Antique Embroidery with Hebrew Inscriptions

Antique Iranian Kalamkari prayer mat Persian, Late 19th Century Height 128cm, width 92cm Crafted in the late 19th century by skilled Iranian craftsmen, this cotton prayer mat features a plethora of religious and nature-inspired motifs. Its surface is adorned with a selection of patterns and motifs created using the traditional woodblock printing technique called kalamkari (or Qalamkari). The 400 years old technique originating from Isfahan, utilises only natural and local materials, celebrating and supporting the local communities. A selection of repetitive, organic motifs adorns the cotton textile. The patterns are coloured in various shades of red, cream, and blue, their design inspired by religious Islamic architecture, in particular that of a mosque. The central prayer niche (also called a mihrab) is identical in shape to that of the arch-shaped prayer niches found in mosques. Arabic markings feature above it. This Persian prayer mat...

A pair of Turkish 19th century antique Ottoman embroideries Turkey, 19th century Small: height 31cm, width 37cm, depth 0.5cm Large: heigh...

A large Russian silver Jewish Megillah case and scroll Russian, 19th century Measures: height 23cm, diameter 7cm This remarkable piece is a Russian ...

Anatolian Kirsehir prayer rug with a village design Turkish, 20th Century Height 155cm, width 96cm This eye-catching pictorial prayer rug was skilfully woven from wool by Turkish ...

Discover a rare and exquisite piece of European artistry with this Exceptional 18th Century Hand-Embroidered Silk and Gilt Thread Textile Panel. This magnificent piece was artistically crafted by repurposing fragments of what was once a grand hand-embroidered robe or a sacred vestment shawl, giving it a unique history and renewed purpose as a stunning decorative panel. Created in the 18th century, this textile marvel, even after three centuries, retains its remarkable beauty. The beautiful and brilliant colors of the silk threads endure, showcasing the enduring quality of 18th-century dyes and embroidery. The delicate gilt threads woven throughout the design continue to shine exquisitely under the right light, adding a luminous and regal dimension to the piece. This panel is more than just a textile; it's a tangible link to a bygone era of elaborate craftsmanship and opulent design. Its rich history and artistic re-imagination make it a truly versatile and captivating addition to any discerning interior. Display it as a magnificent tapestry wall art to celebrate its intricate details and historical narrative, or utilize it as a luxurious table runner to imbue your dining or console space with unparalleled elegance and historical charm. A testament to enduring beauty and masterful hand craftsmanship, this piece is ideal for collectors, interior design professionals, and those seeking to adorn their homes with truly unique and authentic historical treasures. Dimensions: 10.5" x 90" Date of Manufacture: Early 1700s Place of Origin: Europe Material: Silk embroidery with Gold Threads Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1374 Vintage Handwoven Tapestries, French Aubusson Tapestry, Aubusson Tapestry Pillows, French Tapestry Pillows, Antique Rug Pillows, European Embroidery,18th Century Antique French Tapestry...

Discover the elegance of Persian Malayer featuring Area Rugs in Circa 1880. Designed with meticulous attention to detail, this exclusive design is perfect for enhancing your space.

This is an antique silk Azerbaijan embroidery woven during the 18th century and measures 76 x 74CM in size. It has an all-over highly geometric floral design with muted pastel colors...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...