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Item Ships From: Bay Area
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category

1770s Old Masters Bay Area - Landscape Prints

Materials

Etching

Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
Category

Mid-18th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving

Madrone Tree, edition 8 of 10 (hand-printed cyanotype, 24 x 18 inches)
Located in Oakland, CA
Unframed. New from 2024. Hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints made. Only seven remain. This is a hand-printed contact...
Category

2010s Naturalistic Bay Area - Landscape Prints

Materials

Photogram

Colosseo Quadrato - iconic neoclassical architectural elements in Rome
By Frank Schott
Located in San Francisco, CA
Colosseo Quadrato (2020) by Frank Schott, from a series of photographic observances capturing Roman urban textures and color palettes of timeless ar...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Winter Landscape 3
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Winter Landscape" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower cente...
Category

Early 20th Century Realist Bay Area - Landscape Prints

Materials

Etching

View of Seravalle, Italy: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is an original 16th century copperplate originally hand-colored engraved map of View of Seravalle, Italy entitled "Seravallum Celeberrimum Marchiae Tarvisiniae in Agro Foro Juliensi Opp. - Seravalli, quam vides, Spectator, iconem, operi huic nostro suis sumptib. . . ." by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Augsberg, Germany in 1575. The map depicts a view of Seravalle, now Vittorio Veneto, in San Marino, Italy, north of Venice, in a topographically accurate bird's-eye view from the south. A water-filled moat is seen to the south of the city walls and farmland to the east. Two men are depicted standing on a hill in the lower right in conversation next to grain sacks and a grazing horse, while a younger man behind them to the right herds a mule carrying presumably pigs. A very colorful and ornate title cartouche is in the upper center and coat-of-arms are in the right and left upper corners. Serravalle lies in an idyllic setting in the foothills and surrounded by orchards. St Mary's Cathedral with its tall bell tower is prominent in the center of the town. The marketplace and town hall with a bell tower in the square are depicted. Houses and shops are around the main square. Serravalle's importance as an agricultural centre is emphasized by the figures in the foreground. In 1337 Serravalle was conquered by the Republic of Venice. In 1866 the town was united with neighbouring Ceneda to form the town of Vittorio Veneto. The following is an English translation of an excerpt from the French description of the city on the back of the map: "Serravalle, a market town renowned for cloth, wine and grain, is in such a beautiful situation that the number of its inhabitants, attracted by the loveliness of the place, has grown so much at times that the wall encircling it has had to be enlarged for the third time. The city with the surrounding town once belonged to the Church in Ceneda as an imperial fief. It subsequently became the seat of the Da Camino family (a princely house that at that time was one of the five most noble in all Italy). Now the city is under the sway of the Venetians but is prudently governed by them. For they send only one city councillor with instructions to ensure that justice prevails and to collect duties. In all else, power lies in the hands of the noble families." This is a translation of the Latin in the title cartouche on the front: "The picture of the town of Serravalle, which you see, viewer, has been contributed to our work entirely at his own expense by Minutius, son of Hieronymus Minutius, a noble gentleman and one renowned for the far-reaching competence of his jurisdiction. We saw him sojourning in Cologne, where he was on business for Gregory XIII; while our good wishes accompany him, we should also like to accompany him on his way with this remembrance, even though it might be against his will, so that even those who have not seen him may learn of his excellence. However, those who do not yet know him will also see his excellence if God the Almighthy does not summon erring souls too soon back to the eternal seat of the Blessed." References: Van der Krogt 4, 4728, State 1; Taschen, Braun and Hogenberg, p.331; Fauser, #14960 This striking hand-colored city view is printed on laid, chain-linked paper with wide margins. The sheet measures 16" high by 21" wide. There is a central vertical fold as issued and French text on the verso, with Latin on the front. There is some discoloration in the upper and right margins which may represent some watercolor paint from the time of the original hand-coloring of the map. There is a small hole to the right of the upper portion of the vertical fold, which is only visible when held up to light and an area of reinforcement on the verso of the lower vertical fold. The map is otherwise in very good to excellent condition. Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe. Georg Braun (1541-1622) was German Catholic...
Category

16th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving

"Pinnated Grouse", an Original Audubon Hand-colored First Edition Lithograph
By After John James Audubon
Located in Alamo, CA
An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Pinnated Grouse", No. 60, Pl. 296, from Audubon's "Birds of A...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Dust Time, large lithograph
By John Maxon
Located in San Francisco, CA
Artist: John Maxon (American, born 1947) Title: Dust Time Year: 1993 Medium: Color lithograph Edition: Numbered 146/210 Paper: Arches Image size: 26.5 x 39.75 inches Paper size: 31.5 x 44 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua Guatemala, Guatemala 2015 Desert Art Collection - Palm Desert California 2015 Galeria Antigua – Antigua, Guatemala 2014 Galeria Panza Verde – Antigua, Guatemala 2008 Linda Durnell Gallery – Los Gatos, California 2006 Linda Durnell Gallery – Los Gatos, California 2005 Robert Allen Fine Art Gallery – Sausalito, California 2004 Ellis West Gallery – Durango, Colorado 2002 Ellis West Gallery – Durango, Colorado 2001 Robert Allen Fine Art Gallery – Sausalito, California 1997 Stanford University Faculty Club – Stanford, California Selected Group Exhibitions 2018 Chemers Art Gallery – Los Angeles, California 2009, 2010, 2016, 2017 & 2018 Robert Allen Fine Art – Sausalito, California 2017 Christopher Hill Gallery - St Helena, California 2013 / 19 Gallery North - Carmel, California 2015 Desert Art Collection - Palm Desert, California 2014 Paul Scott Gallery - Bend, Oregon 2014 Christopher Hill Gallery Healdsberg, California 2013 Firehouse Art Center - Pleasanton, Ca. 2013 2011 - 2013 Robert Allen Fine Art – Sausalito, California 2010 - 2012 Susan Street Gallery – Solano Beach, California 2010 (Awarded 1st place) and 2012 “Contemporary Landscape Painters of California” – Awarded 1st Place 2011 - 2012 Salisbury Fine Art – Avila Beach, California 2010 Bryant Street Gallery – Palo Alto, California 2009 Museum Art and History – Santa Cruz, California 2008 Cabrillo College – Aptos, California 2006 Christopher Hill Gallery – St. Helena, California 2005 Fort Lewis College – Durango, Colorado 2001 St. Supery Winery & Fine Art Gallery, Napa California 2001 Napa Valley Wine Auction – St. Helena, California 1997 West Coast Painting and Sculpture – Ocean Side, California 1997 Wolk Gallery – St. Helena, California Selected Museum Collections Interior Museum, Department of the Interior, Washington D. C. Santa Cruz County Art Museum – Santa Cruz, California University of California – Berkeley, California University of California – Davis, California Napa Valley Art...
Category

Late 20th Century American Impressionist Bay Area - Landscape Prints

Materials

Lithograph

Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category

Early 18th Century Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category

Early 18th Century Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Aspen Study III - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Blue Hour - large format photograph of ethereal water surface and horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large format photograph of ethereal floral surface and horizon , a body of works capturing the tactile surfaces and monochromatic nature and cloudscapes Blue Hour (2021)...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Cloud Study IV - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Black and White, G...

"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
By Thomas Rowlandson
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category

Early 1800s Other Art Style Bay Area - Landscape Prints

Materials

Etching, Aquatint

The Normandy Region of France: A 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...
Category

1690s Bay Area - Landscape Prints

Materials

Engraving

Richard Ziemann 'Wetland Grasses' Limited Edition Signed Etching Print
Located in San Rafael, CA
Richard Claude Ziemann (American, b 1932) 'Weland Grasses' 1980 Etching on wove paper Edition 138/175 Titled in pencil lower left Signed and dated in pencil lower right Image (plate)...
Category

1980s Contemporary Bay Area - Landscape Prints

Materials

Etching

Bird of Prey: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...
Category

Early 17th Century Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Unter Den Linden Street, Berlin, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Unter Den Linden Street, Berlin, Germany" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kas...
Category

Early 20th Century Realist Bay Area - Landscape Prints

Materials

Etching

Redwoods (6 glass panels) - large format abstract nature forest panorama
By Erik Pawassar
Located in San Francisco, CA
a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Giclée

Desert Crossing - large scale black and white photo of dramatic desert landscape
By Frank Schott
Located in San Francisco, CA
DESERT CROSSING by Frank Schott from a series of black and white photographs capturing the Golden State's vast desert landscapes 48 x 72 inches / 122cm x 183cm signed edition of...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Black and ...

Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category

1810s Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Children in a Boat
By Ming Wai
Located in San Francisco, CA
This artwork, "Children in a boat" 1976 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 21.5 x 28.75 inches, sheet size is 32.5 x 39.5 inches. Custom framed in wood dark brown rustic frame and beige matting. It is in excellent condition About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category

Late 20th Century Realist Bay Area - Landscape Prints

Materials

Lithograph

Wind Chimes #2
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category

Late 20th Century Realist Bay Area - Landscape Prints

Materials

Lithograph

Great Tit Birds: A 19th C. Hand-colored Folio-sized Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Best Seats - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney Best Seats by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 72 inches (122 x ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993
By Billie Coyne 20th c
Located in San Francisco, CA
Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993 32" wide x 22" high The lightly distressed frame measures 44.5" wide x 34.5" high Sig...
Category

Late 20th Century Bay Area - Landscape Prints

Materials

Lithograph

Rothenburg, Ploentein
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Rothenburg, Ploentein" 1984 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed and dedicated in pencil. The oval image s...
Category

Mid-20th Century Realist Bay Area - Landscape Prints

Materials

Etching

John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980
By John Collette
Located in San Francisco, CA
John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980 Plate dimensions 6" wide x 9" high The frame measures 13.25" wide x 18.5" high Pencil signed, titled and numb...
Category

Late 20th Century Bay Area - Landscape Prints

Materials

Etching, Aquatint

David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
By David Roberts
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade. This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition. There are four additional listings of David Roberts hand colored engravings of Egypt...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Tree Study V - large scale photograph of dramatic mountain landscape
By Frank Schott
Located in San Francisco, CA
Tree Study V by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 40 x 32 inches / 102cm x 81cm signed edition of 25...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Sign Of The Time - large scale photograph of conceptual motivational billboard
By Frank Schott
Located in San Francisco, CA
From a series of conceptual motivational roadside signs in iconic California landscapes, captured with a large format camera to allow epic scale print sizes with incredible image det...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Archival Ink

Bayfront Park, Miami, Florida
By David Rosenthal
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Bay Area - Landscape Prints

Materials

Etching, Aquatint

David Roberts' 19th Century Hand Colored Lithograph, St. Jean D'Acre
By David Roberts
Located in Alamo, CA
"St. Jean D'Acre" is a 19th century folio sized hand-colored lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition,...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Tree Study IV - large format b/w photograph of lone ancient tree in landscape
By Frank Schott
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Archival Ink

Carmel Mission
By Betty Guy
Located in San Francisco, CA
This artwork titled "Carmel Mission" c.1980 is an original monoprint by noted American artist Betty Guy 1920-2016. It is hand signed and titled in pencil by ...
Category

Late 20th Century American Modern Bay Area - Landscape Prints

Materials

Monoprint

Leaves, Monceau
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed Artist Proof in pencil Paper: Arches Im...
Category

Late 20th Century American Impressionist Bay Area - Landscape Prints

Materials

Lithograph

Mer Pacifique (Pacific Ocean)
Located in San Francisco, CA
This artwork titled ""Mer Pacifique (Pacific Ocean)" 1979 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dated, titled and numbered 125/125 in pencil by the artist. The image (plate mark) size is 17 x 17 inches, framed size is 31.75 x 25 inches. Framed in a mahogany style wood frame, with off white matting. It is in excellent condition, the frame has very small minor restorations, practically invisible. About the artist: Jean Solombre was born in Paris France in 1948. Solombre is an internationally respected painter, engraver, and writer. Tapestries created from images of Solombre paintings are woven at the atelier Aubsson, in France. The first Solombre fiber art created at Aubsson, was produced in 1979. Solombre, among the finest artists in France, was first acclaimed as printmaker, best known for his handsome richly textured and technically exquisite aquatint engravings which he presented with descriptive original poetry. Solombre's work has been shown in premiere art exhibitions Since 1970 including: The Great and Young of Today, at the Museum of Grand Palais, Paris; The Print Biennial at the Museum Galleria, Paris; and The International Art Fair in Paris, Basel, Dusseldorf, Washington, and New York. Solombre's printmaking intaglio technique masterfully combines the techniques of acquatint and engraving. These combination works, watercolor paintings, and oil paintings on canvas have been shown in prestigious solo exhibitions at: Jean-Marie Cupillard's la Bijougalerie in Grenoble, La Torte Gallery, Paris; Lahumiere, Paris; L'Empreinte Gallery, Strasbourg; Gallery Oliveier, Lille; Hohenloher Foundation, Langenburg West Germany; Gallery L'Angle Aigu, Bruxelles, Belgium; Gallery 410, New York USA; Frances Aronson...
Category

Late 20th Century Surrealist Bay Area - Landscape Prints

Materials

Etching, Aquatint

Danube
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Danube" c.1940 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the artist's estate in pencil at the lower center. The plate mark (image) size is 9.5 x 9 inches, the sheet size is 17.5 x 14.85 inches. It is in excellent condition, has never been framed. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Landscape Prints

Materials

Etching

Colored Vanity Fair Caricature of the "Gaekwar of Baroda" (Prince of India)
Located in Alamo, CA
A hand-colored caricature entitled the "Gaekwar of Baroda" (Prince of India), from Vanity Fair, Plate 23 , published July 3, 1901. Sayajirao Gaekwad III (1863-1939) was the Maharaja ...
Category

Early 1900s Other Art Style Bay Area - Landscape Prints

Materials

Lithograph

Wizard of Wyoming
Located in Burlingame, CA
'Wizard of Wyoming ' , Hand Colored Aquatint Etching with the plate (image itself) 12 x 12 inches. On a larger piece of archival paper at approximately 16 x 16 inches and matted to approximately 19 x 19 inches. . An iconic still life image featuring the crash scene of a lone overturned semi truck...
Category

21st Century and Contemporary American Realist Bay Area - Landscape Prints

Materials

Watercolor, Etching, Aquatint

Walking View, Left
By Ron Pokrasso
Located in San Francisco, CA
This artwork titled "Walking View, Left" 1990 is a color etching with aquatint by Santa Fe artist Ron Pokrasso, b.1951. It is hand signed, titled dated and inscribed artist proof in pencil by the artist. The image (plate mark) is 17.5 x 17.5 inches, framed size is 28.5 x 24.75 inches. It is custom framed in a mahogany frame. It is in excellent condition. About the artist: Ron Pokrasso has been an exhibiting artist, printmaker and educator for more than 40 years. He received his MFA degree from Pratt Institute in 1975 and has had over 50 solo exhibitions and has participated in more than 175 group shows. His work is in public, private, and corporate collections throughout the U.S. and abroad and is represented by several galleries nationwide as well as being featured in numerous books. For 11 years Pokrasso owned and directed Graphics Workshop (gifted to The College of Santa Fe in 1993). He is an originator of the printmaking event “Monothon” and has been an ardent supporter of arts programs for youth. His teaching experience includes universities, museums, public schools and private workshops, as well as Artist Residencies in the U.S., Scotland, Ireland and Italy. In 2000 Ron Pokrasso received the Mayor’s Recognition Award For Visual Arts citing his artistic and educational contribution to the city of Santa Fe. Currently Ron Pokrasso operates the Galisteo Street Studio in Santa Fe, NM offering workshops and assisted sessions for artists in addition to creating and exhibiting his artworks. SOLO EXHIBITIONS 202056Trees and Music, Mentors, Friends and Family: Remarque Print Studio, Albuquerque, NM 2019 Santa Fe Studio Tour: Galisteo Street Studio, Santa Fe, NM 2018 Santa Fe Studio Tour: Galisteo Street Studio, Santa Fe, NM 123456Some Recent Works On Paper: Remarque Print Studio, Albuquerque, NM 2016 Emptying Drawers and Clearing Racks: Timberwick Studios, Santa Fe, NM 2015 Fun With Music and Art: Joseph Gierek Fine Art, Tulsa, OK 2014 Color Breaking Barriers: The SF Gallery, San Francisco, CA 123456Transferring Ink 3: Janice Griffiths Gallery, Fallbrook, CA 2011 Ron Pokrasso and Colleagues: Quad Gallery, Riverside, CA 2010 Zane Bennett Gallery, Santa Fe, NM 123456Recurrence of Memory: Center for Contemporary Printmaking, Norwalk, CT 2009 New Works: Craighead Green Gallery, Dallas, TX 2007 Denise Roberge Gallery, Palm Desert, CA 123456Lynne Fine Art, Scottsdale, AZ 2006 Lynne Fine Art, Scottsdale, AZ 2005 Deloney Newkirk Gallery, Santa Fe, NM 123456Denise Roberge Gallery, Palm Desert, CA 2004 Deloney Newkirk Gallery, Santa Fe, NM 123456Riverside Art Museum, Riverside, CA 123456Brevard Museum of Art and Science, Melbourne, FL 123456Denise Roberge Gallery, Palm Desert, CA 2003 Galerie Municipale/ C.I.M., Chamaliers, France 123456Deloney Newkirk Gallery, Santa Fe, NM 123456Arts Exclusive Gallery, Simsbury, CT 123456Denise Roberge Gallery, Palm Desert, CA 2002 Los Milagros Print Studio, Oklahoma City, OK 123456Deloney Newkirk Gallery, Santa Fe, NM 2001 Deloney Newkirk Gallery, Santa Fe, NM 2000 Deloney Newkirk Gallery, Santa Fe, NM 1999 Famous for His Trees: Deloney Newkirk Gallery, Santa Fe, NM 1998 Patricia Carlisle Fine Art, Santa Fe, NM 123456Art Thomas Gallery, Charleston, SC 1997 Patricia Carlisle Fine Art, Santa Fe, NM 1996 In the Eyes of the Beholder: Waxlander Gallery, Santa Fe, NM 1995 Works on Paper: Arts Exclusive Gallery, Simsbury, CT 123456Waxlander Gallery, Santa Fe, NM 1994 Amos Joseph Fine Art, Santa Fe, NM 123456Works on Paper: Franz Bader Gallery, Washington, DC 1993 Amos Joseph Fine Art, Santa Fe, NM 1992 New Monotypes: Franz Bader Gallery, Washington, DC 123456Fantasy, Art & Baseball: Barclay Simpson Gallery, Lafayette, CA 1991 Works on Paper: Wenniger Graphics, Boston, MA 123456Franz Bader Gallery, Washington, DC 123456Reynolds Gallery, Westmont College, Santa Barbara, CA 1990 Works on Paper: White Gallery, Tbilisi, Georgia, USSR 123456Recent Work: Franz Bader Gallery, Washington, DC 1989 Recent Work: Riverside Art Museum, Riverside, CA 123456Founders Gallery, Guilford College, Greensboro, NC 123456Recent Prints: Wenniger Graphics, Provincetown, MA 123456Recent Work: Franz Bader Gallery, Washington, DC 1988 Barclay Simpson Gallery, Lafayette, CA 198813Recent Prints: Wenniger Graphics, Boston, MA 1987 Recent Monotypes: Franz Bader Gallery, Washington, DC 1986 Fresh Start II, ‘86: Beverly Gordon Gallery, Dallas, TX 1985 New Work: Sena Plaza Gallery, Santa Fe, NM 1975 MFA Thesis Exhibition: Higgins Hall Gallery, Pratt Institute, Brooklyn, NY Group Exhibitions 202034Masked, Veiled and Unveiled: A Sea (In The Desert) Gallery, Santa Fe, NM 201956Breakfast At Harry’s: Are We There Yet? FOMA, Santa Fe, NM 123456Solar Impressions: Southampton Art Center, Southampton, NY 123456Exquisite Corpse: Community Gallery, Santa Fe, NM 2017 East Meets West: Gildea Contemporary, Key West, FL 2016 Recent Work; Three person show: Mill Contemporary, Santa Fe, NM 123456Men In Aprons: Pacific Northwest College Of Art, SGC conference, Portland, OR 123456Visual Arts Faculty: Parks Exhibition Center, Idyllwild, CA 2015 20th Retrospective: Center For Contemporary Printmaking, Norwalk, CT 123456The Mask Of The Artist: The SF Gallery, San Francisco, CA 123456Arizona Aqueous XXIV: Tubac Center Of The Arts, Tubac, AZ 2014 Monotypes And More: Pippin Contemporary, Santa Fe, NM 123456Premier Exhibition: The SF Gallery, San Francisco, CA 2013 Revisiting: Ten Years of the Visiting Artist Series at ASLD, Carson Gallery, Denver, CO 123456Visual Arts Faculty: Parks Exhibition Center, Idyllwild, CA 2012 Mentors and Makers: Rochester Contemporary Art Center, Rochester, NY 123456Beasts Big and Small from the Scripps Collection: Scripps College, Claremont, CA 123456Art Of The Book 4: Artist Union Gallery, Ventura, CA 123456One Square Foot Of Humor: Zane Bennett Contemporary, Santa Fe, NM 123456Michele Jamison and Friends: Stephen Archdeacon Gallery, Palm Springs, CA 2011 Aberdeen Artists Printmaking Invitational Exhibition, Aberdeen, Scotland 123456Contemporary Monotypes: Glasgow Print studio, Glasgow, Scotland 123456Visiting Artists: Bancroft Gallery, South Shore Art Center, Cohasset, MA 123456The Process of Art- Faculty Exhibition: Sedona Art Center, Sedona, AZ 123456Beyond Abstraction: Center For Emerging Visual Artists, Philadelphia, PA: J&J World Headquarters 12345678Gallery, New Brunswick, NJ 123456Artists Portraying Artists: Windsor Whip Works Art Center & Gallery, Windsor, NY 123456Going Solar: St Louis Artists’ Guild, St Louis, MO 2010 2010 Great Impressions- The Print Club of Rochester Turns 80: Memorial Art Gallery, Rochester, NY 123456Visual Arts Faculty, Parks Exhibition Center, Idyllwild, CA 123456September Special- Arts Exclusive Gallery, Simsbury, CT 2009 Comfort Food: Jennie Cooley Gallery, Santa Fe, NM 123456Vision Shift: Santa Fe Art Institute, Santa Fe, NM 2008 Process/ Image/ Print: O’Sullivan Art Gallery, Regis University, Denver, CO 123456September Special: Arts exclusive Gallery, Simsbury, CT 123456Visual Arts Faculty, Parks Exhibition Center, Idyllwild, CA 123456Interludes: South Shore Art Center, Cohasset, MA 123456Ink’d: dba256 Gallery, Pomona, CA 123456Craighead Green gallery, Dallas, TX 2007 Art Department Founders Exhibit: College of Santa Fe Gallery, Santa Fe, NM 123456From Barbizon to Santa Fe-Argos Etchings and Paintings, Santa Fe, NM 2006 Gallery Hop 2006: Joseph Gierek Fine Art, Tulsa, OK 123456Pressed: Riverside Art Museum, Riverside, CA 123456Faculty Artists Exhibition: Parks Exhibition Center, Idyllwild, CA 200556Summer Connections: Visiting Artists: Bancroft Gallery, Cohasset, MA 123456September Special: Arts Exclusive Gallery, Simsbury, CT 123456Solarplate Revolution: Taller Boricua Gallery, New York, NY 123456Solarplate Evolution: Cape Cod Community College, North Barnstable, MA 200456Solarplate Revolution: Gray Gallery, Quincy, IL; Center For Contemporary Printmaking, Norwalk, CT; 12345678Emory & Henry College, Emory, VA 123456Monothon 18: College of Santa Fe, Santa Fe, NM 200356Artists Choose Artists: East Central University, Ada, OK 123456Monothon 17: College of Santa Fe, Santa Fe, NM 123456Craighead Green Gallery, Dallas, TX 123456New Mexico Printmakers: Santa Fe Art Institute, Santa Fe, NM 1234566th World Triennale of Small Prints: Chamlieres, France 123456Printsafe: Warringah Printmakers Studio, Manly Vale, Australia 123456Solarplate Revolution: Southern Graphics Council, Boston, MA; Whitney Art Works, Greenport, NY; BCB 12345678Art, Hudson, NY 200256Northern New Mexico Printmakers: Foothills Art Center, Golden, CO 123456The Magnificent Subject: Wyeth Hurd Gallery, Santa Fe, NM 123456Monothon 16: Site Santa Fe, Santa Fe, NM 123456September Special: Arts Exclusive Gallery, Simsbury, CT 200156Jewish Artists on the Edge: Yeshiva University Museum, New York, NY 123456Monothon 15: Site Santa Fe, Santa Fe, NM 2000565th World Triennale of Small Prints: Chamalieres, France 123456Jewish Artists on the Edge: Marion Art Center, Santa Fe, NM 123456A Show With Heart: Joyce Robins Gallery, Santa Fe, NM 123456Monothon 14: College of Santa Fe, Santa Fe, NM 123456Seventh Annual Cup Show: Segretto Contemporary Art, Santa Fe, NM 199956Craighead Green Gallery, Dallas, TX 123456William Havu Gallery, Denver, CO 123456Deloney Newkirk Gallery, Santa Fe, NM 123456Monothon 13: Site Santa Fe, Santa Fe, NM 123456Bridging the Milleniums: Deloney Newkirk Gallery, Santa Fe, NM 199856Alumni Invitational: Tower Fine Arts Gallery, Brockport, NY 123456101 Cups – 101 Artists: Karen Ruhlen Gallery, Santa Fe, NM 123456Intimacies – A Collection of Small Works: Patricia Carlisle Fine Art, Santa Fe, NM 123456Hands In – The Cookie Jar Show: Select Art Gallery, Sedona, AZ 123456Monothon ’98: Riverside Art Museum, Riverside, CA 123456Collage = Reality: Gallery Zipp, Glorieta, NM 123456Magnificent Subject IV: Turner Carroll Gallery, Santa Fe, NM 123456Love Art – A Public Display of Affection: Patricia Carlisle Fine Art, Santa Fe, NM 123456Monothon 12: Site Santa Fe, Santa Fe, NM 199756Duo – Ron Adams...
Category

Late 20th Century American Modern Bay Area - Landscape Prints

Materials

Etching

Process Landscape
By Tom Marioni
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
Category

1990s Abstract Impressionist Bay Area - Landscape Prints

Materials

Paper, Aquatint

Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category

Mid-18th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving

"Subway Construction, Moscow": An Early 20th C. Woodcut Engraving by Abramovitz
By Albert Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Subway Construction, Moscow" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts many Russian workers acti...
Category

1930s Bay Area - Landscape Prints

Materials

Woodcut

"Parasols and Wildflowers" Large original color serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled ""Parasols and Wildflowers"" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed...
Category

Late 20th Century American Impressionist Bay Area - Landscape Prints

Materials

Screen

"A Game of Lacrosse": A Hand-colored 19th Century Woodcut Engraving by Hall
Located in Alamo, CA
A colorful and attractive hand-colored 19th century woodcut engraving entitled "A Game of Lacrosse" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It depicts a scene from an intense lacrosse game. This hand-colored woodcut engraving is presented in a red mat that measures 16" high x 20.63" wide. The sheet measures 10.63" high x 15.88" wide. There is a central fold, as issued. The print is in excellent condition. Lacrosse is the oldest sport in North America, possibly originating as far back as the 1400's. The sport was first invented by Native Americans, who originally played it as a means to toughen braves for war or to settle tribal disputes. It was played by between 100 and 1,000 participants at a time. There were no strict boundaries and the game could cover miles and take days to complete. It was very violent with many injuries, which were sometimes fatal. The game was unknown to whites until the 17th century when a Jesuit priest observed Heron Indians playing it. He thought the stick and netting resembled the "crosier" carried by bishops during religious ceremonies, This led to the name "la crosse". A Canadian dentist standardized the rules of the game in 1867 and the 1st college team was created at New York University in 1877. The game gained national attention and popularity in 1956 when the Hall-of-Fame football player Jim Brown...
Category

1880s Bay Area - Landscape Prints

Materials

Woodcut

Cones - large scale photograph of conceptual art in desert landscape
By Frank Schott
Located in San Francisco, CA
Cones ( 2000 ) by Frank Schott, from a series of conceptual photographic observances captured in the California desert 30 x 40 inches (76 x 102cm) signed edition of 25 48 x 65 inch...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category

1760s Naturalistic Bay Area - Landscape Prints

Materials

Engraving

House in the sun
By Kenneth Miller Adams
Located in San Francisco, CA
This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. The artwork (image) size is 6.75 x 12 inches, framed size is 13.5 x 18.25 inches. Custom framed in silver metal frame, with light grey matting. It is in excellent condition, the frame have some very small minor scratches, barely visible. About the artist: Painter Kenneth Adams (1897-1963) arrived on the Taos art scene in 1924, at the urging of his former instructor Andrew Dasburg. Although Adams had been born and raised less than 700 miles away in Topeka, Kansas, his journey to the Southwest had been years - and countries - in the making. Earlier in his 20s, Adams had embarked on the Midwesterner’s equivalent of a Grand Tour: Chicago, then New York City, and finally, Italy and France. From these sojourns, the artist had absorbed all the lessons in light, color, and form that renowned teachers and rolling countrysides could offer. Now, thanks to Dasburg’s invitation, Adams found he could stop traveling; he had finished honing his craft and found his muse. New Mexico - its people and its land - would be an infinite source of inspiration. Adam’s painterly devotion soon impressed the prestigious Taos Society of Artists...
Category

Mid-20th Century American Realist Bay Area - Landscape Prints

Materials

Lithograph

Tree Study I - large format b/w photograph of lone ancient tree in landscape
By Frank Schott
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

David Roberts “Approach of the Simoon - Desert of Geezah” “
By David Roberts
Located in San Francisco, CA
David Roberts: 1796-1864. Very important and well Listed 19th century Scottish artist. He has had Auction results for paintings in excess of $1 million. Nevertheless, he is most reco...
Category

1850s Realist Bay Area - Landscape Prints

Materials

Lithograph

Elizabeth's Cone
Located in Burlingame, CA
'Elizabeth's Cone', Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger sheet of archival paper. An iconic still life image featuring the “tragedy” of a drop...
Category

21st Century and Contemporary American Realist Bay Area - Landscape Prints

Materials

Etching, Aquatint

Willet or Stone Curlew: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Semipalmated Snipe, Willet or Stone Curlew, 1. ...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Yarrell's Wood-star Hummingbirds: A 19th Century Hand-Colored Gould Lithograph
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used. This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included. There are several other unframed Gould hummingbird...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category

Late 19th Century Bay Area - Landscape Prints

Materials

Etching

Edinburgh, Scotland: An Original 17th C. Hand-Colored Engraved Sea Chart
By Captain Greenvile Collins
Located in Alamo, CA
This hand-colored sea chart is entitled "Edinburgh Firth" from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by Captain Greenville Collin...
Category

Late 17th Century Bay Area - Landscape Prints

Materials

Engraving

Best Seats - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney Best Seats by Erik Pawassar 48 x 72 inches (122 x 183cm) signed edition of 7 27 x 40 inches (69 x 1...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Chopper 2003 - large format photograph of iconic Harley Davidson chrome details
By Frank Schott
Located in San Francisco, CA
large scale photograph of iconic classic motorcycle in glossy chrome finish Chopper (2003) 22.5 x 40 inches (57 x 102cm) signed edition of 25 48 x 85 inches (122 x 216cm) signe...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category

Mid-18th Century Naturalistic Bay Area - Landscape Prints

Materials

Engraving, Mezzotint

Marienburg Castle, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Landscape Prints

Materials

Etching

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