CHARLES SURENDORF - 'Golden Gate Bridge' - Woodblock Print - U.S. - Circa 1930's

NICOLE OUELLET - #83/200 - Vintage fine art hand colored copperplate engraving - signed/dated/numbered at the bottom of the print - double bevel edged matte - vintage wood and gilt f...

NICOLE OUELLET - #106/200 - Vintage fine art hand colored copperplate engraving - signed/dated/numbered at the bottom of the print - double bevel edged matte - vintage wood and gilt ...

CHAS S BUCK - 'Autumn Etching' - Mid century still life monotype engraving on paper - titled in pencil lower left - signed in pencil lower right - vintage chrome frame and single gra...

JACQUES VAN AALTEN (Belgian/American 1907-1997) - 'New Orleans' - Vintage hand colored print on paper - signed and titled in the print - co...

Anna Chrasta San Francisco Scene Bay & Golden Gate Bridge Lithograph Signed and Numbered 222/375 Double Mat, Blue Frame Image 10.5 x 7.5

Very special hand drawing of the Brooklyn Bridge and Manhattan Skyline from 1939. EastRiver with a tugboat passing under the bridge. Well done and a great perspective from a long los...

Large wood framed Brooklyn Bridge New York made in 1982 Mid-Century Modern Wall Painting, Fine Art. Signed by Artist., Numbered 51/250. Fine Art Size: 19.75 x 27.5 inches.   O-619-335

This artwork titled "Golden Gate Bridge, San Francisco" 1988 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 26 x 19.5 inches, framed is 37.25 x 31.25 inches. Published and printed by Art Estampes, Paris. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition, the frame has a minor restoration at the lower right side corner, practically invisible. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interiorscapes" or "interior visions...