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Exquisite 1818 Handcoloured Botanical Engraving Collection by Curtis

About the Item

The image showcases six hand-colored botanical copperplate engravings on vellin paper from the early 19th century, attributed to Samuel Curtis's publication. Here's a description of the plants along with their Latin and common English names, reflecting the detail and accuracy typical of botanical artwork from this period: 1. Top Left: This depicts the *Poinsettia pulcherrima*, commonly known as the Poinsettia. Native to Mexico and Central America, it's particularly celebrated for its bright red and green foliage and is widely used in Christmas floral displays. 2. Top Middle: Shown is *Rhododendron indicum*, known as the Azalea. This species is famous for its vibrant blooms and is a popular choice for ornamental horticulture. 3. Top Right: This illustration represents *Rosa chinensis*, commonly referred to as the China Rose. It's significant for its role in the breeding of many modern garden roses, admired for its repeat flowering unlike most wild roses. 4. Bottom Left: The flower depicted is *Anemone coronaria*, known as the Poppy Anemone. It is a species of the genus Anemone, native to the Mediterranean region, noted for its vibrant, showy flowers. 5. Bottom Middle: Illustrated here is *Begonia coccinea*, which carries the common name Angel Wing Begonia. Recognizable by its wing-shaped leaves and clusters of red flowers, it is popular in horticulture. 6. Bottom Right: The image shows *Hydrangea macrophylla*, commonly known as Bigleaf Hydrangea or French Hydrangea. This species is renowned for its large flower heads and is widely cultivated in many parts of the world. These illustrations are special not only for their scientific accuracy but also for their artistic execution. The meticulous detail and vibrant coloration help convey the unique characteristics of each plant, serving both educational and aesthetic purposes during a time when live specimens were hard to come by in many regions. This prints originate from ‘Curtis Botanical Magazine.’ William Curtis began publication of the Botanical Magazine in February 1787 and it continued even after his death almost without interruption until 1948. The images were engraved and hand-coloured by many reknown artists. The plates are known for their fine detail and delicate hand coloring. The prints are all copper engravings to Volume 70, then continue with stone or zinc lithography until the introduction of color printing in 1948.
  • Dimensions:
    Height: 9.06 in (23 cm)Width: 5.52 in (14 cm)Depth: 0 in (0.02 mm)
  • Sold As:
    Set of 6
  • Materials and Techniques:
    Paper,Engraved
  • Period:
  • Date of Manufacture:
    1818
  • Condition:
    Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
  • Seller Location:
    Langweer, NL
  • Reference Number:
    Seller: BG-13761-1, BG-13761-2, BG-13761-3, etc1stDibs: LU3054341415602

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Exquisite Botanical Illustrations from Curtis’s Botanical Magazine (1847)
Located in Langweer, NL
These beautiful hand-colored botanical illustrations, drawn and lithographed by the renowned artist Walter Hood Fitch, were featured in Sir William Jackson Hooker's *"Curtis's Botanical Magazine,"* published in London in 1847. Fitch was one of the most prolific and skilled botanical illustrators of the 19th century, known for his ability to capture the intricate details and vibrant hues of the plants he depicted. Sir William Jackson Hooker, a famous British botanist and the director of the Royal Botanic Gardens, Kew, commissioned these illustrations as part of his work to document newly discovered plants from around the world. The *Curtis’s Botanical Magazine* has been published since 1787 and remains one of the longest-running botanical periodicals. Detailed Descriptions of Each Plant #### 1. **Dipladenia Rosa-campestris** (*Hortul. ex Veitch*) - **English Name**: Rose Dipladenia - **Description**: This illustration showcases *Dipladenia rosa-campestris*, a striking flowering plant known for its showy pink to deep red trumpet-shaped flowers. Native to tropical regions of South America, particularly Brazil, *Dipladenia* belongs to the family Apocynaceae and is prized in horticulture for its vibrant blooms and ability to climb. Fitch's illustration emphasizes the waxy leaves and the vivid color of the petals, bringing the plant to life on the page. #### 2. **Begonia fuchsioides** (*Hook.*) - **English Name**: Fuchsia-flowered Begonia - **Description**: The *Begonia fuchsioides* is depicted with its characteristic red, pendulous flowers, which closely resemble the blooms of fuchsia plants. This species of Begonia is native to tropical regions and is popular for its delicate, bell-shaped flowers and glossy leaves. Fitch’s attention to the arrangement of the leaves and the contrast between the flowers' vibrant red and the soft green leaves provides a lifelike representation of this exotic plant. #### 3. **Agalmyla staminea** (*Blume*) - **English Name**: Staminate Agalmyla - **Description**: This illustration captures the unique red tubular flowers of *Agalmyla staminea*, a plant native to Southeast Asia. The species is part of the Gesneriaceae family and is known for its bright, showy flowers that grow in dense clusters. Fitch’s careful rendering of the plant’s leaves and the intricate veining, along with the vibrant red flowers, highlights his talent for bringing the botanical subject to life with both scientific accuracy and artistic flair. ### About the Makers #### **Walter Hood Fitch** (Artist and Lithographer) Walter Hood Fitch (1817–1892) was one of the most influential botanical artists of the 19th century, working primarily with Sir William Hooker and later his son, Joseph Dalton Hooker, at Kew Gardens. He produced thousands of illustrations for various botanical publications, including *Curtis’s Botanical Magazine*, where he was responsible for the majority of its plates from 1834 to 1877. Fitch’s mastery of lithography allowed him to create richly detailed and accurate depictions of plants, with a particular talent for illustrating both the botanical structure and the vibrant colors of flowers. #### **Sir William Jackson Hooker** (Director and Editor) Sir William Jackson Hooker (1785–1865) was a prominent British botanist and the director of the Royal Botanic Gardens, Kew. Under his leadership, Kew Gardens expanded its collection of plants from around the world, and Hooker was instrumental in promoting the scientific study and illustration of these species. As the editor of *Curtis’s Botanical Magazine*, Hooker collaborated with Fitch to document and share the beauty and diversity of plants with the scientific community and the public. ### The Lithographic Technique Lithography, particularly chromolithography, was a crucial innovation in botanical illustration. Fitch was skilled in the traditional method of lithography, where an image was drawn onto a stone plate with a greasy substance and then inked for printing. Hand-coloring was often applied afterward to bring the prints to life, as seen in these illustrations. This method allowed for highly detailed, accurate representations of plants and their botanical features, making it invaluable for both scientific study and aesthetic appreciation. ### Conclusion These prints from *Curtis’s Botanical Magazine* reflect the height of botanical art in the mid-19th century. The combination of Walter Fitch...
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