Early 19th Century Prints

Title: Rare 1782 Sonnerat Engraving of Sani, Hindu Deity on Raven Description: This captivating antique print, titled "Sani," was created by French naturalist and explorer Pierre So...

Wonderful image of The Sphinx of Giza Fine copper-plate engraving Published C.1810 Unframed. Free shipping

The botanical illustrations are the work of Sydenham Edwards, a prolific botanical artist known for his detailed and vibrant illustrations. These engravings were published by William Curtis in various botanical magazines, including "The Botanical Magazine" or "Curtis's Botanical Magazine," which first began publication in 1787. Key details about the publication and the artist: - Artist: Sydenham Edwards - Publisher: William Curtis - Publication: These specific prints were part of Curtis’s various collections, which included "The Botanical Magazine," and were published around the late 18th century and early 19th century, specifically noted in the years around 1796 to 1803 in your images. - Significance: "The Botanical Magazine" was one of the first botanical periodicals to include colored plates, aiming to make scientific botanical studies accessible and informative with a focus on aesthetic appeal. It played a crucial role in disseminating knowledge about plants from all over the world to European audiences, enhancing both scientific understanding and horticultural practice. These works are celebrated for their artistic quality and scientific accuracy, contributing significantly to the field of botanical illustration and the popularization of botanical knowledge during that period. Here's a detailed description of all eight botanical prints along with their English names and special characteristics: 1. **Quaking Grass...

Title: Vibrant 1802 Handcolored Engraving of Rare Fish Species from Bertuch's Masterpiece Description: This striking handcolored copperplate engraving from 1802 showcases four fas...

Title: Detailed 1805 Engraving of Ancient Egyptian and Classical Artifacts from Bertuch Description: This intricate engraving, sourced from Friedrich Justin Bertuch’s *Porte-Feuille des Enfants* (Children's Portfolio), published in 1805, highlights a collection of ancient artifacts and sculptures from Egyptian and classical traditions. The pieces are rendered with precision, offering a unique glimpse into the artistry and symbolism of ancient civilizations. The engraving features: - **Fig. 1**: An Apis bull...

Antique map titled 'Carte du Golfe du Mexique'. This uncommon map depicts the Gulf of Mexico and all the islands of the West Indies. It also includes ni...

Antique print titled 'Manière de prendre les Eléphants sauvages dans les Forêts du Royaume d'Ava'. Print of catching elephants in the Kingdom of Ava, Burma. This print originates fro...

Set of six horse riding prints including Le Pas, Capriole, Balotade, Mezair, Le Passage, Courbette and many more. Two images on one sheet, each with a rider on horseback performing t...

The Battle of Waterloo: The British Repel Napoleon’s Final Attack, June 18, 1815 Description: This dramatic and finely detailed engraving, published in 1816 as part of 'The Cam...

The print by Anthony Oberman features a detailed study of various animal heads and anatomical elements. Here’s a comprehensive description of the etching: Composition: 1. Animal He...

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Title: Antique Botanical Print of Aristolochia à Fleurs Labellées - 19th Century Description: This antique botanical print, titled "Aristolochie à Fleurs Labellées," is a stunning 1...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Title: Rare Antique Hand-Colored Butterfly Engravings by Edward Donovan (1820s) – Set of Four Exquisite Natural History Prints This striking set of four antique butterfly prints rep...

Antique print titled 'Statue de Gaudma dans un Temple d'Ummerapoura'. Print of a Burman Buddha. This print originates from 'Relation de l'Ambassade Anglaise, envoyée en 1795 dans le ...

Two exquisite and rare etchings of ancient sculptures by Pierre Bouillon (1776-1831), from his book Musée des antiques, published in Paris between 1811...

Wonderful ethnographical print. A copper-plate engraving after Lesieur Published by Sherwood, Neely & Jones. Dated 1809 Unframed.  

Owls and Raptors: Hand-Colored 19th-Century Engraving from Bertuch’s *Bilderbuch für Kinder*" This striking hand-colored copperplate engraving features an array of owls and raptor...

This is a stunning 1818 engraving of the Declaration of Independence, the first engraved broadside of our nation’s founding document. The year 1815 saw the conclusion of the United S...

Antique print titled 'Costume des Quakers, Bibliothèque de Philadelphie'. Lithograph showing a Quaker man outside and a Quaker woman and man within a fence in front of the subscripti...

1805 Copperplate Engraving of Dodo and Ostrich from Abraham Rees' Cyclopaedia This rare and finely detailed copperplate engraving, created by T. Milton...

Antique print titled 'Chevre'. Copper engraving of a goat. This print originates from 'Handboek der genees- en verloskunde van het vee (..)' by A. Numan. Published by R.J. Schierbeek...

Artocarpus incisa (Breadfruit Tree) – Hand-Colored Botanical Engraving, circa 1825 Description: This striking hand-colored copperplate engraving features *Artocarpus incisa, commo...

Antique print titled 'Cheval Navarrois'. Copper engraving of a Cheval Navarrin, also called Navarin, Navarrois, Tarbais, Tarbésan or Bigourdin, an extinct breed of light saddle-horse...

Antique print titled 'Coq d'Inde Noir'. Copper engraving of a black rooster. This print originates from 'Handboek der genees- en verloskunde van het vee ...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Antique print titled 'Larus Marinus'. The great black-backed gull (Larus marinus), mistakenly called greater black-backed gull by some, is the largest member of the gull family. It b...

Zeus (Jupiter) Engraving from Bertuch’s 1805 Porte-Feuille des Enfants – Classical Mythology Print This finely detailed engraving, published in 1805 as part of Friedrich Justin Bertuch’s Porte-Feuille des Enfants (Children's Portfolio), depicts Zeus, the king of the Greek gods (known as Jupiter in Roman mythology), in a pose that exudes authority and power. Seated on a grand throne with an eagle at his side, Zeus holds a scepter, signifying his dominion over the skies and his role as ruler of the gods. The print is executed with exceptional precision, capturing the intricate details of Zeus’s muscular form, the folds of his drapery, and the noble posture of the eagle, a symbol of strength and divine power. Subtle hand-tinting adds depth and character to the artwork, enhancing its timeless appeal. This piece is part of a renowned collection of early 19th-century engravings designed to introduce young readers to the rich world of mythology, art, and antiquity. Its historical and artistic significance makes it a standout addition to any collection of classical prints. The engraving is rendered with meticulous detail, showcasing the artistry and craftsmanship of the early 19th century. The subtle hand-colored tones enhance the divine aura of Zeus, making this print a timeless addition to any collection of classical antiquities or mythological art. - Date of Publication: 1805 - Origin: Friedrich Justin Bertuch’s *Porte-Feuille des Enfants* - Condition: The engraving is in good condition with minor age-related foxing and light discoloration typical of early 19th-century prints. Well-preserved overall. This print is a perfect choice for collectors, historians, or anyone with an appreciation for classical mythology and 19th-century art. Here are some recommendations for framing and presenting this engraving to enhance its historical and artistic appeal while ensuring proper preservation: 1. Frame Style - Material: Choose a high-quality wooden or gilded frame. Options like mahogany, walnut, or an antique gold finish complement the classical theme. - Design: Select a simple yet elegant frame with subtle decorative details, such as beading or fluted edges, to echo the neoclassical style without overshadowing the engraving. 2. Matting - Color: Use an acid-free mat in a neutral tone, such as ivory, off-white, or pale cream, to draw attention to the artwork and prevent contact with the glass. - Border Size: A slightly wider mat border (around 2–4 inches) creates balance and helps focus the viewer's attention on the engraving. - Double Matting (Optional): For a refined look, consider an inner mat in a soft complementary color like light gray or pale gold to add depth. 3. Glass - UV-Protective Glass: Opt for museum-grade UV-filtering glass or acrylic to safeguard the engraving from light exposure while reducing glare. - Non-Glare Option: Non-reflective glass ensures optimal viewing, especially in brightly lit areas. 4. Backboard and Mounting - Archival Backing: Use an acid-free backing board to protect the engraving from moisture and dust while providing structural support. - Mounting Method: Secure the engraving with archival-quality corners or hinges to avoid adhesive contact with the artwork. 5. Presentation Placement - Display the framed engraving in a stable environment with consistent temperature and low humidity to prevent damage. Avoid direct sunlight or exposure to harsh artificial light. - Suitable spaces include libraries, studies, or galleries where the engraving complements other classical or antique items. 6. Labeling - Add a small engraved brass plaque or label beneath the frame with details such as "Zeus (Jupiter) – Published in 1805 by Friedrich Justin Bertuch" to highlight its provenance and historical value. 7. Alternative Display - If not framed traditionally, consider showcasing the engraving in a display case alongside other related prints or artifacts. Use museum-grade lighting to accentuate its details without causing harm. --- Keywords: - Zeus engraving...

Nicely framed featuring four different dog types.

The engraving shows the majestic ruins of the Palace of Luxor, located in the village of Luxor near the site of ancient Thebes in Upper Egypt. Luxor was once a flourishing city and t...

Antique map titled 'A Map of Cornwall from the best Authorities'. Original old county map of Cornwall, England. With inset map of the Scilly Islands. Engraved by John Cary. Originate...

Intriguing set of four 19th century hand colored stone lithographs depicting animal species by the prolific Swiss artist and print maker Karl Joseph Brodtmann. Presented under glass ...

Antique 1828 Satirical Print A Fool to Pleasure Yet a Slave to Fame Hand-Colored This hand-colored etching titled *A Fool to Pleasure Yet a Slave to Fame* was published in 1828 as p...

Napoleon's Defeat at Waterloo: French Cannons Seized and Transported, July 1815 This finely crafted engraving, published in 1816, captures a significa...

Antique print titled 'Strix Nyctea'. The snowy owl (Bubo scandiacus) is a large, white owl of the typical owl family. Snowy owls are native to Arctic regions in North America and Eur...

Title: "Detailed Study of the Housefly: Anatomy Under the Microscope, Bertuch, 1805" Description This fascinating hand-colored copperplate engraving presents an intricate, magnified view of the housefly (Musca domestica) as seen through a microscope. The engraving provides a meticulous exploration of its anatomy, including: - **Figure 1**: Actual size of the housefly, offering a point of comparison to the magnified details. - **Figure 2**: A detailed underside view of the head and body, showcasing the complex structure of the fly's thorax and appendages. - **Figure 3**: A close examination of the segmented abdomen, highlighting the unique pattern and intricate venation. - **Figure 4**: The leg of the housefly, emphasizing the fine bristles and jointed segments adapted for movement and sensory functions. - **Figure 5**: A striking visualization of the compound eye, illustrating the hexagonal structure of the ommatidia, responsible for the fly's wide field of vision. Published in 1805 as part of Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children), this engraving bridges...

Antique print titled 'Poule hupée de Numidie'. Copper engraving of a Numidia hen. This print originates from 'Handboek der genees- en verloskunde van het vee (..)' by A. Numan. Publi...

Antique print titled 'Strix Otus'. The long-eared owl (Asio otus), also known as the northern long-eared owl, is a species of owl which breeds in Europe, Asia, and North America. Thi...

Wonderful image of Cairo Fine copper-plate engraving Published by Sherwood & Co. Dated 1809 Unframed. Free shipping

Title: 1806 Engraving of Arunachalesvara Temple, Hindu Pagoda on Coromandel Coast Description: This detailed antique print, titled "Temple ou Pagode des Gentils de la cote de Coroma...

Title: 1806 Engraving: Vaivert, Fierce Form of Shiva in Hindu Mythology Description: This striking antique print, titled "Vaïvert," depicts Vaivert, a fierce form of the Hindu deity...

1823 Hand-Coloured Engraving - Gaucho Hunting Ostrich with Bolas in the Pampas Description: This 1823 hand-coloured copperplate engraving by Theodore Goetz is from Friedrich Johann...

Antique print titled 'Strix Flammea'. The barn owl (Tyto alba) is the most widely distributed species of owl and one of the most widespread of all birds. It is also referred to as th...

Title: "Cat and Kittens, 1809 Hand-Colored Etching by Samuel Howitt" Description: This hand-colored etching, titled "Cat and Kittens," was created by Samuel Howitt and published i...

Title: Cinchona Bark Varieties: An Illustrated Botanical Atlas (1826)** Description: This rare and finely illustrated botanical atlas, 'Versuch einer Monographie der China. Nur Atl...

Title : "The Czar's Palace in the Kremlin, Moscow: A Glimpse into Russian Majesty" This hand-colored copperplate engraving, sourced from Friedrich Johann Bertuch’s celebrated *Bild...

Title: "Social Hierarchy of the Nagai Tartars - An Etching by Geissler, ca. 1800" Description: This etching by Christian Gottfried Heinrich Geissler, titled "Nagai Tartars," is a fine representation of the German School from around the year 1800. It portrays three figures, labeled to indicate their social standing: a woman of distinction, her daughter, and a female servant, numerically annotated as 1, 2, and 3 respectively. The detailed depiction captures the intricate attire and cultural fashion of the period, reflecting the societal structure and familial roles within the Nagai Tartar community. The women are adorned in traditional garments that signify their status and identity, while the setting suggests a backdrop typical of their environment, providing a glimpse into the life of the Tartar people at the turn of the 19th century. The Nagai or Nogai Tartars were part of the Nogai Horde, a confederation that occupied the Pontic–Caspian steppe from about 1500 until they were displaced in the 17th century by the Kalmyks and Russians. They were named after Nogai Khan, a Mongol ruler, and were divided into groups such as the Budjak and Yedisan in the area north of the Black Sea. The Nogais were known to be pastoral nomads who grazed sheep, horses, and camels and were also involved in trade, raiding, and tribute. They spoke a form of Kypchak Turkic and were Muslim, although their religious institutions were not strongly developed. The societal structure of the Nogais was quite fluid, with personal prestige playing a significant role in their political organization. They were historically known for their slave raids across Eastern Europe, which were an important part of their economy. The term "Tatar" broadly refers to Turkic-speaking peoples, mainly found in west-central Russia and other former Soviet Republics. It was originally used to refer to various nomadic groups from the vast Central and Northern Asian region then known as Tartary. The largest Tatar group is the Volga Tatar from the Volga region in Russia. There are several Tatar groups, including the Volga Tatars and the Crimean Tatars, with the latter being subdivided into groups such as the Tats and the Nogai. The Tatars have a rich history that dates back to the 5th century when nomadic tribes in northeastern Mongolia around Lake Baikal were first recognized. They became part of Genghis Khan's army in the 13th century and were known to Europeans as Tatars. Following the disintegration of the Mongol Empire, the Tatars were particularly associated with the western part of the empire, the Golden Horde...

This hand-colored copperplate engraving from Friedrich Johann Bertuch's *Bilderbuch für Kinder* (Picture Book for Children), first published in 1805, showcases a detailed botanical i...

1805 Handcolored Engraving of Egyptian Monuments from Bertuch's "Bilderbuch für Kinder" Description: This remarkable handcolored engraving from 1802 depicts two iconic views of an...

Title: "Botanical Study of an Apple and Blossoms: Hand-Colored 19th-Century Engraving" Description: This exquisite 19th-century botanical engraving showcases a beautifully detaile...

Exceedingly rare. No other example found worldwide. Rose Blanche - Witte Roos Measures: Large Folio: 33.5 x 27.2 cm Lithographed by Guillaume Philidor Van den Burggraaff (b. 1790) and published in Brussels before his move to Paris. Likely incunabula of stone lithography. During the first years of the 19th...

The image showcases six hand-colored botanical copperplate engravings on vellin paper from the early 19th century, attributed to Samuel Curtis's publication. Here's a description o...

Title: "Scenes of Traditional Life and Festivities: Hand-Colored Engraving from Bertuch's Bilderbuch für Kinder" Description: This lively hand-colored copperplate engraving captures four distinct vignettes of traditional European life and festive activities, highlighting the cultural practices and vibrant community spirit of the 19th century. Published in Friedrich Johann Bertuch’s renowned *Bilderbuch für Kinder* (Picture Book for Children) in Weimar, 1805, the engraving reflects the Enlightenment-era focus on illustrating the diversity of human life. The scenes include: - Figure 1: A wrestling match in a grassy meadow, surrounded by an attentive crowd, showcasing traditional sportsmanship. - Figure 2: A pastoral scene with a group enjoying the melodies of an alpine horn...

An early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat Major, et...

Lovely pair of prints Aquatints Original color Published by Ackermann, 1809 Unframed. Free shipping

Classical Antiquities Collection: Engravings of Mythological Deities and Figures from Bertuch’s *Porte-Feuille des Enfants* (1805) Description: This extraordinary compilation of si...

Title: Panoramic View of Halifax from Dartmouth Cove – A Coastal Gem of 1828 Description : This hand-colored lithograph depicts a striking view of Halifax, Nova Scotia, as seen fr...

This finely detailed hand-colored engraving showcases the Imperial Academy of Sciences in St. Petersburg, a prestigious institution founded by Peter the Great in 1724 to advance know...