1820s Prints

The print is a beautifully detailed hand-colored lithograph from the early 19th century, attributed to Carl Wilhelm Hahn. It showcases the Spangled C...

By Matthew Dubourg [British, active 1808-1838]. Complete set of 26 views of the remains of ancient buildings in Rome and its vicinity. Beautifully matted with giltwood frames. Ready ...

Wonderful image of the Pyramids of Egypt Fine copper-plate engraving Published C.1820 Unframed.  

Great map of South East Asia Drawn under the direction of Arrowsmith Copper-plate engraving Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

Charles Duke is depicted in a relaxed pose, sitting with one arm resting on the arm of the chair and the other holding what appears to be a snuff box, a common accessory of the period among the upper class. His attire is indicative of a person of high social standing during this era. This engraving was likely used to honor the Duke's contributions to the society mentioned and might have been distributed among its members or sold to admirers of the Duke and supporters of the society's causes. The text on the image provides a title and description of the person depicted in the portrait. It reads: "His Grace CHARLES DUKE OF...

A satirical engraving of John Wilkes, a notable figure in 18th-century British politics known for his radical views and fierce criticism of the monarchy and government. Wilkes was ...

This is an hand-colored illustration of an officer from the King's German Legion, specifically the 3rd Hussar Regiment, also known as the Duke of Cambridge's Hussars. The King's Ge...

The title of this original antique print is the "Königl. Hannover. Garde Hussaren Regt.", which translates to "Royal Hanoverian Guard Hussar Regiment". This unit would have been par...

This original lithograph is a hand-colored lithograph from the early 19th century, depicting a vibrantly colored bird identified as "Tanagra Episcopus Linn. Mus." This refers to the Blue-grey Tanager (Thraupis episcopus), a small bird found in Central and South America, known for its striking plumage which includes various shades of blue and grey. The term "Tanagra" is an older name that was historically used for this group of birds, which are now more commonly referred to as "Thraupis" in scientific nomenclature. The label "Die Pfarrelis Aertze. Mann." is more challenging to interpret, as it does not correspond to modern scientific or common names. It could be an archaic or poetic name for the bird, or possibly a transcription error. The lithograph, designated as "Iste Lieferung 3te Tafel," suggests that it is the third plate of the first installment of a series. The delicate and precise hand-coloring brings the illustration to life, highlighting the bird's detailed feather patterns and bright coloration. This piece is marked "nach der Natur gezeichnet von C.W. Hahn," indicating that Carl Wilhelm Hahn...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

This hand-colored lithograph from the 19th century depicts an officer from the King's German Legion, specifically the "2nd Cavalry Regiment," also known as the Queen's Hussars ("Köni...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

The image is an original lithograph by Carl Wilhelm Hahn. This print is titled "Procnias ventralis, Illg" and is referred to as "Der kahlichtige Schn...

This print from "Illustrations of British Ornithology" by Prideaux John Selby features the Little Auk in both its summer and winter plumages. The illustration captures the distinctiv...

This engraving is from Prideaux John Selby's "Illustrations of British Ornithology," depicting two species of plovers. It shows the Ring Plover in two different stages of life—adult ...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The print from Prideaux John Selby's "Il...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This particular print from Prideaux John...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This engraving is an exquisite print fro...

A beautifully detailed print from Prideaux John Selby's "Illustrations of British Ornithology," depicting the Little Gull in various stages of plumage. The artwork features an adul...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The image is a colored etching from "Ill...

Large original antique print with two illustrations of birds, which are finely detailed and colored, from a series of ornithological studies. The print is engraved with the signature...

This original antique engraving features a pair of Dippers, also known as water ouzels, which are small, stout, aquatic songbirds. This print from Prideaux John Selby's "Illustration...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The text identifies the species depicted i...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This original antique aquatint is a picturesque depiction of Söderfors, a place likely to be in Sweden, given the naming convention and style of the artwork. Crafted by Ulrik Thersner in 1825, the image portrays a vibrant, pastoral scene set by a rushing waterway, suggesting the presence of a river or stream. The landscape is dotted with buildings that have the architectural hallmarks of early 19th-century Swedish design. A group of figures is depicted in the foreground, which adds a human element and scale to the scene. Söderfors, if it is the same location known today, has a historical industrial background and is located in Uppsala County, Sweden. The area has been known for its ironworks and manufacturing history dating back to the 17th century. It is a locality situated in Tierp Municipality, Uppsala County, Sweden with 1,572 inhabitants in 2010 If the aquatint represents this area, it may have captured Söderfors at a time when it was transitioning from a more agricultural society to one influenced by industrialization. Today, the region may still have remnants of its historical past, although it would have undoubtedly undergone significant changes since Thersner's time. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

The engraving is captioned as "Mode of Fighting in the Navigator's Islands" and depicts a scene of conflict among the indigenous people of the Navigator's Islands, now known as the ...

Spring and Langan English boxing scene aquatint etching Drawn and etched by James Clements & John Pitman Worcester; Published March 22, 1824 by James Clements & John Pitman at 184 F...

Great map of Hungary Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

Early 19th century framed lithograph by Jean Baptiste Madou (1796-1877) is a remarkable work entitled Les Aquarelles depicting a gathering of the well-heeled of early 19th century F...

Exceeding rare and important lithograph for the history of Swiss lithography. Engelmann, G. (Godefroy), 1788-1839, lithographer; after Rullmann, Ludwig, 1765-1822, artist Souvenir ...

This attractive map of Massachusetts presents a finely detailed overview of the state in the first quarter of the 19th century. Transportation ...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Engraved by J. Laporte after Thomas Gainsborough Soft-ground etching with blue-green wash Landscape Published in the series: Collection of Prints Illustrative of English Scenery from...

Our Blanc de la Mer Glaciale  Tres remarquable par sa tete allongee, et sa blancher….  Dimensions: Height: 10.83 in (27.5 cm) Width: 14.57 in (37 cm) Extremely rare.   Is...

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1821 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820. Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1821 Unframed. .

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1821 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1821 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.

Sheet size: 55.4 x 36 cm Etching with later colour. On wove paper. Exceptionally etched sheet come from the first edition of Sylva Britannica. Jacob George...

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.    

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1821 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.