Early 19th Century Prints

"Butterfly Species: Silver-Washed Fritillary, Large Blue, Brown Hairstreak, Small Copper" This detailed hand-colored copperplate engraving features a collection of exquisite butterf...

Title: 1805 Hand-Colored Engraving of Eastern Costumes from F.J. Bertuch’s Work Description: This exquisite hand-colored engraving originates from Friedrich Justin Bertuch’s *Port...

This original antique print shows the Mountain hare, Lepus timidus 1, mythical jackalope or horned hare, Lepus temperamentalus 2, northern white hare, Lepus timidus 3, snowshoe hare,...

Title: Antique Copperplate Engraving of Serpents and Amphibians, 1805 Description: This striking copperplate engraving from 1805 presents two captivating depictions of serpentin...

Title: Rare 19th-Century Hand-Colored Engraving of a Himalayan Monal – Exotic Ornithological Print Description: This striking hand-colored engraving, titled "Lophophore, Cuvier,...

Title: Rare 1805 Handcolored Engraving of Black and Sumatran Rhinoceroses from Bertuch's "Bilderbuch für Kinder" This exquisite handcolored copperplate engraving, created in 1805,...

This hand-colored lithograph from the 19th century depicts an officer from the King's German Legion, specifically the "2nd Cavalry Regiment," also known ...

Antique print titled 'The Right Honble Robert Blair, of Avontoun, Lord President of the College of Justice in Scotland'. Antique portrait of Robert Blair of Avontoun, a Scottish advo...

Etching and engraving entitled 'A Grandee of Circassia arrayed with his full accoutrements and a Circassian of the lower class, in his shaggy cloak, called Burki'. Lettered 'Geissler...

Title: 1805 Hand-Colored Engraving of Fungi Specimens from Bertuch’s Work Description: This stunning hand-colored engraving comes from Friedrich Justin Bertuch’s *Porte-Feuille ...

Title: "A Bountiful Vine: Hand-Colored 19th-Century Engraving of Grapes from Bertuch’s *Bilderbuch für Kinder*" Description: This captivating 19th-century botanical engraving featu...

Title: Majestic Waterfalls: Niagara Falls and Rhine Falls in 19th-Century Hand-Colored Engraving from Bertuch’s Bilderbuch für Kinder Description: This captivating hand-colored ...

This is an 1820 copperplate engraving by Denon, expertly crafted by Hawkesworth, depicting the ruins of the Temple of Hermopolis in Egypt. Ruins of the Temple of Hermopolis, Upper ...

Fascinating 1805 Hand-Colored Engraving of Amphibians and Reptiles from Bertuch This intricate hand-colored engraving is taken from Friedrich Justin Bertuch’s *Porte-Feuille des E...

Antique print with the title: Smaller Sulphur-crested Cockatoo Original engraving c1811 by Mrs. M. Griffith, the principal illustrator for George Shaw's General Zoology or System...

1817 set of 4 fox hunting prints, English. Painted by Dean Wolstenholme & printed in 1817 from engravings by Sutherland. Plates 1, 2, 3 & 4. Good original antique color by hand with ...

Description: This original handcolored copperplate engraving illustrates four species of amphibious or aquatic eels and snake-like creatures in dynamic poses. It is part of Friedrich...

Title: "Scenes of Traditional Life and Festivities: Hand-Colored Engraving from Bertuch's Bilderbuch für Kinder" Description: This lively hand-colored copperplate engraving captures four distinct vignettes of traditional European life and festive activities, highlighting the cultural practices and vibrant community spirit of the 19th century. Published in Friedrich Johann Bertuch’s renowned *Bilderbuch für Kinder* (Picture Book for Children) in Weimar, 1805, the engraving reflects the Enlightenment-era focus on illustrating the diversity of human life. The scenes include: - Figure 1: A wrestling match in a grassy meadow, surrounded by an attentive crowd, showcasing traditional sportsmanship. - Figure 2: A pastoral scene with a group enjoying the melodies of an alpine horn...

Great map of South East Asia Copper-plate engraving Drawn and engraved by Thomas Clerk, Edinburgh. Published by Mackenzie And Dent, 1817 Unframed.

Great image of bullfighting Copper-plate engraving Published 1805 Unframed.

Antique map titled 'Carta dell Africa'. Large and quite scarce Italian map of Africa, reflecting the then-current knowledge of the continent's geography, with large areas left comple...

This finely detailed hand-colored engraving showcases the Imperial Academy of Sciences in St. Petersburg, a prestigious institution founded by Peter the Great in 1724 to advance know...

Antique print titled 'Bataille de la Moskowa'. Scene of the Battle of Borodino, a battle fought on 7 September 1812 in the Napoleonic Wars during th...

"Armiger et Ephebus Indi" — Hand-Coloured Engraving from the Grand Carrousel of 1662 An exceptional hand-coloured copperplate engraving from the celebrated Grand Carrousel held at t...

This original antique print shows the Lion-tailed macaque, Macaca silenus endangered 1, greater spot-nosed monkey, Cercopithecus nictitans 2, red-shanked douc, Pygathrix nemaeus endangered 3, white-faced saki, Pithecia pithecia 4, and roloway monkey, Cercopithecus roloway...

Title: Hand-Colored Botanical Plate from Bertuch's "Bilderbuch für Kinder" (1805) Description: This vibrant hand-colored copperplate engraving is part of Friedrich Johann Bertuch...

Striking 1805 Hand-Colored Engraving of Wild Cats and Predatory Mammals from Bertuch Description: This remarkable hand-colored engraving from Friedrich Justin Bertuch’s *Porte-Fe...

Antique botany print titled 'Viola Palustris'. Hand colored engraving of viola palustris, also known as marsh violet or alpine marsh violet. This print originates from 'Flora Londine...

Wonderful set of 6 architectural prints Copper-plate engravings after the original antique architectural drawings by L.Carter Published...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Title: "Cat and Kittens, 1809 Hand-Colored Etching by Samuel Howitt" Description: This hand-colored etching, titled "Cat and Kittens," was created by Samuel Howitt and published i...

Original antique print titled 'Histoire Naturelle, Le Renne'. Engraving of a deer. Source unknown, to be determined. Published circa 1800.

Antique map Tahiti titled 'Kaart van het Eiland Otahiti'. Antique map of the Island of Tahiti, Polynesia. Originates from 'Reizen Rondom de Waereld door James Cook (..)'. Artists...

An impressively scaled copperplate engraving on laid paper of the Pyramid of Cestius in Rome which is the tomb for Caius Cestius. It is built of brick faced with marble and like othe...

This engraving from George Alexander Cooke's "A Modern and Authentic System of Universal Geography" depicts a New Caledonian warrior in the poised position of throwing a spear. His muscular form and focused expression convey readiness and skill, characteristic of a people adept in the art of hunting and defense. The backdrop of tropical flora situates him within his native landscape, emphasizing the connection between the indigenous people and their environment in the Pacific archipelago of New Caledonia. The detailed artwork serves as a visual account from the age of exploration...

This engraving portrays three distinct figures: an Egyptian Mamluk, an Egyptian lady, and an Almee or dancing girl, representative of Egypt's social diversity. The Mamluk stands prom...

Two framed copperplate engravings of English Gothic ecclesiastical buildings. Engraved and printed by John Coney. Signed in the plate and published in Londo...

Costumes of Peru, 18th Century: Hand-Colored Engraving from Bertuch’s *Bilderbuch für Kinder This detailed 19th-century hand-colored copperplate engraving illustrates traditional co...

Antique print titled 'Versierzels en Wapenen van de Marquissen Eilanden'. This print depicts various Weapon Decorations of the Marquesas Islands including head pieces and collars. Or...

Antique Print - Indigenous Warriors, Early 19th Century South America - Ferrario-Bonatti Line & aquatint etching with original hand colouring on wove (vellin) paper. This compellin...

This original antique print shows the Slipper lobster, Scyllarides squammosus 1, homard lobster, Homarus gammarus 2, pitu shrimp, Macrobrachium carcinus 3, and spiny lobster...

Antique Handcolored Engraving of Crocodiles, Amphibien II, c.1800 This original handcolored copperplate engraving features two distinct crocodile species depicted in naturalistic ...

Title: "Chief Goliath and Hercules Beetles" - Hand-Coloured Copperplate Engraving from Bertuch's 'Bilderbuch für Kinder' (1810) Description: This captivating hand-coloured copperpl...

These original antique images are hand-colored and from the publication "Picturesque Representations of the Dress and Manners of the Russians," which includes sixty-four colored engr...

Presented is an engraving entitled “The British surrendering their arms to Gen. Washington after their defeat at Yorktown Virginia October 1781.” The dedication continues in the bottom margin, “To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis. Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York.” The engraving is after a painting by John Francis Renault, and engraved by Tanner, Vallance, Kearny & Co. and William Allen, in Philadelphia in January of 1819. This historic print depicts the surrender of the British forces after the Battle of Yorktown. The print shows Lord Cornwallis offering his sword to the Duke de Lauzun, who defers the weapon to General Washington. British officers stand with Cornwallis on the right and French and American officers are shown at center and left. The immediate background is filled with an elaborate allegorical scene. Behind the British troops is a female representation of “Discord,” wearing a billowing robes and liberty cap and floating on storm clouds, as she sends lightning bolts to up-end the British people and a chariot below her. Behind the American and French officers, “Prosperity” stands next to an overflowing cornucopia, with “Justice”, an infant child with a paddle inscribed “American Constitution,” representing the helm of statehood. They crowd around a neoclassical monument with a giant urn...

This engraving presents a profile view of the Sphinx, capturing its grandeur alongside the Pyramids of Giza in Egypt. It is a testament to the ancient ...

IVter Stamm – Kalmyk, Mongolic Woman and Japanese c.1816 This antique print depicts three figures identified as a Kalmyk man, a Mongolic woman, and a Japanese man. The Kalmyk figure...

Antique botany print titled 'Linum Catharticum'. Hand colored engraving of Linum Catharticum, also known as purging flax, or fairy flax. This print originates from 'Flora Londinensis...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Antique print titled 'Strix Nyctea'. The snowy owl (Bubo scandiacus) is a large, white owl of the typical owl family. Snowy owls are native to Arctic regions in North America and Eur...

A stunning original engraving from The Lilies (Les Liliaceés) by P.J. Redouté, considered the greatest botanical artist of all time. Produced between 1802 and 1816 under the patron...

The engravings are a rich visual documentation of the cultural attire and customs from different regions within or associated with the Russian Empire in the early 19th century. Willi...

This image shows two architectural prints from London, taken from the "Encyclopaedia Londinensis or Universal Dictionary of Arts, Sciences, and Literature," edited by John Wilkes and...

Antique print titled 'Strix Otus'. The long-eared owl (Asio otus), also known as the northern long-eared owl, is a species of owl which breeds in Europe, Asia, and North America. Thi...

Antique map titled 'A Map of Nottinghamshire from the best Authorities'. Original old county map of Nottinghamshire, England. Engraved by John Cary. Originates from 'New British Atla...

Antique print titled 'Aethusa Cynapium'. This print originates from Sowerby's English Botany, or colored figures of British plants, 1803.  

Old print of a Hungarian peasant. This print originates from 'The Costume of the Hereditary States of the House of Austria' by William Miller. Artists and Engravers: Engraved by William Ellis.

Two framed hand colored stipple engravings of parrots by Jacques Barraband published 1801-05. In beautifully matted and gilded frames. From Judy Cormier. One print with some foxing.

A rare and exquisite set of two original hand-colored antique prints, created using etching or steel engraving techniques, from the Works of Cuvier and Lacépède. These detailed scien...

These original antique images are hand-colored and from the publication "Picturesque Representations of the Dress and Manners of the Russians," which includes sixty-four colored engr...