20th Century More Objets d'Art and Vertu

Stunning one of a kind brass buckle enameled in a raspberry pink tone.

Juan Prat - Gold and Sapphire Necklace Original drawing in conté pencil, heightened with white on oatmeal coloured vergé paper by Juan Prat. The work was created during the artist's...

This lovely set consists of a salt dip, pepper pot, mustard pot and two spoons. The items all have cobalt blue glass inserts in excellent condition. The three items stand on circular...

This sophisticated platinum diamond cross tie tack and clutch exudes timeless elegance with its minimalist yet refined design. At its center, a dazzling 4.0mm...

14 Karat Ridged Tie Bar. Simple design yet sophisticated piece that will add a nice detail to any tie. The top of the tie bar has a zig-zag design and the enti...

Sterling Silver Sugar Caster/Mufineer/Dredger by Barker Brothers Silver In good vintage condition, this is a beautiful piece. Hallmarked: Made in England S1. Made by Barker Brothers...

Edwardian Travelling Curling Tong Heater by A & J Zimmermann Ltd in 1903 This unusual piece is in excellent condition. This silver cased portable curling tong heater is of rectangul...

Beautifully made, one of a kind, brass and red enameled belt buckle. It could be used as a large necklace pendant as well.

This magnificent gold-plated silver cross was made in Italy in the 60s. It is hand sculpted and the gold plated finish highlights the tree trunk design. The finishing touch is given ...

In good vintage condition, this is a beautiful piece. It has a lovely rounded form, a pedestal foot and a finial on top. Hallmarked: Made by Barker Ellis Silver Co in Birmingham in ...

An Art Nouveau period antique wooden pencil with gold holder France, circa 1900s case weight - 11 grams case measurements - 0.39 x 3.62 x 5.55 i...

Emile Galle Art Deco Vase Beautiful Art Deco piece that was made in France in the 1930s An overlaid and etched glass vase, cameo signature G...

Description: Stunning Pair of Antique Green Glass and Gilt Bronze Urns This exquisite pair of decorative urns features vibrant green glass bodies with intricate diamond-cut pattern...

A very rare and important figure of 'Salome' holding the head of John The Baptist crafted in Austria. The figure is the work of Karl Klaus (1889-1925) and was crafted by the maker Ernst Wahliss around 1911. The figure depicts Salome, daughter of Herod II and Heordius, standing tall whilst reclining her neck, holding in her hands the severed head of John the Baptist. Richly decorated in a restrained palette of black, white, indigo blue, red and gold the figure is undeniably decorated in the Secessionist taste. Klaus was a student of Josef Hofmann and designed several figures and decorative pieces for Ernst Wahliss under the label 'Serapis Wahliss...

Juan Prat - Gold and Sapphire Bracelet Original drawing in conté pencil, heightened with white on oatmeal coloured vergé paper by Juan Prat. The work was created during the artist...

An exceptional piece - Art nouveau Opal Brooch from original catalogue of french jeweller Edouard Aimé Arnould, circa 1910 opal origin - Australia...

FACTORY / HOUSE: Black Starr and Gorham STYLE / REFERENCE: Gothic Motif METAL / MATERIAL: Nickle Finished CIRCA: 1940s/ 50s MOVEMENT / CALIBER: High Grade 15 Jewels Swiss Made DIAL / HANDS: Silvered Roman / Filigree Hands DIMENSIONS: Length 16 Inches tall X Diameter 9 Inches Wide / 40cm X 23cm (box 17" X 11") WARRANTY: 18 months on the movement. This is am impressive wall clock sold by one of the premier American jewelry houses. Remarkably it comes with its original box, in excellent condition. Black, Starr and Frost are considered America's oldest jewelry house. They merged with Gorham, one of America's oldest silver companies in 1929. Just in time for the Great Depression. This clock, or rather weather station as it is normally called, appears to have never been used. It was likely made in Switzerland of the finest materials some time mid century. Gothic in style while dating to later part of the Art Deco Era This would be an impressive piece in entry of an elegant old home. Or, conversely it would look great in an ultra modern entry...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this sublime 1931 Sterling silver handled with mother of pearl Baptismal dish for Christian Baptisms The pie...

A sophisticated mother of pearl and onyx money clip by Bulgari. Made in Italy, 18 karat gold.

A pair of Georgian style sterling silver sauceboats, with curved edging, upturned scroll handles, on three hoof feet, gross weight 6.5ozs,(203gms), length 5.75",(14cms), London 1977,...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...