Stunning Masterpiece: "Adoration of the Magi" - A Rare Gem on Cotognino Alabaste

Beautiful 19th-century oil painting on canvas depicting the Nativity of Jesus. The artwork captures the sacred moment with fine detail and masterful use of light and color. It comes...

"Holy Family with a Saint (oil on copper)" Date: 17th century Medium: Oil on copper Dimensions: Frame: 36 x 29 cm Plate (copper): 27 x 20 cm Description: A beautifully crafted 17t...

Announcement Italian School Oil on canvas, of the 17th century Dimension: 75 x 62 cm. Good conditions.

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

Original oil on canvas painting of the adoration of the magi, with Mother Mary and infant Christ. Framed over 5' wide x 4' tall, no signature/unknown artist. Canvas has craquelure, o...

Antique Nativity Christmas Italian oil painting on canvas, from first half 17th century. Anonymous painter (as usual at that time) and with an authe...

Frans Franken III and aid, Adoration of the Magi Good condition The oil painting on wood, with a gold background, depicts an Adoration of the Magi. The Magi are dressed in sumptuous silk and brocade dresses; they wear precious hats and jewelery. The richness of their garments is in contrast with the humility of the Holy Family and of the other characters who, around curious, observe the scene. The hut is simple, made of wood and straw: above it shines the Comet, symbol of the divine event. In the distance, a group of wayfarers walk along a path that is lost on the horizon, blending into the gold of the bottom. The representation proposes a traditional iconography, in which the painter inserts some details that he lends himself to symbolic interpretations. Among these is the appearance of the Magi, who from the XIVth century differs iconographically: the wise astronomers represent the homage to Jesus of the then known parts of the world, namely Africa, Asia and Europe. To the right of the Magi, in the foreground, sits a monkey, considered a demonic creature and a symbol of lies and sin. It is depicted on the sidelines, as a defeat, next to a fragment of a classical column: ruin alludes to the end of paganism, of the old world that collapses with the advent of the new one, marked by the birth of Christ and liberation from the Original Sin. On the ruins he climbs the ivy, symbol of the immortality of the soul. The work is attributable to the workshop of the Flemish painter Frans Francken III...

17th century, Flemish School Adoration of the Magi Oil on copper, diam. 19.5 cm Framed 35.3 x 35.3 cm Engraved on the back in seventeenth-century calligraphy "Fiamingo" Vivid wo...