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Item Ships From: Bay Area
Seascape IX - large format photograph of blue water surface
By Frank Schott
Located in San Francisco, CA
large scape photograph of mesmerizing water and cloudscape SEASCAPE IX by Frank Schott 58 x 58 inches ( 147 x 147cm ) edition of 7 signed 48 x 48 inches ( 122 x 122cm ) edition of...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink

An Antique Engraved View of "Waterfalls in Smoland", Sweden by Erik Dahlberg
By Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Delineatio Cataractae" (Waterfalls in Smoland), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlber...
Category

Early 18th Century Naturalistic Bay Area - Landscape Prints

Materials

Laid Paper, Engraving

Topiary IV - large format photograph of ornamental shaped tree with architecture
By Frank Schott
Located in San Francisco, CA
TOPIARY IV by Frank Schott from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism 60 x 48 inches (152 x 1...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Hannington/Castle Eaton
By Denis Paul Noyer
Located in San Francisco, CA
This artwork "Hannington/Castle Eaton" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 239/375 in pencil by the art...
Category

Late 20th Century Modern Bay Area - Landscape Prints

Materials

Lithograph

A Tire d'Aile
Located in San Francisco, CA
This artwork titled "A Tire d'Aile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand...
Category

Late 20th Century Surrealist Bay Area - Landscape Prints

Materials

Etching, Aquatint

"Texan Lynx": An Original Audubon 19th Century Hand-Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Texan Lynx", No. 19, Plate XCII, 92, from Audubon's "Quadrupeds of North America", printed and colored by J.T. Bowen and published in Philadelphia from 1849-1854. The lithograph depicts a Texan Lynx laying on the ground with hills in the background. This antique hand colored Audubon quadruped lithograph is presented with the original descriptive text pages 293-296 from Audubon's 19th century publication. The print is in excellent condition, including the striking hand coloring. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Beach Comber - large format photograph of iconic utility truck at night
By Erik Pawassar
Located in San Francisco, CA
Beach Comber by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 71 inches (122 x 180cm) signed edition of 7 archival fine art pigment print signed & numbered ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Pigment, Photographic Paper, Archival Paper, Giclée

Casa Malaparte - large photograph of iconic Mediterranean villa on Capri Island
By Frank Schott
Located in San Francisco, CA
large scale photograph of iconic Italian architecture by architect Adalberto Libera for writer Curzio Malaparte on the Mediterranean island of Capri, Italy, famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot, Michel Piccoli, Fritz Lang and Jack Palance Casa Malaparte...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Paper, Archival Ink, Giclée

Morning Glow - large format photograph of California water surface and horizon
By Frank Schott
Located in San Francisco, CA
Morning Glow by Frank Schott 27 x 40 inches / 68cm x 101cm signed edition of 25 48 x 72 inches / 122cm x 183cm signed edition of 7 archival quality fine art pigment print limited...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category

Late 17th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving, Etching

Beach Goals - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney Beach Goals by Erik Pawassar 48 x 67 inches (122 x 170cm) signed edition of 7 29 x 40 inches (74 x ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment

Mediterranean Dip - large format photograph of ethereal sunset and surfaces
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and sunsets Mediterranea...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Barocco Romano I - large format photograph of Baroque marble sculpture textiles
By Frank Schott
Located in San Francisco, CA
Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing the intricate sculptural tactile details of iconic Baroque marble works in Rome. Gian Lorenzo Bernini (1598-1680) was an Italian architect and more prominently the leading sculptor of his age, creating the Baroque style of sculpture under Pope VIII Urbano. A promoter of the arts, Urban VIII was the foremost patron of this important Baroque sculptor and architect, some of whose finest works he commissioned, including the loggias of St. Peter, Rome, and Urban’s tomb in the basilica. Barocco Romano by Frank Schott 30 x 45 inches / 76cm x 114cm signed edition of 25 48 x 72 inches / 122cm x 188cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist: Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category

21st Century and Contemporary Conceptual Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category

1870s American Impressionist Bay Area - Landscape Prints

Materials

Engraving, Woodcut

Original Audubon Hand Colored Lithograph of "The Sewellel"
By John James Audubon
Located in Alamo, CA
An original John James Audubon hand colored lithograph entitled "The Sewellel", No. 25, Plate CXXIII, from John James Audubon's Quadrupeds of Nort...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Church of Mandraikina, Corfu
Located in San Francisco, CA
This artwork tiled "Church of Mandraikina, Corfu" 1928 is an original color linocut on Laid fibrous paper by noted British artist Isabel De Bohun Lockyer, 1895-1980. It is hand signed, titled, dated and numbered 7/50 in pencil by the artist. The image (linocut mark) size is 7.15 x 9.85 inches, framed size is 18.75 x 21,5 inches. It is in excellent condition, especially considering the age. About the artist: Isabel de Bohun Lockyer (1895–1980) was a British painter known for her linocut color prints. She worked as an independent artist and mostly depicted landscapes. Lockyer was one of the few linocut artists at the time who was not associated with the Grosvenor School, a collection of artists and students who were primarily responsible for a resurgence of interest in printmaking and particularly linocut after World War I. Her earlier work followed closely in the tradition of woodcut due to her use of water-based inks, but later her technique showed influence from the work of Claude Flight, one of the heads of the Grosvenor School, who invited her to exhibit her prints at some of his annual British linocut...
Category

Early 20th Century Realist Bay Area - Landscape Prints

Materials

Linocut

Flame-bearer Hummingbirds: A 19th C. Gould Hand-colored "Selasphorus Scintilla"
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication. There are several other unframed Gould hummingbird...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Wild West II - large scale photograph of iconic Navajo Americana landscape
By Frank Schott
Located in San Francisco, CA
large format photograph from a series of photographic observances of iconic Wild West red desert Navajo landscape in Monument Valley, Arizona Wild West II by Frank Schott 48 x 71 i...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Giclée, Archival Pigment

MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category

21st Century and Contemporary Conceptual Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Mediterranean Dip - large format photograph of ethereal sunset and surfaces
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and sunsets Mediterranean...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Seascape III - large format photograph of monochromatic blue horizon and sea
By Frank Schott
Located in San Francisco, CA
from a series of photographic works capturing the sea blue color palette of the ocean Seascape III by Frank Schott 48 x 64 inches / 122cm x 163cm signed edition of 7 30 x 40 inche...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Giclée

Map of the Russian Empire: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of The Whole Russian Empire, As Contain'd Both In Europe and Asia, Drawn from Authentic Journals, Sur...
Category

Mid-18th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving

Night Heron Birds: A 19th C. Folio-sized Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Topiary III - large format photograph of ornamental shaped tree in urban setting
By Frank Schott
Located in San Francisco, CA
From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism TOPIARY III by Frank Schott 40 x 32 inches (102 x...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould & Edward Lear
By Edward Lear
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Flowering Digitalis Plants: An Original 17th C. Botanical Engraving by E. Sweert
By Emanuel Sweert
Located in Alamo, CA
This beautiful and extremely rare early 17th century hand-colored copperplate engraving of four flowering Digitalis plants by the Dutch artist and botanist Emanuel Sweert is plate 6 ...
Category

Early 17th Century Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Agave or American Aloe: A Framed Hand-colored Engraving from Robert Thornton
By Dr. Robert John Thornton
Located in Alamo, CA
This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand. The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition. Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...
Category

Early 19th Century Bay Area - Landscape Prints

Materials

Engraving, Mezzotint

West Africa: 18th Century Hand-colored Homann Map Entitled "Guinea Propria"
By Johann Baptist Homann
Located in Alamo, CA
This is a scarce richly hand colored copper plate engraved map of Africa entitled "Guinea Propria, nec non Nigritiae vel Terrae Nigrorum Maxima Pars" by Johann Baptist Homann (1664-1...
Category

1740s Other Art Style Bay Area - Landscape Prints

Materials

Engraving

Winter Sunrise - large format photograph of ethereal water surface and horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large format photograph of ethereal water surface and horizon , a body of works capturing the tactile surfaces and monochromatic nature of oc...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Winter Sunrise - large format photograph of ethereal abstract dawn landscape
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from the artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Winter Sunrise by Frank Schott 48 x 72 inches / 122cm x 183cm signed edition of 7 27 x 40 inches / 69cm x 101cm signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Maroon Lake, Colorado
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...
Category

Mid-20th Century American Realist Bay Area - Landscape Prints

Materials

Lithograph

Morning Glow - large format photograph of monochromatic water and horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Morning G...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Cloud Forest I - large format photograph of fantastical tropical rainforest
By Erik Pawassar
Located in San Francisco, CA
large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Cloud Forest...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment

Marfa ( Texas ) - large format photograph of dramatic clouds over endless field
By Frank Schott
Located in San Francisco, CA
Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd Marfa ( Texas ) by ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Blue Hour - large format photograph of ethereal foliage against evening sky
By Frank Schott
Located in San Francisco, CA
Mesmerizing large format photograph of ethereal floral foliage and sunset horizon, a body of works capturing the tactile surfaces and monochromatic nature and cloudscapes Blue Hour ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category

1870s American Impressionist Bay Area - Landscape Prints

Materials

Engraving, Woodcut

Topiary I (framed) - large format photograph of ornamental shaped urban tree
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Plexiglass, Giclée

Cloud Study ll - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
large-scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea Cloud Study II ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Bolivian Rainbow Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Dark Forest (8.5 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category

2010s Contemporary Bay Area - Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Canada Pouched Rat: An Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Ph...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

"King Duck": An Original First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "King Duck, 1. Male, 2. Female", No. 81, Plate 404, from A...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Casa Malaparte - large photograph of iconic Mediterranean villa on Capri island
By Frank Schott
Located in San Francisco, CA
large scale photograph of iconic Italian architecture by architect Adalberto Libera on the Mediterranean island of Capri, Italy, built for writer Curzio Malaparte and famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot and Michel Piccoli Casa Malaparte...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment

Bonn, Bethovenhaus (Bonn, the House of Bethoven)
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
Category

Mid-20th Century Realist Bay Area - Landscape Prints

Materials

Etching

Johns Hopkins Hospital
By Samuel Donovan Swann
Located in San Francisco, CA
This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....
Category

Mid-20th Century Realist Bay Area - Landscape Prints

Materials

Etching

18th Century Engraving "Attack with a Battering Ram" by Montfaucon
Located in Alamo, CA
This early original copper-plate engraving entitled "Attaque avec le Belier" from 'L'antiquité expliquée et représentée en figures' (Antiquity Explained and Represented in Diagrams), published in Paris in 1719 by Bernard de Montfaucon. It depicts an ancient...
Category

Early 18th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving

Landscape with House
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...
Category

Early 20th Century Realist Bay Area - Landscape Prints

Materials

Etching

A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category

1760s Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Golden State II -study of a desert botanical phenomenon California's super bloom
By Frank Schott
Located in San Francisco, CA
Golden State II by Frank Schott a photography study of a rare desert botanical phenomenon, California's "superbloom", a rare desert botanical phenomenon in which an unusually high p...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Paper, Archival Ink, Giclée

TODAY - large format (framed) photograph of conceptual billboard sign at night
By Frank Schott
Located in San Francisco, CA
billboard against ultramarine blue night sky, a large scale original photograph from a series of conceptual motivational messages on classic Americana billboards in landscape of the ...
Category

21st Century and Contemporary Conceptual Bay Area - Landscape Prints

Materials

Photographic Paper, Plexiglass, Archival Paper, Archival Ink, Giclée, Ar...

Lermoos, Austria
By Josef Eidenberger
Located in San Francisco, CA
Artist: Josef Eidenberger (1899-1991) Title: Lermoos Year: ca. 1960 Medium: Color Etching Plate size: 11.5 x 13.75 inches Framed size: 22.5 x 24.75 inches Signature: Signed, lower r...
Category

Mid-20th Century Realist Bay Area - Landscape Prints

Materials

Color, Etching

Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category

Mid-20th Century American Realist Bay Area - Landscape Prints

Materials

Drypoint, Etching

Barocco Romano II - large format photograph of Baroque marble sculpture textiles
By Frank Schott
Located in San Francisco, CA
Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing the intricate sculptural tactile details of iconic Baroque marble works in Rome. Gian Lorenzo Bernini (1598-1680) was an Italian architect and more prominently the leading sculptor of his age, creating the Baroque style of sculpture under Pope VIII Urbano. A promoter of the arts, Urban VIII was the foremost patron of this important Baroque sculptor and architect, some of whose finest works he commissioned, including the loggias of St. Peter, Rome, and Urban’s tomb in the basilica. Barocco Romano II by Frank Schott 30 x 45 inches / 76cm x 114cm signed edition of 25 48 x 72 inches / 122cm x 188cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist: Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Skinneri" by Fitch
By John Nugent Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category

1880s Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Topiary IV - large format photograph of ornamental shaped tree with architecture
By Frank Schott
Located in San Francisco, CA
From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism TOPIARY IV by Frank Schott 40 x 32 inches (102 x ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category

Early 17th Century Naturalistic Bay Area - Landscape Prints

Materials

Engraving

On Land - large format photograph of iconic wooden row boat on desert lake bed
By Frank Schott
Located in San Francisco, CA
On Land (2006) by Frank Schott, large scale photograph of classic red wooden row boat in dry California desert landscape 26.5 x 40 inches (67 x 102cm)...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Giclée

Tree Tunnel
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and sugarlift aquatint. Edition of 35
Category

2010s Contemporary Bay Area - Landscape Prints

Materials

Etching, Intaglio

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