Items Similar to Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Want more images or videos?
Request additional images or videos from the seller
1 of 17
William CurtisSet of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany1796-1829
1796-1829
About the Item
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine
Year: 1796-1829
Medium: Set of Six Original Hand-Colored Engravings on wove watermarked paper
Limited edition: approx. 3,000
Printer: Sydenham Edwards, London, England
Publisher: William Curtis, London, England
Reference: "Great Flower Books" - page 156-157; Henrey No. 472; Hunt No. 689; Nissen BBI No. 2350; Stafleu & Cowan TL2 No. 1290
Sheet size (each): approx. 9.25" x 5.5"
Image size (each): approx. 6.63" x 4.25"
Condition: "No. 1110" has faint offsetting to its sheet. They are all otherwise in excellent condition with strong colors
Notes:
"No. 1110" has a "1807" watermark lower center. "No. 1856" has an unidentified partial watermark lower left.
Biography:
William Curtis (11 January 1746 - 7 July 1799) was an English botanist and entomologist, who was born at Alton, Hampshire, site of the Curtis Museum. Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared reached a wider audience than early works on the subject had intended. At the age of 25 he produced Instructions for collecting and preserving insects; particularly moths and butterflies.
Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published Flora Londinensis (6 volumes, 1777–1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and Sydenham Edwards. (William Kilburn is often erroneously cited as having contributed plates to Curtis's Botanical Magazine. Though he did provide illustrations to Flora Londinensis, his association with Curtis seems to have ended by 1777, 10 years before the first publication of the Botanical Magazine) Curtis was to gain wealth from the ventures into publishing, short sales on Londinensis were offset by over 3,000 copies of the magazine. Curtis said they had each brought 'pudding or praise'.
The genus Curtisia is named in his honour. His publication was continued as the esteemed botanical publication, Curtis's Botanical Magazine. The noted natural history illustrators, James Sowerby and Sydenham Edwards both found a start with the eminent magazine. He was buried in the churchyard at St. Mary's Church, Battersea where he is commemorated in a stained glass window, as many of his samples were collected from the churchyard there.
- Creator:William Curtis (1746 - 1799, American)
- Creation Year:1796-1829
- Dimensions:Height: 9.25 in (23.5 cm)Width: 5.5 in (13.97 cm)
- Medium:
- Movement & Style:
- Period:1790-1799
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121212718322
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2015
1,217 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Saint Augustine, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// BotanyBy William CurtisLocated in Saint Augustine, FLArtist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine Year: 1789-1810 Medium: Set of Six Original Hand-Colored Engra...Category
1780s Victorian Still-life Prints
MaterialsIntaglio, Laid Paper, Engraving, Watercolor
- Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants ArtBy Georges-Louis Leclerc, Comte de BuffonLocated in Saint Augustine, FLArtist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265) Portfolio: Histoire Naturel...Category
1740s Naturalistic Still-life Prints
MaterialsWatercolor, Engraving, Laid Paper, Intaglio
- Quivisia; Portesia /// Antique Botanical Botany Plants Science Engraving BuffonBy Georges-Louis Leclerc, Comte de BuffonLocated in Saint Augustine, FLArtist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302) Portfolio: Histoire Naturelle Year: 1749-1789 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Imprimerie Nationale, Paris, France Publisher: Georges-Louis Leclerc, Comte de Buffon, Paris, France Framing: Not framed, but beautifully double matted with hand decorated archival French matting...Category
2010s Naturalistic Still-life Prints
MaterialsWatercolor, Engraving, Laid Paper, Intaglio
- Rosa Tomentosa (Harsh Downy-rose) /// Botanical Botany James Sowerby Flower ArtBy James SowerbyLocated in Saint Augustine, FLArtist: James Sowerby (English, 1757-1822) Title: "Rosa Tomentosa (Harsh Downy-rose)" (Plate 990) Portfolio: English Botany Year: 1802 Medium: Original Hand-Colored Engraving on wove paper Limited edition: Unknown Printer: J. Davis, Richard and Arthur Taylor, London, UK Publisher: James Sowerby, London, UK Reference: Henrey No. 1366-1368; Hunt No. 717; Nissen BBI No. 2225-2226; Pritzel No. 8789-8791; Stafleu and Cowan No. 12221 Framing: Recently framed in a gold gilded, fluted moulding with 100% cotton rag matting from Holland. All archival Framed size: 14.75" x 12" Image size: 7.13" x 4.25" Condition: In excellent condition Notes: Comes from Sowerby's monumental thirty-seven volume, bound in thirty-six, portfolio "English Botany" or "Coloured Figures of British Plants" (1790-1814), which consists of 2,592 hand-colored engravings. Rosa tomentosa, otherwise known as the harsh downy-rose, is a species of plant in the family Rosaceae. It is native to the British Isles, where it is commonest in Wales and west and south-east England. It typically flowers between June and July and can be found in hedgerows and woodland margins. Biography: James Sowerby (21 March 1757-25 October 1822) was an English naturalist, illustrator and mineralogist. Contributions to published works, such as A Specimen of the Botany of New Holland...Category
Early 1800s Naturalistic Still-life Prints
MaterialsIntaglio, Watercolor, Engraving
- Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants ArtBy Georges-Louis Leclerc, Comte de BuffonLocated in Saint Augustine, FLArtist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508) Portfolio: Histoire N...Category
1740s Naturalistic Still-life Prints
MaterialsWatercolor, Engraving, Laid Paper, Intaglio
- Cardiaca (Motherwart) /// Botanical Botany Female Artist Antique Flowers PrintBy Elizabeth BlackwellLocated in Saint Augustine, FLArtist: Elizabeth Blackwell (Scottish, 1707-1758) Title: "Cardiaca (Motherwart)" (Plate 171) Portfolio: Herbarium Blackwellianum Emendatum et Auctum Circa: 1750 Medium: Original Hand-Colored Engraving on wove paper Limited edition: Unknown Printer: Unknown Publisher: Johann Joseph Fleischmann and Christian de Launoy, Nuremberg, Germany Reference: Arnold Aboretum page 86; BLNH I, page 169; Cleveland 444; Great Flower Books...Category
1750s Rococo Still-life Prints
MaterialsIntaglio, Watercolor, Engraving
You May Also Like
- "La Mer VE 7/8" Intaglio, hand colored, seashell motifBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "La Mer VE 7/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...Category
21st Century and Contemporary Contemporary Still-life Prints
MaterialsArchival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
- "La Mer VE 6/8" Intaglio, hand colored, seashell motifBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "La Mer VE 6/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...Category
21st Century and Contemporary Contemporary Still-life Prints
MaterialsArchival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
- "La Mer VE 5/8" Intaglio, hand colored, seashell motifBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "La Mer VE 5/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...Category
21st Century and Contemporary Contemporary Still-life Prints
MaterialsArchival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
- "La Mer VE 1/8" Intaglio, hand colored, seashell motifBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...Category
21st Century and Contemporary Contemporary Still-life Prints
MaterialsColor, Etching, Intaglio, Drypoint, Aquatint, Archival Paper
- "La Mer VE 3/8" Intaglio, hand colored, seashell motifBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...Category
21st Century and Contemporary Contemporary Still-life Prints
MaterialsArchival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
- "La Mer VE 2/8" Intaglio, hand colored, seashell motifBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "La Mer VE 2/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...Category
21st Century and Contemporary Contemporary Still-life Prints
MaterialsArchival Paper, Color, Drypoint, Etching, Aquatint, Intaglio