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William Keith Original Tonal Oil Painting Flock of Sheep by a Pond Landscape
About the Item
Original oil on canvas, tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water. A shepherd and shepherdess standing beneath a tree, watches over their herd of sheep as they make their way down to the water. The tone is relaxed and misty, with softly blurred details and an air of hazy tranquility with a burst of cumulous clouds and sunshine coming over the trees.
William Keith was a Scottish-American painter famous for his plein air California landscapes, characterized by how the landscapes captured feelings and emotions, rather than actual details. He was neither pure Realist nor pure Impressionist. During the 1870s, Keith painted a number of six-by ten-foot panoramas, including "Kings River Canyon" (Oakland Museum, originally owned by Governor Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by famous California landscape painters Albert Bierstadt and Thomas Hill. Keith is associated with Tonalism and the American Barbizon school of painting. Keith was a great friend of the famous naturalist and explorer, John Muir, who was also born in Scotland and in the same year as Keith. Keith explored the American West, accompanying Muir on several occasions. From the late 1880s on, Keith painted primarily in a subjective vein in which his emotional and spiritual reactions to the landscape were more important than topographical facts. He painted many woodland views that resembled those of Théodore Rousseau and other Barbizon painters, as well as the American painter, George Inness. In 1891, Inness visited the San Francisco Bay Area, and he and Keith painted together, with Keith regaining an enthusiasm for painting that he had begun to lose.
Although most of William Keith's painting career was spent in California, he initially immigrated to New York, in 1850, as an engraver. He moved to California in 1859 after visiting California on a trip he made for Harper's Bazaar. In 1858. Keith began exhibiting his paintings in San Francisco. He lived in the San Francisco Bay Area and Berkeley until his death in 1911. He was a prolific painter, having painted over 4,000 paintings in his lifetime. Tragically, thousands of his paintings were lost in the fires following the San Francisco earthquake in 1906, making his paintings all the more collectible.
Signed, "W. Keith" in the lower left corner.
Elegantly framed in a baroque style frame.
Measures: Approximately 41" wide x 31" high x 3" deep (framed). Canvas measures approximately 30" wide x 20" deep.
Painting canvas was relined to preserve the state of the painting.
- Creator:William Keith (Painter)
- Dimensions:Height: 31 in (78.74 cm)Width: 41 in (104.14 cm)Depth: 3 in (7.62 cm)
- Style:Barbizon School (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1895
- Condition:Repaired: Frame has been glued in the corners. Replacements made: Painting canvas was relined to preserve the state of the painting. Painting was professionally cleaned and revarnished by a world class fine art conservation laboratory (FACL) in Goleta, California. Wear consistent with age and use.
- Seller Location:Tustin, CA
- Reference Number:Seller: 0059-FSW1stDibs: LU4033343389272
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William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master."
Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter.
He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School.
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