Original Engraving of Japanese Musicians Playing Native Music Instruments, 1669

Antique print, titled: 'De Stadt Saccai. La Ville de Saccai.' - ('The City Saccai'). This plate shows a view of Sakai in the Osaka Prefecture, Japan. Sakai has been one of the la...

Description: Antique print, titled: 'Japansche Ren-baanen.' - View of a race at a Japanese (horse) racing track. A man runs beside a horse (the horse's rein in his hand). A man w...

One sheet with two engravings: One print is titled: 'Siccabonsii, Japansche Papen. [verso: Japanese soldiers].' An image of a Japanese priest. In one hand hee holds a long rope with a thick knot in it. In the other he holds aloft a copper gong...

Rare Antique print, titled: 'Cangoxuma.' A stunning bird's eye view of the coastal city Cangoxuma (Kagoshima) in Japan. It shows several boats in the harbour, as well as the ligh...

Antique print, titled: 'Afbeeldinge vant Maghtich Keyserlyck Casteel Osacca geleegen int groot Ryck Jappan besuyden de Stadt Osacce inde provinsie Qioo.' - ('Image of the Mighty Imperial Castle Osaka'). A bird's eye view of Osaka Castle, Japan. Arnoldus Montanus' "Gedenkwaerdige Gesantschappen der Oost-Indische Maatschappy in 't Vereenigde Nederland aan de Kaisaren van Japan […]. Amsterdam: Jacob Meurs, 1669. Artists and Engravers: Made by an anonymous engraver after 'Arnoldus Montanus'. Condition: Very good, given age. Original middle fold, as issued. Some faint browning of the margin edges. A few small spots in the margins (from paper making...

Antique print, titled: ''t Vermoorde vande Keyser Cubus. Massacre de l'Empereur Cubo.' - ('Murder of the Emperor Cubo'). Two armies clash in Kyoto, where the reigning Emperor was...

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Fine 18th century engraving of a stag, after the hunt, with a magnificient dog at rest, in a country scene, beautifully depicted.

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...