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Billingsgate by James Abbott McNeill Whistler, 1859
$3,500
£2,657.14
€3,039.20
CA$4,890.01
A$5,438.76
CHF 2,839.95
MX$66,183.87
NOK 36,270.49
SEK 34,015.32
DKK 22,682.73
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About the Item
This ink etching depicts a busy dock scene from the perspective of someone in the stern of a boat. There are several figures in the bow of this boat who are wearing hats; three are seated and two standing figures face each other and appear to be engaged in conversation. A body of water, the lower Thames in London, is visible to our right alongside this boat. Behind the figures are a row of sailboats moored at dock with many people on them. Extending behind these boats in the distance is an arched brick bridge, and to the left is a busy dock with a stairway that leads up to a row of brick buildings with arched windows and doorways.
Billingsgate is one of an 1859 series capturing the gritty industrial chaos of London along the docks of the lower Thames.
This work is part of the permanent collections of the Smithsonian, The Met, and the Isabella Stewart Gardner Museum, amongst others.
Materials: Laid Paper, Drypoint Engraving
Dimensions: 19-5/8" W x 15-5/8" H x 3/4" D (framed)
- Creator:James Abbott McNeill Whistler (Artist)
- Dimensions:Height: 15.625 in (39.69 cm)Width: 19.625 in (49.85 cm)Depth: 0.75 in (1.91 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1859
- Condition:Wear commensurate with age.
- Seller Location:Kenilworth, IL
- Reference Number:Seller: 22871stDibs: LU6534237658542
James Abbott McNeill Whistler
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. Whistler was born on July 11, 1834, in Lowell. During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from modern life and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his French Set brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially, under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the etching revival, he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters. In his Thames Set etchings, Whistler often introduced the figures of workmen, boatmen or loungers in the foregrounds. Whistler died on July 17, 1903, in London.
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