Other Prints

Great image of a desert wheatear Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Orig...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Great image of swans Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Published, circa 1910 The measurement given is the paper s...

Great image of Hornbills Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. ...

Great image of a linnet Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Published, circa 1910 The measurement given is the pape...

Nakol Art is an ironic intellectual, narrative, Ukrainian brand, that does not leave indifferent people for whom the concept of "style" is part of their lifestyle. The prints, on the...

Wonderful print of a 13th century Limoges enamel casket Lithograph Published by A.Morel, Paris, France. circa 1860 Unframed. ...

Tomio Kinoshita (1923 - 2014) Masks (No. 4), 1981 Woodblock print Image Size: 22 high by 31 inches wide (56 by 79 cm) Paper Size: 22.75 high by 31.5 inches wide (57.8 by 80 cm) ...

Great image of coatis Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Chromolithograph after the original artwork by P.J Smit...

Nakol Art is an ironic intellectual, narrative, Ukrainian brand, that does not leave indifferent people for whom the concept of "style" is part of their lifestyle. The prints, on th...

Wonderful botanical print. Lithograph by J & J Parkin and D.Hayes After C.W Harrison Original hand color Published, circa 1835 Unframed.

A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Great image of dolphins. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. ...

Wonderful print of the decoration found on an antique Chinese vase Lithograph Published by A.Morel, Paris, France. circa 1860 Unframed.  

Great image of a ptarmigan Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Published, circa 1910 The measurement given is the p...

Wonderful set of 6 antique prints after the old master engravings. After Durer, Altdorfer, Van Leyden, Van Meckenem and Marcantonio Heliogravures by A.Durand, Paris. France. ...

A limited edition surrealist lithograph titled "Chicken Hearts (Ka Series)", printed on archival deckle edge paper, the bottom margin embossed with blind stamps, together with the artists hand written notations referencing the limited edition number VII / XIII (7 of 13), the title, followed by the artist's signature & date 1980. Bio: Robert A. Nelson (1930-2012) received both his B.F.A. & his M.F.A. in 1950 & 1951 respectively from the Art Institute of Chicago. He was alto the recipient of the illustrious 'Purchase Prize' in the 31st National Exhibition of Boston Printmakers, and was later awarded the Cezanne medal from the government of France in 1961. Robert Nelson is represented in the permanent collections of The De Cordova Museum, The Seattle Art Museum...

Great image of a jay Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Published, circa 1910 The measurement given is the paper S...

Sensational image by John Martin. Drawn and engraved by John Martin. Published by Sangster Unframed.

Curtis Parker Glowing Magnolia and Glowing White Rose, Set of 2 large sized framed art prints. Circa 1970s. Featuring the complete 'Glowing Magnolia' & 'Glowing White Rose' matching...

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great map of Somerset Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Lovely image by Mabel Lucie Attwell Lithograph. Originally a plate from "Peter Pan" by J.M. Barrie Published circa 1920 The measurement given is the paper size not the a...

Wonderful image of Cairo Fine steel engraving Published by Thomas Kelly, London, circa 1840 Unframed.

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

Great map of Lincolnshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great image of apples Chromo-lithograph Published by Edward Arnold. circa 1860 Unframed. It gives you the option of perhaps making a set up using your own choice of frames. ...

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1821 Unframed. .

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1820 Unframed.

" Ceres and Phytalus" To left, Phytalus, kneeling, receives the fig tree from the goddess Ceres, standing to right, as a reward for his hospitality. Etching and drypoint, circa 1662...

Great image of a sporting dog, a bloodhound. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with orig...

Great map of Shropshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Wonderful print after Gillray Chromolithograph Published by Connoisseur circa 1900 Unframed.

Great map of Surrey Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Warwickshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Buckinghamshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Durham Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Leicestershire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Herefordshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.

Great map of Worcestershire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Monmouthshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Derbyshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Kent Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Gloucestershire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, 1820 Unframed.

Great image by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after a drawing by Rowlandson. Published by Ackermann, dated 1821 Unframed.

Great map of Rutland Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Wonderful Gothic architectural print. Pierced ornaments from Lisieux, Bayeux, Verona and Padua. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Publi...

Sensational image by Frederick Simpson Coburn In the style of one of my favourite artists, Goya Photogravure Limited edition of 300. This is No. 84 From The Complete Works of Edgar Allen Poe...

Great map of The West Riding of Yorkshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of The East Riding of Yorkshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Nottinghamshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Middlesex Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.

Great map of Staffordshire Original colour By J & C Walker Published by Longman, Rees, Orme, Brown & Co. 1851 Unframed.