Amsterdam - Tribal Art

An extremely rare Papua wood sculpture of a Korwar Papua New Guinea, Cendrawasih Bay, Wandammen, early 19th century Measures: Height 24 x Diameter 18 cm Finely carved in th...

A splendid and rare Amazon indigenous wamara wood Macana war-club Southern-Guyana or Northern Brazil, Wapitxana group of the Aruak peoples, 18th century, possibly earlier Measure: H. 43 cm The deep patina of the club present, and the residue on the part where it was held, attest to its great age. This unusually large Macana is decorated with several incised whitened anthropomorphic and human figures, a decoration only found on one other documented club in the British Museum, which is illustrated in: Hjalmar Stolpe, Amazon Indian...

A rare Papua 'Gope' Spirit board from the Schulze Westrum collection New Guinea, Papua Gulf, probably Urama people, late 19th–early 20th century Attached to the back are several 'b...

A Polynesian hardwood Ula tavatava or throwing war club Fiji, probably 18th century All-over decorated in incised pattern, the bulbous top seems to have a stone grown into it. H. 42 cm Including museum-quality powder-coated stand. Provenance: Private collection, France Polynesian culture is traditionally a culture of power and prestige, and there was a fine line between battle and ceremony. Warrior people par excellence, the Fijians had at their disposal a large panoply of weapons, each for a specific use. The elegant Gata are called gun-sticks by Europeans due to the recognizable form. However, they are designed after a snake, gata in Fijian language. The Ula throwing clubs...

A Polynesian ironwood Gata waka or war club Fiji, probably 18th century or earlier Measures: Height. 97 cm Including museum-quality powder-coated stand. Provenance: Private collection, France Polynesian culture is traditionally a culture of power and prestige, and there was a fine line between battle and ceremony. Warrior people par excellence, the Fijians had at their disposal a large panoply of weapons, each for a specific use. The elegant Gata are called gun-sticks by Europeans due to the recognizable form. However, they are designed after a snake, gata in Fijian language. The Ula throwing clubs...

A fine Jelutong wood Dayak Kliau or shield Indonesia, Borneo, Kalimantan, first half of the 19th century Measures: H. 126 x W. 36 cm The kliau or klebit is the most popular ...

A rare Papua 'Gope' Spirit board from the Schulze Westrum collection New Guinea, Papua Gulf, probably Minagoiravi, Wapo River, late 19th–early 20th century H. 130 x W. 24.5 cm Pro...

Papua New Guinea, 18th-19th century L. 22.5 x W. 18 cm (approx.) Provenance: Collected by Schulze-Westrum Collection Rinck Hollnberger, Munich (purchased in the 1980s or 1990s) For a comparable skull see the collection of the Metropolitan Museum of Art in New York. The heads of humans and of animals such as crocodiles and pigs formerly played integral roles in the ceremonial life of Papuan Gulf peoples, who considered the heads to be vessels of life-giving supernatural power. Within men’s ceremonial houses, human skulls were displayed, together with sacred images such as spirit boards or gope, by the members of each clan in a specially constructed clan shrine. However, not all heads required the death of an enemy. In some areas, heads made from wood or other materials appear to have had powers equal to actual ones. In contrast to skulls, the facial features of wood heads were sometimes depicted as they appeared in life. This example comes from the Wapo Creek area, where wood heads appear to have been used interchangeably with actual skulls. When headhunting was abolished by Australian colonial...

A splendid Bouelé Chief’s gilt-wood crown and sceptre in the form of a Pith helmet and pipe Ivory coast, late 19th/early 20th century H. 13 x L. 33.5 x D. 26 cm (crown) L. 14 cm ...

A polychrome wood model of a Toraja dwelling or tongkonan Indonesia, Sulawesi, Tana Toraja, early 20th century H. 60 x L. 94 x D. 33 cm Provenance: - Seminary Rosa Stichting, Nijmegen - Instituut voor Kulturele Antropologie van de Katholieke Universiteit, Nijmegen - With Michel Thieme...

Follower of Gerrit Schouten (second half of the 19th century) Diorama depicting a Carib Indigenous camp Carved wood, papier-mâché, paint on paper...

An Ashanti Chief’s ceremonial gold and gilt-metal crown and sash Ghana, early 20th century Diam. 20 cm (crown) L. 128 cm (sash) H. 102 cm (incl. st...

A Papua wood figure of a Korwar North West Irian Jaya, Vogelkop area, coastal Geelvink Bay, present-day Cenderawasih Bay, early 20th century The seated Korwar is holding an ope...

Indonesia, Nias, 19th century H. 37.5 x W. 10 cm Sculptures like the one present are not only decorative items but are believed to be vessels that house the spirits of ancestors and are used to communicate with them. After the death of a person a wooden image or Adu Zatua was made to mediate between the human world and the spiritual realm. These kinds of figures were commissioned by noble Nias families, whereas simple and lesser quality carvings generally were found among lower class families. In this particularly fine example, the sculptor has paid careful attention to the proportions of the different parts of the body, dividing it into three main sections – the head, the torso, and the legs. The shapes are sometimes flat, round, or have notches, but all are perfectly in balance creating a certain divine tranquillity. This Adua Zatua’s ears are decorated with earrings, and it is wearing a headdress, pointing towards a chiefly provenance. In 1914 the Dutch gained complete control of the island of Nias and started spreading Protestant Christianity. Many ancestor statues...