1920s Prints

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

22.25” x 18.25” Art 18” x 12” 1959 print by artist Fernand Léger, "Nature Morte au Buste," numbered 129 of 300. Part of limited edition of prints by the artist, licensed posthumous...

"Eva und die Schlange" (Eve and the Snake) by Nathan Altman is anintriguing lithograph from the "Jüdische Graphik" series produced in 1923. This artwork features a compelling and symbolically rich depiction of Eve entwined with the snake, set against the same burnished gold background that characterizes other prints from this series. The use of black and white lithography enhances the dramatic interplay between the figures, highlighting themes of temptation and knowledge that are central to the Biblical story of Eve. In this print, Altman's avant-garde sensibilities are evident in the stylization of the figures and the expressive, almost abstract forms of the snake and foliage. The inclusion of Hebrew text further anchors the piece within its Jewish cultural context, possibly adding layers of interpretation related to wisdom, sin, and redemption. As with the other prints from this series, the limited edition of only 250 copies increases its rarity and value. Altman's work not only captures significant biblical narratives but also reflects the broader themes of cultural identity and modernist experimentation in the early 20th century. This print serves as a fascinating example of how traditional stories are reinterpreted through modernist artistic lenses, making it a valuable piece for collectors and admirers of Jewish and avant-garde art. Altmann’s choice of a burnished gold background not only enriches the visual impact but also elevates the symbolic elements, giving the artwork a solemn and revered quality. This specific piece, like others from the series, was produced in Berlin by the publisher "Petropolis," reflecting the vibrant Jewish artistic community that existed in pre-war Europe. Altmann’s work, especially given his background as a Jewish artist in Soviet Russia, often navigated between his cultural identity and the broader avant-garde movements, making each of his pieces historically and artistically significant. This print, considering its rarity and the mystery surrounding the number of surviving copies, is an exceptional representation of Jewish cultural history intertwined with early 20th-century art movements. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

This print from the "Svenska Fåglar Efter Naturen Och På Sten Ritade" series features the Golden Eagle, Aquila chrysaetos, known in Swedish as "Kungsörn." The eagle is portrayed in a...

This print, part of the esteemed "Svenska Fåglar Efter Naturen Och På Sten Ritade" series, presents the common mallard, Anas platyrhynchos, rendered with exceptional attention to det...

This lithograph, part of Nathan Altmann's "Jüdische Graphik" series, depicts a stylized vase with a flower, produced in 1923. The artwork, in black and white on a burnished gold background, showcases Altman's avant-garde approach to graphic design and illustration. The use of simple, yet bold forms highlights the modernist influence on Altman, merging elements of Cubism with a symbolic representation that might suggest themes of growth, beauty, or fragility. The vase and flower motif, although a common subject in art, is transformed under Altman's hand into a piece that reflects both the artistic trends of the early 20th century and the cultural identity of the Jewish community in Berlin at that time. The production of only 250 copies makes this print a rare and significant piece, with its current existence a testament to the historical and artistic value of Altman's work. Altman's background as a Russian and Soviet artist who engaged deeply with Jewish themes...

"Phantastische Tiere" (Fantastic Animals) by Nathan Altman is a compelling lithograph from the "Jüdische Graphik" series. Produced in 1923, this print shows an exquisite combination ...

Louis Icart (1888-1950). Art Deco color lithograph on Japanese paper. Romantic composition featuring Faust with a young girl, in a church architecture. 1928 After the work of Goethe....

The print shows the bird **Riparia riparia** (Sand Martin). Title: "Riparia Riparia - Hand-colored Sand Martin Lithograph by M. von Wright" **Artist:** Magnus von Wright **Printe...

An original handcolored print featuring the Meadow Pipit (Anthus pratensis): **Title:** Anthus Pratensis - Hand-colored Meadow Pipit Lithograph **Artist:** Magnus von Wright **Pr...

Handcolored heliotype of two French ships after a work of Jean-Jérôme Baugean, created in circa 1920. This original print is described as a handcolored heliotype, a technique that w...

This print, another exquisite piece from the "Svenska Fåglar Efter Naturen Och På Sten Ritade" collection, features the Northern Shoveler, scientifically named Spatula clypeata. The ...

Zoological didactic plate n. 59 lithograph on cardboard made in 1925 depicting enlargements of worm organs. Dybdhals Zoologiske Plancher P.M.Bye & Co Oslo. Made by H Aschehoug & Co. ...

This print from the "Svenska Fåglar Efter Naturen Och På Sten Ritade" series presents the formidable Gyrfalcon, or 'Jaktfalk' in Swedish, scientifically named Falco rusticolus. The b...

Handcolored heliotype of an English ship after a work of Jean-Jérôme Baugean, created in circa 1920. This original print is described as a handcolored heliotype, a technique that wa...

This ornithological print features the Somateria spectabilis, commonly known as the King Eider, from the celebrated "Svenska Fåglar" series. The King Eider, a sea duck known for its ...

This print, a part of the "Svenska Fåglar Efter Naturen Och På Sten Ritade" collection, features the Merlin, known scientifically as Falco Aesalon. The bird of prey is depicted perch...

This print, part of the esteemed "Svenska Fåglar Efter Naturen Och På Sten Ritade" series, features the Red-throated Loon, known as Gavia stellata, or 'Smålom' in Swedish. "Colymbu...

This print from the renowned "Svenska Fåglar Efter Naturen Och På Sten Ritade" series, crafted by the meticulous hand of Wilhelm von Wright, features the graceful Ardea cinerea, or G...

Elizabeth O'Neill Verner (American, 1883-1979) Wrought Iron Gate, 1928 etching signed and titled sight: 2 ⅜ by 3 inches frame: 5 ¼ by 7 inches

Dutch painter and graphic artist Jan Toorop is considered one of the most important members of a group of artists that led the way towards the new directions art in the Netherlands v...

Dutch painter and graphic artist Jan Toorop is considered one of the most important members of a group of artists that led the way towards the new directions art in the Netherlands v...

Louis Icart (1888-1950). Etching on paper. "Look". Dated 1928. Visible dimensions: 46 x 35 cm. Total dimensions incl. passepartout: 67 x 49 cm. The frame measures: 2 cm. In exc...

Louis Icart (1888-1950). Color lithograph on paper. Don Juan. 1920s. Signed in pencil. In perfect condition. Total dimensions: 50 cm x 67.5 cm. Image dimensions: 39.0 cm x 57.5 cm.

Antique bird print titled 'Muscicapa Collaris'. Old bird print depicting the White-Collared Flycatcher. This print orginates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by ...

Louis Icart (1888-1950). Etching on paper. Semi-nude woman picking grapes. Ca. 1920. Signed in pencil. In excellent condition. Visible dimensions: 24 x 18.5 cm. Total dimensions:...

Louis Icart (1888-1950). Etching on paper. "Wishing Well". Dated 1925. Visible dimensions: 43 x 28 cm. Total dimensions: 54 x 40 cm. The frame measures: 2.5 cm. In excellent cond...

Louis Icart (1888-1950). Etching on paper. Lady in a short dress with a cockatoo. One of Icart's earlier etchings showing his sense of humor. Elegantly crafted gold frame from the ...

A beautiful and exceedingly engaging limited edition etching/print titled "Street Booth, Tokyo New Years Eve" by famed Australian/American painter/artist/master printmaker Martin Lewis (1881-1962). This image was created in 1927. Lewis was born in Castlemaine, Victoria, Australia in 1881 but migrated to the United States in 1900. After working in San Francisco and New York he then traveled to Japan to study Japanese art for two years. Lewis eventually returned to the US and settled back in New York in the early 1920s where he would experience his most artistically productive breakthrough period (between 1925-1935) in which he would create some of his most well-known works including this piece. Today, Lewis is universally considered to be one of the most important American printmakers of the twentieth century - a master of light and shadow. This work is a drypoint etching, printed in black ink on cream wove paper with full margins. A brilliant, luminous, and richly-inked impression. From a noted (McCarron, Paul. The Prints of Martin Lewis: A Catalogue Raisonne, p. 60) edition of 40 recorded impressions. According to McCarron, this is the most accomplished of Lewis' Japan prints: "New Year''s Day is an important holiday in Japan. The Japanese traditionally decorate their streets and homes with shimenawa, knotted straw ropes blessed and purified by Shinto priests...

Zoological didactic plate n. 62 lithograph on cardboard made in 1925 depicting molluscs. Dybdhals Zoologiske Plancher P.M.Bye & Co Oslo. Made by H Aschehoug & Co. Good condition. Mea...

This is a gorgeous carved, painted decorated or polychromed frame in gesso and wood. The lithograph is signed and absolutely beautiful. The piece dates to the 1920s era and is in goo...

Genito-Urinary Anatomical Chart by Fritz Frohse. Dated 1922. Paper mounted on canvas. Shows wear but still presents very well!

Louis Icart (1888-1950). Etching on paper. A lady with a dog and a blue parrot. 1928. Motif 306. Slightly yellowed. Blind stamp Numbered and signed in pencil. Wooden gold frame with...

This rare and beautifully detailed etching by Sigmund Lipinsky depicts several of the Greek gods on Mount Olympus, dominated by Zeus and Athena, who are shown standing over a nude Hermes...

Linoleum block print of a moored sailing vessel at sunset, rendered in soft pastel oranges and purples. Mounted in its original hand carved frame. Numbered and dated in graphite Sig...

Baines Football Trade Card, Newcastle. Well Centred. A rare circular football trade card in the shape of a leather football ball. Made by the toy shop owner from Bradford, John Baines. Baines went on to produce not only football cards...

Jerome Myers (American, 1867–1940) "Virginia Modeling," ca. 1912–1920 Hand-colored etching on paper, pencil signed Jerome Myers imp. with pencil notation on the back left corner of VIRGINIA MODELING Possibly an artist’s proof outside the edition of 50 Description: An exceptional and intimate hand-colored etching by Jerome Myers, a foundational member of the Ashcan School and one of early 20th-century America’s most lyrical chroniclers of urban life. Virginia Modeling depicts Myers’s young daughter seated at a table forming a small clay figure beside a lush floral arrangement—a tender scene of childhood creativity rendered with the artist’s characteristic delicacy. This composition is based on a 1912 preparatory drawing now held in the Cooper Hewitt Smithsonian Design Museum. The etching was created around 1920 and is hand-colored in subtle tones, likely by the artist himself or in collaboration with his wife, artist Ethel Myers. The work is pencil signed and marked imp, indicating that the artist printed or supervised the printing of this impression himself—suggesting a personal connection to this particular work. Virginia Myers...

Wilhelm Pupy Etching of Stockholm, dated 1926. Beautiful etching in good vintage condition, simple original frame.  

Foujita Tsuguhanu (1886-1968), a well-listed Japanese artist. Etching on paper laid on board. Trial proof. Portrait of a cat. In excellent condition with slight wear on the edges. Wo...

Silver gelatin photographic print by Beken 'Yacht Sunshine and Mary Bower'

'Spanische Köpfe' book by José Ortiz Echagüe, 1929. Published by Ernst Wasmuth in Berlin (Germany). In good original condition, with consistent ...

Enhance your living space with these captivating framed prints showcasing cartoon character Golfers. Created with meticulous attention to detail, these prints effortlessly bring life...

Georges Rouault, 'Sunt Lacrimae Rerum..." from the Miserere Series, executed between 1917-23 and published in 1948. Old hand written label on back reads: "Sunt LaCrimne Rarum" An original engraving by G.Rouault signed...

Original blueprint for a motor launch built for the famous steam yacht Hi-Esmaro. Originally laid down on the 14th November 1928 as the steel hulled yacht Hi-Esmaro by Bath Iron Works...

Pair of Cecil Aldin horse racing prints start and finish. A pair of horse racing photolithographs by Cecil Aldin "The Derby - The Start & Finish"....

The artwork titled "Der Leuchter" (The Candelabra) is a striking lithograph from Nathan Altmann's "Jüdische Graphik" series, produced in a limited edition of only 250 copies in 1923. This work exemplifies Altmann's avant-garde style, blending traditional Jewish themes with the modernist aesthetics of Cubism. The candelabra, traditionally a significant symbol in Jewish culture—often associated with the menorah—here is abstractly interpreted, adding layers of cultural and spiritual meaning. Altmann’s choice of a burnished gold background not only enriches the visual impact but also elevates the symbolic elements, giving the artwork a solemn and revered quality. This specific piece, like others from the series, was produced in Berlin by the publisher "Petropolis," reflecting the vibrant Jewish artistic community that existed in pre-war Europe. Altmann’s work, especially given his background as a Jewish artist in Soviet Russia, often navigated between his cultural identity and the broader avant-garde movements, making each of his pieces historically and artistically significant. This print, considering its rarity and the mystery surrounding the number of surviving copies, is an exceptional representation of Jewish cultural history intertwined with early 20th-century art movements. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...

The print, titled "Die Löwen" (The Lions), by Nathan Altman is a compelling work in black and white lithography set against a burnished gold background. This specific print comes from a limited edition series titled "Jüdische Graphik" (Jewish Graphics), published in Berlin in 1923 by "Petropolis." Only 250 copies of this series were produced, making each surviving piece a rare collector's item. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. "Die Löwen" reflects Altman's skill in using stark contrasts and geometric abstraction, characteristics common to Cubism. This work likely carries symbolic meanings, perhaps reflecting themes of power, resilience, or Jewish heritage, which are expressed through the stylized, powerful imagery of the lions. The choice of a gold background not only highlights the figures but also adds a regal or sacred connotation, elevating the subjects in a manner that may tie back to historical or cultural significance within Jewish art. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...

This most unique piece of artwork is an incredible example of what could be done using celluloid. I have bought and sold some smaller pieces of antique advertising where celluloid wa...

Vintage Art Deco "After the Ball" artwork print set of 2 each with a couple dressed in Georgian style outfits Signed in pencil Louie. They come in matching period mat black frames. ...

Baines football trade card, Hunslet Celtic, Play The Game. A rare circular football trade card in the shape of a leather football ball. Made by the toy shop owner from Bradford, John Baines. Baines went on to produce not only football cards...

This print, part of the distinguished "Svenska Fåglar Efter Naturen Och På Sten Ritade" series, depicts the Northern Gannet, known by its scientific name Sula bassana, or "Havssula" ...

Pair of vintage fashion advertisements, La Presse Montreal, 1928. Wonderful images of dresses from the "Flapper" era. Titled 'L'Heure Ele...

Beautiful Stone Lithograph pencil titled ('Ivoire') and signed Walt Kuhn (Amer.1877-1949). Framed and Matted 23x29", matte opening 16x23". Paper size 19x25". Midtown Payson NYC gallery...

Leon Foster Jones (American, 1871-1940) An etching depicting dry docked boats along the New York coast, circa 1925. sight: 13 ¼ by 8 ¾ inches frame: 18 by 13 ½ inches

A framed historic map of Harvard, as surveyed in 1831 by Silas Holman, reproduced circa 1920s. frame: 29 by 32 inches

Authentic Naval Architects Blueprint of a Sixty Two Foot Schooner designed by John Alden of Boston. The plan was drawn by C.G. McGregor. This is a ...

Signed Game Bird By Archibald Thorburn. A game bird colotype print by Archibald Thorburn, titled 'Spring'. This is a single picture from a set of four called 'The Seasons'. Each sea...