Christopher Sharples - Notice Board

A Swedish Grace, elm, elm root and ebonized table or desk by Erik Chambert, with a rectangular top raised on rectangular supports with leaf-tip carving and carved scrolled feet.

A Swedish credenza and mirror by Otto Schulz (1882-1970), Produced by BOET, Stained birch and birch of rectangular form with three narrow drawers above three deep drawers, the deep d...

Danish teak circular table with a lipped edge raised on three circular tapered legs joined by a tripartite stretcher. Designed by Aksel Bender Madsen and Ejner Larsen. Produced by Wi...

A Mid-Century Modern burled olive or elm wood Parsons extension dining table By John Widdicomb, Grand Rapids, Michigan, USA, Circa 1970s, metal tag on verso. This wonderful and extre...

Deverne (1927-2012) was visual artist most interested in abstract geometric forms and textures. He was not known for photography and accordingly this surviving image is quite rare. T...

Contemporary Photographic works by George Harris British Graduate - Derby University Pine frames Signed by Artist These are unique contemporary subject matter there is only one s...

In the tapestry of Pascal and Vastian's artistry, behold a photograph that whispers the poignant tale of a sculpted hand, adorned in hues that dance with both resilience and fragility. A fractured finger, a silent echo of time's tender touch, rests as a testament to the delicate dance between strength and vulnerability. Colors, vivid and alive, cascade like a lyrical melody, painting emotions on the canvas of the sculpted palm. In this fractured fragment, a narrative unfolds—a story untold, a chapter suspended in the eternal dance of creation and decay. The play of light caresses the sculpted contours, revealing not just the form, but the essence of the captured moment. It is a photograph that transcends the tangible, inviting the observer to feel the pulse of emotion that courses through the veins of the broken...

Archival pigment print by Chris Austin. Untitled (Night #33), 2008. Edition 1/5.