Original Antique Lithograph of a Horse Showing the Passion 'Rage & Agony', 1827

Antique horse print titled 'Plate 4th Affection, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Antique horse print titled 'Plate 2nd Love, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Antique print titled 'Cheval Ecorché'. Copper engraving of an écorché of a horse. An écorché is a figure drawn, painted, or sculpted showing the muscles of the body without skin. Thi...

Antique print titled 'Manege, le Galop uni à gauche et le Galop faux à gauche. Copper engraving of horse riding: United Gallop on Left Lead, and Disunited Gallop on Left Lead. Origi...

Great image of a racehorse. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after George Stubbs with original hand color. ...

Lithograph realized in 19th Century. In very good condition, it is matted in a black mat.

Great image of a grey horse Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after George Stubbs with original hand color. ...

Horses is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810. Good conditions. Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity...