Urban Turmoil and Rural Life: A Dual Perspective by Thomas Cook (1800)

This is an original copperplate engraving on vellin-type paper, dating from a French edition of 1727-1738 of the monumental work "Cérémonies et Coutumes Religieuses..." by A. Moubach...

Plate: 'Cabinet du jardin du grand Mogol. - Throne & Chambre d'audience du Grand Mogol en dedans. - Habit du Grand Mogol, & d'une de ses femmes. - Chasse des Lions du Grand Mogol.' (...

Napoleon's Defeat at Waterloo: French Cannons Seized and Transported, July 1815 This finely crafted engraving, published in 1816, captures a significa...

The hand-colored print titled "New York," published in 1842, presents a detailed and picturesque view of the cityscape of New York as it appeared in the early 19th century. The title "New York" is centered below the image. Below the title, the text reads "LONDON: Published by Thomas Kelly. 17, Paternoster Row," indicating the publisher and location of publication in London. Additionally, the text "S. Davenport. Sculp." is printed beneath the image, signifying that the engraving was done by S. Davenport. Description of the Image: - **Perspective**: The image provides a broad view, likely from an elevated point, showing the expanse of the city. The perspective gives a sense of depth, with the street extending into the distance. - **Central Street**: A wide, unpaved street runs down the center of the image, flanked by rows of buildings on both sides. This street is bustling with various activities. - **Buildings**: The buildings are primarily two to three stories tall, featuring a mix of architectural styles typical of the period. Some have distinct red roofs, adding a touch of color to the scene. - **Churches**: There are several prominent churches with tall spires visible in the background, indicating the importance of religious institutions during that time. - **Foreground**: In the foreground, to the right, there is a large, columned building, which might be a significant public or religious structure. - **Activity**: The street scene includes horse-drawn carriages and pedestrians, capturing the everyday life of the city's inhabitants. - **Harbor**: In the far background, you can see masts of ships, indicating the proximity of the harbor and the importance of maritime activities to the city. Artistic and Historical Context: - **Engraving Style**: The work of S. Davenport, an engraver, suggests fine detail and precision typical of hand-colored prints of that era. - **Historical Significance**: This print serves as a valuable historical document, offering a glimpse into the urban layout and architecture of New York City in the early 1840s. - **Publishing Context**: Being published in London by Thomas Kelly indicates a transatlantic interest in the growing metropolis of New York, reflecting its emerging significance on the global stage. This print is not only an artistic representation but also a historical record, encapsulating the essence of New York City during a period of significant growth and development. Identifying specific buildings from a historical print like this one can be challenging, especially without modern landmarks for direct comparison. However, a few notable buildings and features from New York in the early 1840s could potentially be recognized based on historical context and architectural details. Potential Recognizable Buildings: 1. **St. Paul's Chapel**: Given its prominent spire and proximity to the center of early New York...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18th century. The author of the drawing is Wale Samuel (1720-1786), and the template was made by Debroche. This piece of art is entitled: “Edward, Prince of Wales arrested by the Duke of Clarence and others on the Signal given by Edward IV...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18...

The Canongate is an original artwork realized in 1822. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: The Canongate durng the p...

"SEESAW--Gloucester, Massachusetts" is an original wood engraving after Winslow Homer. The artist initialed the piece in the lower right. This print depicts six children on a seesaw ...