North American Prints

A fantastic original etching by famed Spanish artist Pablo Picasso titled "Pour Roby" (from L’Age de Soleil). This minimalistic portrait by Picasso features thin lines that outline a...

Extraordinary lithographic print on paper of two Porsche automobiles, a 944 and a 356 by famed automotive and aviation artist David Lord. Signed and dated, 1985. Image dimensions: 16.75” x 20.75”. Chromed frame dimensions: 24.25” x 27.25”. About David Lord Inspiration for David Lord to draw and paint came from hours spent as a child at a drawing board set next to his talented grandmother’s easel. “She painted flowers and landscapes . . . I drew cars, boats, airplanes and army tanks.” In addition, a beloved, dedicated, high school teacher, who “instilled the love of art history, taught me art skills and techniques, and the ability to ‘know what to keep . . . and what to leave out’ of my art.” A New Englander by birth, David attended high school in Connecticut. Art was his favorite class and he kept his eighth grade dream of going to art school alive with hundreds of hours spent drawing cars and planes. After high school, he began two years of art studies at the University of Hartford in Connecticut and then began training at Art center College of Design in Los Angeles, California. After two semesters there, general Motors granted him a full scholarship. He graduated in 1965 as a Bachelor of professional Arts in Industrial Design. Upon graduation, Lord was hired by UniRoyal in South bend, Indiana, to design consumer products and eventually products for military application in Vietnam. “I also had the honor and privilege of working with Gordon Buehrig on the preliminary design, drawings, and clay for the 8/10 scale Cord, built of vacuum-formable, color impregnated plastic. After three years with a South Bend industrial design firm, Lord started his own company. During this period he spent many late evenings at the easel in his own studio, painting and drawing automobiles. The direction of his artwork, philosophy and goals began to form. “I decided to focus my love of all things automotive with my talent for painting and drawing. I had been to many events over the years; councours, car and air shows, had an extensive automotive reference collection and four major influences and mentors. These were men whose talent I was in awe over the years; Peter Helck, Walter Gotschke...

Title: Marilyn Monroe Silver By: Steve Kaufman. Date: 1990s. A limited edition screen-print on canvas with hand embellishments (in oil) depicting Marilyn Monroe. Sign...

Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...

"Bain de Soleil" black & white Archival Photographic Ink Jet Print ED 3 by Christophe von Hohenberg. The photo was shot in the Hamptons, NY in 2022. Signed on the Verso. Dimensions o...

"Museum de Arte Popular" print edition 1/6 of Staircase shot in Mexico City in 2017-2018 by Christophe von Hohenberg. Printed and signed on Hahnemuhle Photo Rag Deckle Edge (4 sides)...

This lithograph portrays a pleasant scene of a man in a top hat atop a handsome dark horse, with a boy riding a white horse (presumably father and son) in front of a country estate, while women gather as they water flowers, and children play with a lamb in the foreground. A man plows a field; while a horse is being groomed near the stable in the background. Afar and to the right is the sea dotted with ships here and there. The folio is mounted on cardboard and set in the matte. It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and slight fading, The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in their original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Original US International Spanish Language film poster for Mean Streets. This film was directed by Martin Scorsese and starred Robert De Niro and Harvey Keitel. This poster was print...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 14 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of...

Thomas Moran (American, 1837-1926). Thomas Moran "Castle of San Juan de Vlua, Vera Cruz" Etching C. 1884

Beautiful reproduction print on board. Walter Kuhn, The Blue Clown. Original dates to 1931. Wonderful visual and expression.

Josef Albers formulations - Articulations I & II Print #9 Edition 974/ 1000 1972 screen-print on paper Embossed with Josef Albers initials, portfolio and folder number. This work is ...

Sensational image by Frederick Simpson Coburn In the style of one of my favourite artists, Goya Photogravure Limited edition of 300. This is No. 84 From The Complete Works of Edgar Allen Poe...

Awash in Color: French and Japanese Prints by Chelsea Foxwell. University of Chicago, David and Alfred Smart Museum, 2012. 1st Ed softcover catalog. Wh...

Exceptionally rare original Japanese poster for Akira Kurosawa's classic film The Seven Samurai. This poster was created to be used in provincial cities in Japan and not in the main ...

"Dancer” – Artist’s Proof Serigraph by Bertha Vincent Walls (American, 1917–2010) Bertha Vincent Walls (American, 1917–2010). Edition: Artist’s Proof (A.P.), pencil signed lower right, edition notation lower left. A striking silkscreen print by noted American artist Bertha Vincent Walls, whose work explores dynamic human forms through bold color blocking and dramatic silhouette. In Dancer, a muscular male figure is caught mid-leap, arm raised with theatrical flair against an abstract red and ochre background. The visual tension between motion and stillness reflects Walls’ deep engagement with modern dance, movement, and the expressive human body. This vibrant Artist’s Proof exemplifies the artist’s command of color and form in mid-century printmaking. Attribution Note: Stylistically, Dancer aligns with the mid-20th-century figurative expression seen in the works of Charles Wilbert White...

"Pocahontas Saving The Life of Captain John Smith" is a chromo-lithograph made by the "New Eng. Chromo Lith. Co. Boston" (printed on the lower left border). It is dated 1870...

Intaglio print by Colombian artist Omar Rayo (1928-2010). This is signed in pencil lower left "C/A No. 1/5 Omar Rayo - El Vaso". This was likely made in New York as he had just move...

A hand-colored lithograph from Indian Tribes of North America by Thomas McKenney (1785-1859) and James Hall (1793-1868) titled Naw-Kaw or Wood, A Winnebago Chief. The lithograph by L...

Sensational image by Frederick Simpson Coburn. In the style of one of my favourite artists, Goya. Photogravure. Limited edition of 300. This is No. 84. From The Complete ...

Helen Frankenthaler (1928-2011) Six color lithograph, Dream Walk, 1977. Number 39 from an edition of 47, pencil lower left corner. Signed and dated 1977 in pencil in lower right cor...

Black-tailed Hare from the first volume of the octavo edition of Audubon's “Quadrupeds of North America”. John James Audubon (1765-1851), after coming to America around 1803 became ...

Modern Post-War Fish Monoprint composed of blue ink on black paper. Signed at bottom right "Mury" and titled at bottom left "The Monster from Tomkins Cove (NY)." Matted and contained...

An abstract modernist serigraph on paper titled "Eliat" by Richard Kozlow. Hand signed in pencil on the lower right. Titled and annotated 53/100 on the lower left. Published circa 19...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Adorable and rare Brunschwig & Fils hand-printed wallpaper border inspired by Victorian design from the Victoria & Albert Museum. Have not been able t...

Presenting a fabulous original Art Deco Fortune Magazine Cover, February 1938. The cover of Fortune Magazine for February 1938, framed and matted. This is an original cover, no...

Black & White Print of Female Nude pencil signed and numbered 58/150 artist Unknown date Unknown images size: 18 3/4" x 29" "very nicely framed" mahogany frame with gold edge linen...

Josef Albers – Interaction of Color (V-5), 1963 Medium: Offset lithograph on paper Dimensions: Double sheet, approx. "20 H × 26" W (each sh...

Wonderful Dana Gibson framed tiger print. Gibson's home accent line includes vivid hues and bold graphic designs. Tiger itself features a creamy be...

Antique map of Long Island, Southold, Shelter Island, Orient, Great details, Names of homes, Roads and Businesses in 1870. Unframed. This is...

A large folio hand colored lithograph by Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) titled "Camping Out Some of the Right Sort" published by Currier and Ives, New York, 1856. A charming and evocative composition depicting a group of mid-19th century men...

Original colour studio promotional photograph for the classic 1940 comedy starring Cary Grant, Katherine Hepburn and James Stewart. This piece is conservation framed with in a Tuli...

This is a very good coloured Lithograph Print of National Coats Of Arms. The print is mounted all ready for framing. The external measurements of the mount are 12 W x 15 H and t...

Artist: Jose Luis Cuevas Title: The tortured ones Medium: Lithograph Edition: 11/20 Date:1965 Sheet size: 22 1/4 x 30 inches Signed, dated and number...

Limited edition lithograph entitled "Many Men" by Ben Shahn, circa late 1960s. "Many Men" depicts modernist black silhouette figures in business suits on a teeming street. Released b...

Large Scale Muramasa Kudo, Watermelon, Printer Proof Screenprint, Signed and Numbered in Pencil by the Artist. Circa 1980s Framed with a brass pleated ...

The John James Audubon double elephant folio chromolithograph Plate 389 No. 6-4 Crested Grebe from Birds of America. Podiceps Cristatus. Adult ...

Four classical prints circa 1900s-1920s each in original wood frame, under glass. These are priced and offered individually but we would love to see t...

PRESENTING a GORGEOUS Set of 13 Original prints, namely, a First Edition, First Printing of 13 Plates by Harrison Fisher. These are original plates from a First Edition First Printing of Harrison Fisher’s very DESIRABLE 1910 Book of “Pictures in Color”, published by Charles Scribner’s Sons of New York in 1910. This set consists of ALL 13 plates from the book ALL professionally framed in beautiful gold frames with COA on back. We have photos of the original book in the Gallery to add to the provenance and authenticity. The book was given to a lady named ‘Edna Mayers’ in 1942. We even have a photo of Edna in the Gallery. NOTE: WE will include the remainder of the book to the successful buyer. The 13 Prints are called and labeled: ‘A Modern Eve’ ‘Engagement Days’ ‘Gathering Honey’ ‘In Suspense’ ‘Lost ?’ ‘Taking Toll’ ‘The American Girl in England’ ‘The American Girl in Holland’ ‘The American Girl in Ireland’ ‘The American Girl in Japan’ ‘The Fudge Party’ ‘The Sport’ ‘You Will Marry a Dark Man’ CLASSIC ART NOUVEAU !! Harrison Fisher (July 27, 1875 or 1877 – January 19, 1934) was an American illustrator. Fisher was born in Brooklyn, New York City and began to draw at an early age. Both his father and his grandfather were artists. Fisher spent much of his youth in San Francisco, and studied at the San Francisco Art Association. In California he studied with Amédée Joullin. In 1898, he moved back to New York and began his career as a newspaper and magazine illustrator, working for the San Francisco Call and the San Francisco Examiner, drawing sketches and decorative work. He became known particularly for his drawings of women...

Josef Albers abstract lithograph from Interaction of color, circa 1960s.

A beautiful, serene rural image by Dutch-born American/Californian painter, etcher, and artist Cornelis Botke (1887-1954) titled "Road to Bodega (sometimes referred to as On The Road...

Privately printed and distributed by the artist. Signed in the matrix. Unframed.

Printed in a lovely shade of ruddy brown, this mysterious print depicts a young Black male figure in the foreground, with an older African American man behind him and holding him by ...

'Tallit Kattan' No. 9 /12, 1975, Lithograph by Sarah V. Gersouitz Sarah V. Gersovitz (Canadian, 20th) Color Lithograph on woven paper Titled 'Tallit Kattan'. Pencil signed in low...

Original vintage poster from Denoyer-Geppert's General Biology Series, poster GB 1 of One-Celled Animals. These educational charts were used in schools for science classes and built ...

Engraving on paper from Altman's series of works centering on life in Central Park, New York City. The composition shows three women standing in close proximity to one another on a l...

Print by Boris O'Klein depicting dirty street dogs titled "The Queens".

An ornithological lithographic print of the Scissor-Tailed Hummingbird from John Gould 's “A Monogram of the Trochilidae, or Family of Hummingbirds,” published in five volumes from 1...

An interesting depiction of the Korean Embassy as published in The Wasp, a weekly San Francisco newspaper started in 1876 by Francis Korbel. The Wasp had a very political and anti-im...

A set of two large etchings by famed American artist Jim Dine (1935- ) titled "Blue (Diptych)" which appears to be based on his sublime 1980 painting "A Tree that Shatters the Dancing" which can be found in The Museum of Modern Art (MOMA), New York. Diptych etching with electric tools on two sheets of Rives BFK paper. Printed by Mitchell Friedman and Nicholas Dine. Published by Pace Editions, New York. D'Oench/Feinberg 89. The work is pencil-signed and dated 1981 by Dine and noted "P/P" for printer's proof (aside from a numbered edition of 29). Quite a rare and stunning set. Provenance: Property from the collection of Mitchell Friedman, master printer for Jim Dine 1974-1981. Along with such revered artists like Roy Lichtenstein...

An extremely rare Charles Eames "Design of the Century" advertising poster By Herman Miller USA, circa 1999 Measures: 25.13"W x 0.75"D x 37.13"H. Excellent condition.

This historical and rare item celebrates one of the most influential writers, politicians, and American Revolutionary figures, Thomas Jefferson. Featured is a four-page facsimile ste...

Marcel Duchamp Lithograph "Broyeuse de Chocolat No. 2" – New York Graphic Society, 1972 Available for sale: A rare lithograph of Marcel Duchamp's iconic 1914 painting Broyeuse de Ch...

Immerse yourself in the historical charm of "Wall Street in 1834" with this captivating aquatint print, a faithful copy of the original artwork by the esteemed French artist Raoul Va...

This beautiful iconic vintage pop art Chanel poster is presented with a modern white frame and has a blue background and black. This poster is mounted on linen and is depicting the l...

Original Matson Lines Hawaii "Festival of the Sea" artwork lithograph by artist Eugene Savage taken from the well-known Matson Cruise Line's original menus. It is featured in the original bamboo frame chosen for the artwork. The art was used as a menu but they also sold these prints on cardboard. The Artist was Eugene Savage. Bought on ship or at the Royal Hawaiian Hotel...

Querelle A27 (white) screen print by Andy Warhol, circa 1982. The print is in very good vintage condition and measures 27.5"W x 39.25"H. Very impressive piece in person, sorry about the glare in the photos. #2631 This rare print of two young men in a rather provocative pose, Andy Warhol used a photograph taken in preparation of his poster for Rainer Werner Fassbinder’s film Querelle. In 1982, Warhol was commissioned by the German film director Rainer Fassbinder, to design a poster for his adaptation of Jean Genet’s classic novel, ‘Querelle’. The story of a sailor’s journey into the sexual underworld of a French port appealed to Warhol’s cinematic sensibilities and could easily have been one of his own productions (he had started making films in the 1960s). This design is based on a photograph by Warhol of two young men with bare shoulders. It is characteristic of his work in the 1980s, incorporating elements of both hand-drawn and photographic screen printing. He focuses attention on the suggestively licking tongue by splashing it with a vibrant red. The film is based on Jean Genet’s scandalous novel Querelle de Brest, written in 1947 and published only six years later. It is not difficult to imagine that both Fassbinder and Warhol where fascinated by Genet’s violent and explicitly homoerotic story of the sailor, opium dealer and murderer Georges Querelle. The film’s notoriety was further heightened by Fassbinder’s death of drug overdose and its posthumous release in 1982. Warhol’s screen prints...