Antique Enameled Jockey Stickpin

Victorian stickpin of a bearded collie or English sheepdog in Essex crystal and set in an 18K twisted rope border around its frame and a large 9K gold pin that measures 4.25 inches long including the pin. Keep your lovely furry companion with you all day. The crystals are carved in reverse or intaglio into the flat back to create a three-dimension trompe l'oeil effect. The image is then painted in realistic detail. The scale of this Essex crystal dog pin is quite unusual and especially wonderful. We rarely seem find such spectacular Essex crystal representations of dogs. Note that one of the photos shows the model with 2 Essex crystal stickpins...

Stickpins, also known as tie pins, have been collected since the 18th century when neckwear for men came into fashion. They were made in all manner of styles well into the 20th centu...

Essex crystal carving of a horse and jockey surrounded by rose diamonds. Perhaps they are symbolic of the winners wreath. The crystals are carved in reverse or intaglio into the flat...

We love our wonderfully esoteric Grotesque man (or "other") crafted by a talented unknown carver in the 19th century from a chunk of the most desirable orange-red toned coral. Connoisseurs of literature or theater or the arts understand the term Grotesque as referring to fantastical, exaggerated or distorted representations, usually of the human face or figure. (The word "grotesque" originates from the Italian "grottesca", meaning of a cave" (grotto = cave in Italian) and refers to doubled, metamorphosed, or altered forms). Originally Italian, the concept of the Grotesque was used in French and German literature as well, and is a an integral part of English literature and theatre (The Theatre of the Grotesque preceded the Theatre of the Absurd) today. We find our Grotesque stickpin guy (gal) to be not grotesque at all but endearing, with his (or her) exaggerated features and droopy skin folds. And as a reference to classic theatre, this coral stickpin...

Equestrian Essex glass pin designed by Tiffany & Co. This is an exceptionally rare pin created during the Edwardian period at Tiffany & Co. back in the 1900's. The stick pin has been crafted in solid yellow gold of 18 karats and mounted with an Essex glass reverse intaglio carving, depicting the equestrian thematic of a three-dimensional horse-rider. The piece is secured by a gold stick pin and embellished with a an outer curved frame, which is decorated with blue and white hard enamels. Masterfully made with great craftsmanship and showing beautiful rich aged patina. This stunning pin would look beautiful worn on a blouse or blazer, either alone or paired with other pins! It is presented in the original antique Tiffany box. Country: New York City, United States. Period: Edwardian, 1900-1905. Technique: Hand carved, hand painted Essex Glass. Weight: 7.85 Grams, (5.10 Dwt). Measurements: 80 mm by 24 mm by 6 mm (3.15 x 0.95 x 0.24 Inches). Hallmarks: Stamped at the reverse with the maker's mark, the mark for the assay and warranty of the 18kt gold and signed as follows, "TIFFANY & CO.". The gold parts have been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as .750/.999 assay. Essex Glass Essex glass is a term primarily used in connection with a specific form of reverse intaglio, a technique where a design is engraved on the back of a crystal cabochon, then painted and sealed. This results in a visually stunning effect where the image appears to float within the crystal. The final result is a cabochon where the painted design appears to be floating within the crystal, creating a unique and visually captivating effect. The Edwardian Period This era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and mill grain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band. Mille graining, a new decorative technique made possible by the use of platinum, is featured often on Edwardian jewelry. Its border of delicate balls and ridges surrounding a gemstone or on the knife sharp edges of a design served to give jewelry a softer, lighter look. Literature: Miller, Anna M. Illustrated Guide to Jewelry Appraising. New York: Von Nostrand Reinhold, 1990. Widener, Roger & Walter, Thomas. “Little Beauties” The Story of Reverse Intaglio Crystals © Roger Thomas ltd. For similar examples of this rare and difficult technique. Collateral: This Tiffany & Co. Essex glass equestrian pin...

Diamond and Enamel Jockey Stickpin from the 1920's. Beautifully enameled jockey figure is set on a rose diamond pave horse in full stride. 14k gold with platinum top. 1920's USA. 2.5...

An Edwardian enamel, diamond and gold jockey-cap pin, the realistically carved jockey-cap set with a small old-cut diamond at the top, six sections embellished with rose-cut diamonds...

Antique Stick Pin 18ct Yellow Gold Circa 1900 This exquisite 18ct Gold Edwardian Stick Pin is a true masterpiece, perfect for any racing enthusiast. Featuring a beautifully crafte...