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Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor
About the Item
Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Décor . Large 18th Century Etching / Engraving Of The Views Of Rome An Early Print View Of Tomb Church of Saint Costanza Built by Constantine the Great 306 to 337 AD. Giovanni Piranesi (1720-1778) Circa.1750 Collection Privée : Eléonore Vincent Banet (Paris) Beautifully Framed
Framed with Carved Giltwood frame. This beautiful wall mount Art on top of a console will add instant elegance . In a modern interior design or an old world charm traditional , decorative object for interior decoration design , A perfect gift during the holiday season , or special house warming present .
It will be a great addition to your special collection in a library as part of the bibelot . in a bathroom , library , entryway , living room , bedroom . We have more Prints by Giovanni Battista Piranesi to create a gallery wall in a simple way and bring style and personality to any room that fits with Modern Art .
this Rare Piranesi print is an 18th Century etching in a beautiful Frame with date CA.1750.
Giovanni started what is known as Veduti Di Roma around 1747 and from the thick laid paper and this would fall in the first decade of him etching the views of Rome. Reinforced with Bainbridge board, ensuring the preservation of the print. Even After his passing in 1778, they had other editions from the plates up till the year 1810.
Etching on thick laid paper Hind's first state with margins. On the market you will always find the re-editions (Decorative beautiful but Cheaper). Antiques Dealer Prints Etchings Paintings Old Masters Gallery West Hollywood Melrose Ave. La Cienega Blvd. Veduta Interna Del Sepolcro Di Costanza
Veduta interna del Sepolcro di S. Costanza, fabbricato da Constantino Magno, ed erroneamente detto il Tempio di Bacco, inoggi Chiesa della medesima Santa (View of the Interior of the Tomb of Santa Costanza, Built by Constantine the Great, and erroneously called the Temple of Bacchus, now the Church of the Same Saint), from Vedute di Roma (Views of Rome) Among the earliest subjects of the Vedute, not surprisingly, was the seat of Christendom, Saint Peter’s Basilica, and many of the other subjects Piranesi etched and hoped to sell to tourists are the sites that visitors still seek out today—the Colosseum, the ancient arches and baths, the Piazza Navona, the Campidoglio, and the major churches.
Similar work can be found at Yale University Art Gallery. from the Rome edition of ‘Vedute di Roma’, showing the interior of the circular church, built in the 4th century AD, traditionally thought to be by the Emperor Constantine to honour his deceased daughter Constantina, or Costanza, though this may have been a later christian rededication of an earlier pagan structure, as evidenced by some of the iconography amongst the well preserved mosaics contained within
etching with engraving, on thick laid paper
Height: 26.5 Inches Width: 32 Inch and 1.5 Inch thick
- Creator:Giovanni Battista Piranesi (Artist)
- Dimensions:Height: 26.5 in (67.31 cm)Width: 32 in (81.28 cm)Depth: 1.5 in (3.81 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1750
- Condition:Wear consistent with age and use. Minor losses. as seen in the pictures in a good condition, signs of the centuries on it. you are welcome to see it in person at La Maison Francaise Antiques by appointment only, thank you.
- Seller Location:West Hollywood, CA
- Reference Number:1stDibs: LU4400240577932
Giovanni Battista Piranesi
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.
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