Argentina - Ceramics

Pair of ceramic planters signed Austria. Vienna Secession period, circa 1900.

Pair of enamel ceramic planters. Art Nouveau period. France, circa 1900. Attributed to Clement Massier. Planters dimensions: 51 cm diameter, 52 cm height. Bases dimensions: 42 c...

Ceramic: Sign: Boch Belgium, French ironwork The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy...

Painted ceramic sculpture by Tizziano Galli, Italy, circa 1940. Tiziano Galli, (1908-1986).

Set of six enamel ceramic dishes by Longwy, France, mid-19th century.

Ceramic: Pierrefonds, 995 In 1903, Count Charles Henri Olivier Hallez d'Arros founded a ceramics factory in Pierrefonds in the Oise . He was joined, in 1912, by the ceramist Emile Bo...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Pair of ceramic planters. Attributed to Sarreguemines. France, late 19th century. Planters dimensions: 42 cm diameter, 36 cm height. Bases...

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Glazed ceramic jardiniére. Art Nouveau period. Austria, late 19th century.

Sumida Gawa pottery vase, Japan, early 20th century.

Pair of glazed ceramic and gilt bronze vases, France, late 19th century.

Sign: F.Bichoff France Last name : Bichoff First name Francis Birthdate : 1876 Date of death: 1945 Biographical note: Francis Albert Bichoff was born on August 24, 1876 in Braila, ...

Pair of polychromed ceramic vase by Julius Dressler, Austria, early 20th century.  

Ceramic: Boch Belgium, Sign: 869, French ironwork The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Vil...

Pair of ceramics We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button ...

Pair of enamel ceramic planters signed Lechenet. Nice, France, circa 1900.

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Glazed ceramic Asparagus, Art Nouveau period. France, early 20th century. Two pieces, dish and platter.

Enamel ceramic planter. Art Nouveau period, France, early 20th century. Attributed to Delphin Massier. Planter dimensions: 48 cm diameter, 38 cm height. Base dimensions: 39 cm d...

Ceramic planter, Art & Craft period, England, circa 1900.

Five ceramic harlequins wall sculpture. Italy, circa 1950. Four ceramic harlequins signed "San Polo, Italy". Dimension: 26 cm height, 12 cm width, 6 cm depth. One ceramic harlequ...

Goldscheider Spanish dancer with a fan signed by Joseph Lorenzl, Austria, 1922. Model 5232.

Glazed ceramic Cauliflower Centerpiece signed Mancioli. Italy, Mid-20th Century

Set of eleven glazed ceramic Pumpkins, France, circa 1960 One big pumpkin and ten small ones. Dimensions big pumpkin: 25 cm height, 27 cm di...

Enamel ceramic flower vase signed Saint Clement. Art Deco period, France, circa 1930.

Franco-Belgian ceramist Charles Catteau could be regarded as one of the most versatile ceramic artists of his generation, especially for the style of Art Deco. Catteau advanced the f...

Sarreguemines France Ceramic Snakeski With Plate Style Art nouveau, Jugendstil, Moderism, Liberty, Stile Floreale. With Plate We have specialized in the sale of Art Deco and Art Nou...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Beautiful black flower vase with spikes, perfect for showcasing your cherished blooms. Providing a unique perspective from every angle, this handmade ...

Painted ceramic sculptrure "bimba e Mastello" by Sandro Vacchetti sigend Lenci. Italy, Torino, circa 1933.

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Mid-20th century glazed ceramic naked woman figure sculpture from Torino, Italy By: unknown Material: ceramic, paint Technique: glazed, painte...

Vintage Tarcisio Tosin - La Freccia wall plated - Glazed Ceramic, Italy 1934 hand painted under glaze from the 1934 to the 1942. The Diana Huntress St...

Sign: 7104 Austria Julio Dressler established the unit in 1888 in Bela or Biela Bohemia. This town used to be in Austria, but changed to Czechoslovakia ...

Gres Keramis flower vase, Belgium, circa 1920. Model D 1211.

Ceramic: Sign: Made in Belgium, Boch F. La louviere Fabrication Belge The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another...

Ceramic: Amphora Czechoslovakia We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushin...

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Ceramic Vase attributted to Sarreguemines, Art Nouveau Period, France, circa 1890

Ceramic Sign: Encra Encra is the signature of the Argentine ceramic school. It was created by decree of President Roberto M. Ortiz on April 9, 1940. It was the first Ceramics school in the City of Buenos Aires, located at Bulnes 45. Its founder and first director was the illustrious Madrid ceramicist Don Fernando Arranz. The teachers of those first years were famous artists such as Aurelio Macchi, Vicente Puig, Nicasio Fernández...

Ceramic Sign: W. Germany 7653-25 We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing...

Material: Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button th...

Ceramic woman with sled sculpture signed Friedrich Goldscheider. Austria, circa 1900.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Pair of enamel ceramic planters, France, late 19th century.

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Sarreguemines ceramic vase, Art Nouveau Period, France, circa 1890.

Ceramic Sign: Revernay 86 19b "Around 1896, the company Sarreguemines Utzschneider et Cie created an art workshop responsible for producing Art Deco artistic ceramic. This workshop...

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Material: Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button th...

Pair of glazed ceramic vases. France, late 19th century.

Sign: Made in France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button ...

Sign: 7104 Austria Julio Dressler established the unit in 1888 in Bela or Biela Bohemia. This town used to be in Austria, but changed to Czechoslovakia ...

Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

Ceramic vase signed Ernst Wahliss, Vienna, Art Nouveau period, circa 1890.