Antwerp - More Asian Art, Objects and Furniture

Late 19th-early 20th century Chinese hand decorated porcelain figure. Beautifully hand decorated Chinese porcelain figure. This stunning colorful finely detailed figurine or sculptur...

Large Antique Indonesian Kris Dagger – Ethnographic collectible weapons A striking and authentic large antique Indonesian Kris (keris) dagger, dating to the early 20th century. This traditional Southeast Asian weapon features a dramatic curved zigzag (luk) blade, expertly forged and finely detailed, symbolizing power and spiritual energy. The blade is paired with a carved Horn hilt and shaped wooden sheath, showcasing classic Indonesian...

Sashiko-stitched cotton Rodogi work coat, early 20th century, Yamagata Prefecture, Japan A full length coat composed of indigo-dyed cotton with vertical bands of sashiko stitching w...

A well carved Indian white marble Jain temple relief fragment featuring an image of a Jina, circa 12th century, Rajasthan or Gujarat, India. The Tirthan...

20th C., cast stone panels with attractive patina. The panels could be used outdoors or for interior decoration. The back side of the panels have metal wall mounts. Dimensions: 6...

This serene Jain altarpiece of the enthroned and unclothed Buddha with numerous attendant figures including elephants is characteristic of Jain bronzes fro...

Chinese Qing Dynasty chest with drawers. Accentuated raised panels with scalloped edges make up all the front and side panels. Adorned with red lacq...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Prince Gautama Siddhartha was the son of Mayadevi and Suddhodana, king of the Sakya of Kapilavastu. At court, young Siddhartha led a joyful and carefree life, married Yasodhara and h...

This polychrome porcelain box and cover is a superb decorative object, realized in China in the early 20th century. The domed lid is decorated with a scene depicting a boy on a my...

Pair of late 19th century Chinese bronze cloisonné urns with lids

This amazing Archaic Jade pendant, was realized in China in the early 20th century. In very good condition, except for signs of aging. Provenance: I...