a grant from the Provincial Council of Madrid. In the French capital he shared a studio with Luis Lafuente, and attended the workshop of Vicente Palmaroli. After returning to Spain, in 1883 he received a new grant from the Provincial Council, in this case to continue his training in Rome. Upon his return, he participated in various national and international exhibitions, obtaining recognitions such as a third class medal at the National Exhibition of Fine Arts in 1881 and a second class medal in 1887 at the same exhibition. In 1896 he applied for the chair of the School of Fine Arts in Barcelona, ​​and was finally appointed professor in 1902. In 1907, shortly after his death, the Círculo de Bellas Artes dedicated a tribute exhibition to him. Alcázar Tejedor is currently represented in the Museo del Prado, as well as in other public and private collections. Technical data Support technique: Oil on canvas Title of the work: “Macero castellano” Author: José Alcázar Tejedor (1850-1907) Signed and dated in the lower left corner Year: 1880 Good condition for its age and use / Slight restorations Dimensions: 160 x 120 cm.
  • Creator:
  • Dimensions:
    Height: 63 in (160 cm)Width: 47.25 in (120 cm)Depth: 1.97 in (5 cm)
  • Style:
    Beaux Arts (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1880
  • Condition:
    Repaired: Its just a very litle parch on the back barely noticeable as a whole. Wear consistent with age and use.
  • Seller Location:
    Valladolid, ES
  • Reference Number:
    1stDibs: LU2943343208672

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