“Studio, 1988” by Baldessari, Framed Original Print, 20th Century

A striking original abstract painting, oil on canvas, signed by artist. Probably late 20th century. Boasting tones of marigold, phthalo green, midnight blue, aubergine, and brick, th...

“TWO FIGURES,” a wonderfully expressive painting in tones of fuchsia and lavender, late 20th century. Acrylic on paper, mounted on black linen and framed behind glass. Late 1980s but...

A unique fine framed artwork: hand-woven metallic fiber in intricate geometric design, matted in linen, behind glass, framed in silver toned wood, and ready to hang. Little is known ...

A striking postmodern bust by Lindsey B., signed, 1984. In tones of licorice and Ferrari red.

1970s, Italian silkscreen and collage on paper by Lucio Del Pezzo 'Casellario' n. 148/200. Inside a geometric panel the artist has applied through collage a series of reproductions o...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Transparent), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50...

Vintage photo gravure by the photographer Hans Keer-Bale, circa 1940. Wood frame with passepartout and high quality glass. The frame on the photos is just an example, it will be f...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.