Early 19th Century Prints

A scene of White Horse Hill, which is located in the county of Berkshire. The text in the image states: "Engrav'd for England Display'd" and "View of White Horse Hill in the County ...

This engraving is the orginal frontispiece of a book, entitled "Description des nouveaux jardins de la France et de ses anciens chateaux," which translates from French as "Descriptio...

A diminutive engraving on paper of a pelican from a tiny volume titled “The Natural History of 48 Birds,” drawn by Alfred Mills. A facsimile of the title page is on the back of the f...

This engraving is part of a collection showcasing the beauty of England and Wales, a series that was common in the 18th and 19th centuries to celebrate and document the picturesque landscapes and significant towns of Britain. The text provided in the last image offers several details: 1. The title of the engraving is "BRIDGENORTH. Shropshire." 2. It was engraved by J. Greig from a drawing by the late E. Dayes. 3. The engraving was published in London by Vernor, Hood & Sharpe Poultry, February 1st, 1807. 4. It was created for "The Beauties of England and Wales." The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surrounding architecture. Engravings like this one were often collected by those who appreciated the artistry of such views and by those who were interested in the topographical and historical significance of the location. E. Dayes (the late Edward Dayes) was a well-known artist of the period, and J. Greig was the engraver who transferred Dayes' artwork into the medium of engraving. The publication date of February 1st, 1807, places this work in the early 19th century, a time when such engravings were a popular form of mass media, providing a visual understanding of places that many people might not have the opportunity to visit themselves. The engraving serves as both an artistic and historical record, capturing Bridgnorth in the early 19th century with a level of detail and craftsmanship that is characteristic of the period's topographical art...

An original hand-colored engraving of Norwich in England. The text within the image provides several pieces of information about the print: 1. "NORWICH." - This is the title of th...

French Engraving of the Eastern Imperial Eagle from the Description de l'Egypte. J. Ces. Savigny, 1809-1813. The large stipple engraving depic...

A satirical engraving of John Wilkes, a notable figure in 18th-century British politics known for his radical views and fierce criticism of the monarchy and government. Wilkes was ...

Charles Duke is depicted in a relaxed pose, sitting with one arm resting on the arm of the chair and the other holding what appears to be a snuff box, a common accessory of the period among the upper class. His attire is indicative of a person of high social standing during this era. This engraving was likely used to honor the Duke's contributions to the society mentioned and might have been distributed among its members or sold to admirers of the Duke and supporters of the society's causes. The text on the image provides a title and description of the person depicted in the portrait. It reads: "His Grace CHARLES DUKE OF...

This scarce first edition hand colored engraving is from Sir Charles Linnaeus & Ebenezer Sibley's "A Genuine and Universal System of Natural-History" or the "Magazine of Natural History." Carl Linnaeus (also known as Carl von Linné...

Delightful set of 18 fashion prints Lovely pastel colors Lithographs with original hand color Published by Ackermann, London Mostly dated 1809. Some 1823 Unframed. The measurem...

This illustration depicts two shrikes, specifically identified as "Lanius Spinitorquus Lin.," which is likely an old scientific name used in the past. The text "Drondrecher 1.Mannche...

This is an hand-colored illustration of an officer from the King's German Legion, specifically the 3rd Hussar Regiment, also known as the Duke of Cambridge's Hussars. The King's Ge...

Intriguing set of four 19th century hand colored stone lithographs depicting animal species by the prolific Swiss artist and print maker Karl Joseph Brodtmann. Presented under glass ...

The title of this original antique print is the "Königl. Hannover. Garde Hussaren Regt.", which translates to "Royal Hanoverian Guard Hussar Regiment". This unit would have been par...

This original lithograph is a hand-colored lithograph from the early 19th century, depicting a vibrantly colored bird identified as "Tanagra Episcopus Linn. Mus." This refers to the Blue-grey Tanager (Thraupis episcopus), a small bird found in Central and South America, known for its striking plumage which includes various shades of blue and grey. The term "Tanagra" is an older name that was historically used for this group of birds, which are now more commonly referred to as "Thraupis" in scientific nomenclature. The label "Die Pfarrelis Aertze. Mann." is more challenging to interpret, as it does not correspond to modern scientific or common names. It could be an archaic or poetic name for the bird, or possibly a transcription error. The lithograph, designated as "Iste Lieferung 3te Tafel," suggests that it is the third plate of the first installment of a series. The delicate and precise hand-coloring brings the illustration to life, highlighting the bird's detailed feather patterns and bright coloration. This piece is marked "nach der Natur gezeichnet von C.W. Hahn," indicating that Carl Wilhelm Hahn...

This hand-colored lithograph from the 19th century depicts an officer from the King's German Legion, specifically the "2nd Cavalry Regiment," also known as the Queen's Hussars ("Köni...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

This print is an old-colored lithography by Carl Wilhelm Hahn from around 1820 and it's listed in Nissen's bibliographic catalog of zoological books,...

The image is an original lithograph by Carl Wilhelm Hahn. This print is titled "Procnias ventralis, Illg" and is referred to as "Der kahlichtige Schn...

An original antique engraving by Johann Adam Klein (1792-1875) titled "Österreichische Soldaten zu Pferd," which translates to "Austrian Soldiers on Horseback" in English. It is a bl...

Great images of ancient Egypt Copper-plate engravings. Published C.1800 Unframed.

This antique engraving in frame depicts various mythical creatures and heraldic symbols in old original hand-coloring. Itresembles the style of Friedrich Justin Bertuch. Friedrich Justin Bertuch (1747–1822) was a German publisher and patron of the arts who is well-known for his "Bilderbuch für Kinder" (Picture Book for Children), which was published in multiple volumes from 1790 to 1830. This extensive work included thousands of hand-colored illustrations covering a wide array of subjects, from animals and plants to costumes, mythological figures, and more. The images depicted in the engraving include: 1. A large bird with spread wings at the bottom of the image, possibly an eagle, which is a common symbol of power and is widely used in heraldry. 2. A rooster with dragon-like wings and a tail, standing on a pedestal, which might be a chimera or a cockatrice, creatures often found in mythology and heraldic emblems. 3. A phoenix or a peacock, burning with flames around it, symbolizing rebirth and immortality, next to a tent and a figure in medieval clothing...

The fishes in the images are part of a genus that includes groupers. They are likely from "Strack: Naturgeschichte in Bildern", that refers to a work on natural history by Strack, a...

This print from "Illustrations of British Ornithology" by Prideaux John Selby features the Little Auk in both its summer and winter plumages. The illustration captures the distinctiv...

Mappe-Monde. En deux Hemispheres Pour le Dictionnaire Géographique. Author: Vosgien and Caillot Source / Publication: Le Dictionnaire Géographique, ou Description de toutes les Parti...

This engraving is from Prideaux John Selby's "Illustrations of British Ornithology," depicting two species of plovers. It shows the Ring Plover in two different stages of life—adult ...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The print from Prideaux John Selby's "Il...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This particular print from Prideaux John...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This engraving is an exquisite print fro...

A beautifully detailed print from Prideaux John Selby's "Illustrations of British Ornithology," depicting the Little Gull in various stages of plumage. The artwork features an adul...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The image is a colored etching from "Ill...

Large original antique print with two illustrations of birds, which are finely detailed and colored, from a series of ornithological studies. The print is engraved with the signature...

This original antique engraving features a pair of Dippers, also known as water ouzels, which are small, stout, aquatic songbirds. This print from Prideaux John Selby's "Illustration...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The text identifies the species depicted i...

Lot of 5 col. aquatints, by Mathew DUBOURG after various artists. These original antique prints were drawn (designated by "Del.", short for delineavit, Latin for "he/she drew it") by J.H. Clark and were published and sold on May 1st, 1813. Edw. Orme Bend Street London" refers to Edward Orme, a publisher based on Bond Street in London, known for producing and selling high-quality prints during the early 19th century. The term "Sculp", short for "sculpsit," indicates the engraver, in this case, M. Dubourg, who would have been responsible for engraving the images onto a surface for printing. These details highlight that the prints are of English origin and were produced by notable figures in the London art scene at the time. Edward Orme's establishment was a significant purveyor of prints, and such detailed works would have been collected by those with an interest in art, culture, and the wider world. This date places the prints in the early 19th century, a period rich in exploration and documentation of various cultures around the world through art. These prints would have served as a way for people to see and learn about activities and practices from different parts of the world that they might never have the chance to witness in person. The detailed and colored nature of the prints suggests that they were likely intended for an audience with an interest in the exotic and the educational. Description: This collection of five prints offers a vivid tableau of hunting and gathering practices from various corners of the globe during the 18th and 19th centuries. Each print captures a moment of interaction between humans and nature, showcasing the diverse methods and environments in which these activities took place. 1. "Finland Bear Hunting...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This original antique aquatint is a picturesque depiction of Söderfors, a place likely to be in Sweden, given the naming convention and style of the artwork. Crafted by Ulrik Thersner in 1825, the image portrays a vibrant, pastoral scene set by a rushing waterway, suggesting the presence of a river or stream. The landscape is dotted with buildings that have the architectural hallmarks of early 19th-century Swedish design. A group of figures is depicted in the foreground, which adds a human element and scale to the scene. Söderfors, if it is the same location known today, has a historical industrial background and is located in Uppsala County, Sweden. The area has been known for its ironworks and manufacturing history dating back to the 17th century. It is a locality situated in Tierp Municipality, Uppsala County, Sweden with 1,572 inhabitants in 2010 If the aquatint represents this area, it may have captured Söderfors at a time when it was transitioning from a more agricultural society to one influenced by industrialization. Today, the region may still have remnants of its historical past, although it would have undoubtedly undergone significant changes since Thersner's time. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Dated between 1738-1806 Mitsusada Tosa Printed 1806-1808 Engraver Jihei Inoue Printer Kisaburo Hori

A framed architectural engraving of a wall in Pompeii titled "In Casa Pseudourbana Di Pompei piano superiore Parete corta dell'antistuf...

The engraving is captioned as "Mode of Fighting in the Navigator's Islands" and depicts a scene of conflict among the indigenous people of the Navigator's Islands, now known as the ...

The engraving by Samuel Neele, titled "Portrait of Bennilong," is a significant historical representation from G. A. Cooke's "Modern and Authentic System of Universal Geography," published in circa 1802. It portrays Bennelong, an Eora man from New Holland (now Australia), who learned English and traveled to England with Governor Arthur Phillip in 1792. This image reflects Bennelong's unique position as a cultural intermediary and is a remarkable example of early cross-cultural encounters between Indigenous Australians and Europeans. Some more interesting facts about Woollarawarre Bennelong from an article in the Independent of March 2011: The grave of Woollarawarre Bennelong, an Aboriginal leader who played a key role in early Australian colonial history, has been discovered in a suburban front garden – solving a 200-year-old mystery. One of the first Aborigines to interact with British colonists, Bennelong – a senior member of the Wangal tribe – struck up a friendship with the first governor of New South Wales, Arthur Phillip. When Phillip sailed home to England, he took the Wangal man with him, dressed him in Regency finery and introduced him to London high society. When Bennelong returned to Australia, he was ostracised by the indigenous and European communities. In 1813, having sunk into alcoholism, he died – but exactly where he was buried has been the subject of speculation ever since. Now, after protracted detective work by an environmental scientist, Peter Mitchell, Bennelong's final resting-place has been found, The Sun-Herald newspaper reported yesterday. The discovery represents the missing link in Bennelong's extraordinary story, and is certain to reignite interest in a man who tried to bridge the gap between black and white – a challenge still facing Australians today. Dr Mitchell, the honourary associate professor of physical geography at Sydney's Macquarie University, scoured the archives for references to the grave, which he matched against geographical records to place it in the Sydney suburb of Putney. Surveyors from the local Ryde Council then pinpointed its location, between a front lawn and a central reservation. Before urban sprawl took over, the area was part of the estate of James Squire, Australia's first commercial brewer, who has given his name to a line of popular modern beers. An ex-convict, Squire befriended Bennelong before he died and buried him in his own orchard. The precise location of the grave is being kept secret, until Aboriginal leaders have been consulted about the next steps. Ryde Council wants to use ground-penetrating equipment to explore the site. A Ryde councillor, Vic Tagg, described the find as "fantastic", saying it would rewrite history. Relations between Bennelong and Phillip got off to an unpromising start in 1789, nearly two years after the First Fleet...

Title: War Canoes of Otaheite equipp'd for Engagement as represented by Captn. Cooke This detailed engraving depicts the "War Canoes of Otaheite (Tahiti), as represented by Capt'n C...

The engraving depicts a serene and communal scene labeled as "Dance in the Friendly Isles." The Friendly Isles is an older name for the Kingdom of Tonga in the South Pacific. This pi...

Stampa da incisione su lastra di rame. Published as the act directs July 1. 1816 by Longman, Hurst, Rees, Orme & Brown Paternoster Row. Si tratta della tavola n. XI della pubblicazio...

Botanical Coloured Lithographs from Botanical Register ( 170 Piccadilly, London, J. Ridgway, 1822 & 1836) Framed in Green & Black with neat swirling design. These botanical drawings were commissioned by Ridgway to be printed in the Botanical Register, an illustrated magazine created by the natural history illustrator Sydenham Edwards (1769 - 1819), a Fellow of the Linnean Society who had previously worked in Curtis's Botanical Magazine and subsequently left to create his own horticultural publication. The Botanical Register ran between 1815 and 1847, publishing thirty-three volumes of fully coloured illustrations of plants, their description and accounts of their discovery and origins. Both of the botanicals were created by female botanists / painters. -M. Hart (english) was a female British botanical artist, with some 906 engravings in Curtis's Botanical Magazine and Edwards' Botanical Register -Miss Sarah...

Title: "Tee's Eternal Rest: The Embalmed Chief of Otaheite" Description: This engraving, after a drawing by John Webber, depicts the preserved body of Tee, a chief from Otaheite (Ta...

This original hand-colored engraving for sale is a historical print, depicting two indigenous individuals, likely Inuit, referred to in the print as "Esquimaux Indians of the coast o...

This set of four engravings in detail with compendium landscape details and related prey animals are done in steel engraved plates and come from the first quarter of the 19th century...

This is an 1820 copperplate engraving by Denon, expertly crafted by Hawkesworth, depicting the ruins of the Temple of Hermopolis in Egypt. Ruins of the Temple of Hermopolis, Upper ...

The 1801 engraving depicts a figure labeled as "A Savage of the Admiralty Isles in the South Sea." The image portrays a solitary indigenous man standing with a paddle in hand, exudin...

This engraving presents a profile view of the Sphinx, capturing its grandeur alongside the Pyramids of Giza in Egypt. It is a testament to the ancient ...

Beautiful and unique print engraved by the famous French lithographer L.P. Henriquel-Dupont (1797-1892). This lithograph depicts "The Hemicycle of the Palace of Fine Arts," a famous ...

The title for the provided engraving could be "Ceremonial Rites: A Human Sacrifice in Otaheite," capturing the gravity of the depicted event. This print likely illustrates a solemn a...

An original historical engraving from G. Alexander Cooke's "Geography," published in 1817. The engraving is titled "View of a Tuppapon or Shed under which the Bodies of the Chiefs of...

The image depicts a copperplate engraving of a sea otter from Nootka Sound, located in Quadra and Vancouver Island on the North West Coast of America. This particular engraving was...

The engraving depicts the intricately carved inner door of the sanctuary of the Temple of Isis located in Tentyra (modern Dendera), Upper Egypt. This temple was dedicated to the godd...