"The Death of General Wolfe" Engraving by William Woollett, after Benjamin West

Presented is an engraving entitled “The British surrendering their arms to Gen. Washington after their defeat at Yorktown Virginia October 1781.” The dedication continues in the bottom margin, “To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis. Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York.” The engraving is after a painting by John Francis Renault, and engraved by Tanner, Vallance, Kearny & Co. and William Allen, in Philadelphia in January of 1819. This historic print depicts the surrender of the British forces after the Battle of Yorktown. The print shows Lord Cornwallis offering his sword to the Duke de Lauzun, who defers the weapon to General Washington. British officers stand with Cornwallis on the right and French and American officers are shown at center and left. The immediate background is filled with an elaborate allegorical scene. Behind the British troops is a female representation of “Discord,” wearing a billowing robes and liberty cap and floating on storm clouds, as she sends lightning bolts to up-end the British people and a chariot below her. Behind the American and French officers, “Prosperity” stands next to an overflowing cornucopia, with “Justice”, an infant child with a paddle inscribed “American Constitution,” representing the helm of statehood. They crowd around a neoclassical monument with a giant urn...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This color print of On The March to the Sea by Felix O.C. Darley, and engraved by A.H. Ritchie, is a stunning portrayal of William T. Sherman’s notorious Georgia Campaign. Originally...

Fully-entitled: Army of the Potomac. The Wagon Trains of the Army of the Potomac en Route from Chickahominy to James River VA. During the Seven...

William Henry Simmons (British, 1811-1882) Hand-tinted engraving after a painting by Anson Ambrose Martin. sight: 29 ½ by 20 ½ inches frame: 37 by 28 inches

Wonderfully executed collaborative engraving from the end of the 18th century. Artists Jean Baptiste Michel (Paris) & Willim Leney (London) printed by "W.H. Miller" muted color palet...

Antique English Print of “Soldier’s Dream of Home” by Frederick Goodall, Framed, 19thC Measures - 31.5"H x 36.75"W x 1.25"D A 19th-century antique Eng...

This splendid engraving is part of a series of 4 engravings. These différent engravings are entitled : « The archery », « the rendezvous at the fountain », « the infidelity » and fin...