Antique Engraving of Japanese People Riding a Bull, 1778

Antique map titled 'Amerique ou Indes Occidentales (..)'. Vaugondy's map of America, pre-dating information from any of the Cook Voyages. The NW Coast of Amer...

Antique map titled 'Die Cocos Insel vom Capt. Wallis Bosawren. Die Verrather Islel von Capt. Wallis Keppel Genannt'. Also with French subtitles. Old map of the Cocos or Keeling Islan...

Description: Antique map titled 'A New and Correct Map of the Russian Empire'. Original antique map of the Russian Empire. This map originates from Moore's 'New and Complete Coll...

Antique print, titled: 'De Stadt Saccai. La Ville de Saccai.' - ('The City Saccai'). This plate shows a view of Sakai in the Osaka Prefecture, Japan. Sakai has been one of the la...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...