Barcelona - Armchairs

Indoor Gardenia brown armchair by Jaime Hayon Dimensions: D 89 x W 70 x H 100 cm Materials: structure in cast aluminum and laminates in extruded aluminum. Powder coating in Alest...

Outdoor gardenia brown armchair with cover by Jaime Hayon Dimensions: D 89 x W 70 x H 166 cm Materials: Structure in cast aluminum and laminates in extruded aluminum. Powder coat...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1950 Iron structure, fabric upholstery Measurements 70 cm x 78 cm x 74h cm. 28 in x 27,5 in x 31h in. Literature Brasilian modern: The rediscovery of twentieth-century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

The Breakwave Chair by Aparentment is a sculptural, limited-series piece handcrafted in white concrete. Presented at Design Miami 2023 at the Barcelona Booth, this design was part of...

Olivier Mourgue (1939– ) Lounge chair model “Suede” Manufactured by Airbone France, 1970s Steel, upholstery Measurements 75 cm x 80 cm x 97 cm 29.53 in. x 31.5 in. x 38.19...

Pierre Paulin Armchair and ottoman model “CM 190” Manufactured by Thonet France, 1954 Iron, fabric upholstery. Measurements: 57 cm x 49 cm x 67 H cm 22.44 in x 19.29 in x ...

Achille Castiglioni (1918-2002) Armchair model “Primate” Manufactured by Zanotta Italy, 1970 Leather, steel, resin base Measurements 45 cm x 47 cm x 79h cm 17.71 in x 18.5...

Armchair model “Capitello” Manufactured by Gufram Italy, 1970s Polyurethane Measurements 110 cm x 110 cm x 60h cm 43,3 in x 43,3 in x 23,6h in Literature Michael Collins. Towards Pos...

The classic charm of the Victorian style comes to life in this impeccable pair of armchairs, a testament to the timeless elegance that characterizes the era. These two armchairs, made of silk fabric in their original condition, are in an excellent state of preservation, showing the lasting quality and aesthetic splendor associated with the Victorian period. The meticulously hand-woven silk fabric not only highlights the attention to detail and craftsmanship, but also adds a touch of luxury and sophistication to these armchairs. Silk, known for its softness and distinctive shine, provides extremely comfortable seating while elevating the aesthetics of the chairs to the next level. The original condition of the armchairs not only preserves the authenticity of the Victorian era, but also allows the fabric and structure to show their original splendor. The good state of conservation is a testament to the durability of furniture manufacturing from that era and highlights the quality of the materials used. In addition to their comfort, these armchairs are aesthetically original, reflecting the refined taste and attention to detail characteristic of the Victorian style. Hand-carved details in the wood, ornate backrests, and turned legs contribute to the unique character of these armchairs, making them distinctive pieces in any setting. In short, this pair of Victorian-style silk-weave armchairs...

Armchair with footrest Manufactured by Guillermo Santomá Edition Side Gallery Barcelona, 2018. Pladur structure, foam, latex painting. Guillermo Santomá is a designer living and wor...

Pair of armchairs From the series “Additional System” Manufactured by Sormani Italy, 1968 From the archives of Side Gallery Barcelona Aluminium,...

The wonderful traditional "monk chair", made in Sweden around 1900, is an extraordinary piece that encapsulates the craftsmanship and elegance of the period. The use of oak, known fo...

Indoor gardenia blue armchair by Jaime Hayon Dimensions: D 89 x W 70 x H 100 cm Materials: structure in aluminum and laminates in extruded aluminum. Powder coating in white (RAL 9...