California Figurative Sculptures

Look at this magnificent Chinese Antique Carved Stone Buddha Head. It was dated back to 1920s and shows very detailed hand carving works on it. You can see from the pictures that It ...

Large and striking brass tree sculpture by Curtis Jere. This floor piece has metal leaves attached to a painted natural wood tree trunk. Mid-Century Modern Brass Tree Sculpture

Mid century bronze sculpture 2 Thinkers from Est Asia.

Beautiful polished brass apple trinket box, circa 1970's hand made in Mexico elegant and unique.

A fantastic, quite whimsical, engaging Mid-century Modern abstract owl/bird sculpture/belt buckle by New York artist Albert Leon Wilson. Wilson was born in 1920 in Jamaica, New York. In the mid-1950s he relocated to Rochester, New York, where he worked until 1967 as an art director, illustrator, and photographer, winning over 20 graphic art awards from the Rochester Society of Communicating Artists. Afterward, he found his calling working with welded and bent metals and designing abstract sculptures often featuring figures and animals. He passed away in 1999. This unique and rather heavy piece is signed and dated (1968) with Wilson's traditional imprint/stamp. Wilson's work has been exhibited at the York State Craft Fair, Ithaca College, NY; Northeast Craft Fair, Am. Craftmen's Council, Mount Snow...

Miniature modernist pewter sculpture / paperweight of the Lever House skyscraper in New York City, circa early 2000s. The piece is in good condition with no chips or cracks (but s...

Beautiful bronze sculpture of 2 nude males embracing titled LOVE by Norma Goldberg, dated 1977 The piece can really communicate the love this couple ...

Hand Carved Stone Column Base pedestal Sculpture Doorstop Decorative Element LA . Nicely hand carved 17th century Renaissance stone column base appli...

Beautiful sculpture in bronze by artist Phyllis Beattie, circa 1990's sitting on a solid black marble base, the figure pins and can be removed for easy shipping and handling.

Fine detail, lovely factions and subtle smile on this rare bronze head sculpture Fix to a black marble base.  

Incredibly minimal and sculptural trophy that emerges as sculpture. This classic piece presents art deco style and chic. The minimal lines thru the cup are enhanced by the semi-cir...

A beautiful small bronze Asian Buddhist or Indian Hindu praying deity figure on a wood stand. This piece has a wonderful feel and presence to it. From an extensive private Los Angeles collection...

Illuminate your space with this timeless French Art Deco Sculpture and accent lamp showcasing a bronze Flapper girl with two Borzoi dogs with a green patina fixed to a multi-colored ...

Vintage "Boy and Balloon" sculpture signed by Curtis Jere for Artisan House, circa 1968. This figurative piece depicts a boy holding strings of colored balloons. The boy is made of p...

Stunning pair of massive “Hand” vases by Pols Potten of The Netherlands. Marked PP Global from Holland on a sticker. These appear to be hand thrown with ribbing up the pieces. Beauti...

A very fine and Monumental French 19th century patinated bronze group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison, circa: Paris, 1870-1880. Overall height (Sculpture and Pedestal): 91 inches (231.2 cm). Sculpture height: 54 3/4 inches (139.1 cm). Sculpture width: 24 inches (61 cm). Pedestal height: 36 inches (91.5 cm). Pedestal width (Widest): 25 1/2 inches (64.8 cm). Pierre Loison was a French sculptor of the 19th century born in the seaside town of Loir-et-Cher on July 5, 1816 and died in Cannes on February 3, 1886. In 1841, he joined the Pierre-Jean David d'Angers workshop where he became one of his favorite pupils. A year later he attended the School of Fine Arts in Paris. He exhibited for the first time at the Salon des artistes Français where in 1845 he was awarded third-class medal. In 1853 he was awarded First Place medal and at the Universal Exhibition of 1955 he received an honorable mention and another medal award in 1859. On 12 July 1859 and by decree, he was made "Chevalier de la Légion d’Honneur". Pierre Loison is buried at The Montparnasse Cemetery in Paris. Works by Pierre Loison "Femme assise": Terre cuite (1843) au musée Gustave-Moreau à Paris "Jeune fille portant un vase": Statue en marbre blanc, (h. 1,25 m) datée de 1857 et présentée au Salon de 1859 ; la statue fut d’abord placée au Palais-Royal (appartements du prince Napoléon) ; elle est actuellement au musée des Beaux-arts de Dole ; une réplique de taille réduite est au Musée des arts décoratifs de Paris. "La Halle aux grains de Mer": Chaque façade de ce bâtiment, classé à l’inventaire supplémentaire des monuments historiques, comporte un fronton triangulaire et celui de la façade ouest représentant « L’Agriculture distribuant des couronnes aux enfants de Beauce et de Sologne » a été sculpté gracieusement par P. Loison, natif de la commune. "La Justice assise": Allégorie de la Justice au fronton du Palais de justice de Blois (1847). "Buste d’Achille Fould": Au musée du Château de Blois 8; "Nausicaa": Statue en plâtre présentée au Salon de 1874, au musée des Beaux-arts de Vendôme. "Statue de J-B. Pigalle sur la façade de l’hôtel de ville de Paris "Sculptures extérieures du Palais du Louvre": Pierre Loison est l’auteur de neuf statues qui décorent les façades du Louvre "Figure" (1878) au deuxième étage du Pavillon Marsan10; "La Navigation" (1868) sur la balustrade du premier étage du Pavillon des États11; "Pandore" (1861) sur l’aile Est12; « Vénus » (1865) Aile Marsan13; "l’Histoire et la Vérité" (1857)14; "La Poésie et la Philosophie" (1857)15 deux oculi du Pavillon Mollien, coté cour Napoléon ; "Concordet" (1857) sur la balustarde du premier étage de la Rotonde de Beauvais, coté cour Napoléon. "Statue de Sappho sur le rocher de Leucade : datée de 1859, (h. 1,85 m) sur la façade nord de la cour carrée du Palais du Louvre à Paris ; le modèle en plâtre, offert par Mme Loison, est au musée des Beaux-arts de Blois. "Vierge à l’enfant": Statue en marbre en l’église Saint-Pierre de Dampierre-en-Yvelines. "Jeune romain enlevant une Sabine": Groupe présenté au Salon de 1863 qui a été reproduit en bronze par la fonderie d’art Raingo frères. "Sépulture de la famille Hautoy : Au cimetière du Père-Lachaise, deux bas-reliefs en marbre représentant l’un "La vie de Famille," l’autre 'Le chantier," datés de 1880. "Demoiselle d’honneur de la Cour de François Ier": Statue en pierre exposée au Salon des artistes vivants en 1870 ; acquise par l’État à ce Salon, elle a été déposée en 1891, devant la mairie d’Aubin. "La Paix distribuant des palmes aux génies des Beaux-arts": Fronton du Château de Compiègne (1866). "Daphnis et Naïs": Groupe en marbre (1869) au musée de Picardie à Amiens. "Jean-Baptiste Pigalle": Statue en pierre (1881) sur la façade principale, au rez-de-chaussée de l’Hôtel de ville de Paris. "Gisant de Ferdinand-Philippe d'Orléans: dans la chapelle royale de Dreux en collaboration avec Ary Scheffer. "La Grace": Statue en marbre (1875) dans le grand foyer de l’opéra Garnier. The Abduction of the Sabine Women The Abduction of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. The Abduction is supposed to have occurred in the early history of Rome, shortly after its founding by Romulus and his mostly male followers. Seeking wives in order to found families, the Romans negotiated unsuccessfully with the Sabines, who populated the area. Fearing the emergence of a rival society, the Sabines refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women, during a festival of Neptune Equester and proclaimed the festival among Rome's neighbours. According to Livy, many people from Rome's neighbours including folk from the Caeninenses, Crustumini, and Antemnates, and many of the Sabines attended. At the festival Romulus gave a Signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were soon implored by Romulus to accept Roman husbands. Livy says Romulus offered them free choice and promised civic and property rights to women. According to Livy, Romulus spoke to them each in person, declaring "that what was done was owing to the pride of their fathers, who had refused to grant the privilege of marriage to their neighbours; but notwithstanding, they should be joined in lawful wedlock, participate in all their possessions and civil privileges, and, than which nothing can be dearer to the human heart, in their common children." Responsibility of the men for meeting the needs of the children thus conceived was not included. War with the Sabines and other tribes Outraged at the occurrence, the King of the Caeninenses entered upon Roman territory with his army. Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault. Returning to Rome, he dedicated a temple to Jupiter Feretrius (according to Livy, the first temple dedicated in Rome) and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC. At the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle and their town captured. According to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated and their town captured. Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome (particularly the families of the captured women). The Sabines themselves finally declared war, led into battle by their king, Titus Tatius. Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for "what they bore on their arms", thinking she would receive their golden bracelets. Instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel. The Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way, They retreated to the gate of the Palatium. Romulus rallied his men by promising to build a temple to Jupiter Stator on the site. He then led them back into battle. Mettus Curtius was unhorsed and fled on foot, and the Romans appeared to be winning. At this point, however, the Sabine women intervened: [They], from the outrage on whom the war originated, with hair dishevelled and garments rent, the timidity of their sex being overcome by such dreadful scenes, had the courage to throw themselves amid the flying weapons, and making a rush across, to part the incensed armies, and assuage their fury; imploring their fathers on the one side, their husbands on the other, "that as fathers-in-law and sons-in-law they would not contaminate each other with impious blood, nor stain their offspring with parricide, the one their grandchildren, the other their children. If you are dissatisfied with the affinity between you, if with our marriages, turn your resentment against us; we are the cause of war, we of wounds and of bloodshed to our husbands and parents. It were better that we perish than live widowed or fatherless without one or other of you." The battle came to an end, and the Sabines agreed to unite in one nation with the Romans. Titus Tatius jointly ruled with Romulus until Tatius's death five years later. The new Sabine residents of Rome settled on the Capitoline Hill, which they had captured in the battle. Artistic representations: The Rape of the Sabine Women by Johann Heinrich Schönfeld The subject was popular during the Renaissance as symbolising the importance of marriage for the continuity of families and cultures. It was also an example of a battle subject in which the artist could demonstrate his skill in depicting female as well as male figures in extreme poses, with the added advantage of a sexual theme. It was depicted regularly on 15th-century Italian cassoni and later in larger paintings. A comparable opportunity from the New Testament was afforded by the theme of the Massacre of the Innocents. Giambologna The sculpture by Giambologna (1579–1583) that was reinterpreted as expressing this theme depicts three figures (a man lifting a woman into the air while a second man crouches) and was carved from a single block of marble. This sculpture is considered Giambologna's masterpiece. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence. True to mannerist densely packed, intertwined figural compositions and ambitious overinclusive efforts, the statue renders a dynamic panoply of emotions, in poses that offer multiple viewpoints. When contrasted with the serene single-viewpoint pose of the nearby Michelangelo's David, finished nearly 80 years before, this statue is infused with the dynamics that lead towards Baroque, but the tight, uncomfortable, verticality— self-imposed by the author's virtuosic restriction to a composition that could be carved from a single block of marble— lacks the diagonal thrusts that Bernini would achieve forty years later with his Rape of Proserpina and Apollo and Daphne, both at the Galleria Borghese, Rome. The proposed site for the sculpture, opposite Benvenuto Cellini's statue of Perseus, prompted suggestions that the group should illustrate a theme related to the former work, such as the rape of Andromeda by Phineus. The respective rapes of Proserpina and Helen were also mooted as possible themes. It was eventually decided that the sculpture was to be identified as one of the Sabine virgins. The work is signed OPVS IOANNIS BOLONII FLANDRI MDLXXXII ("The work of Johannes of Boulogne of Flanders, 1582"). An early preparatory bronze featuring only two figures is in the Museo Nazionale di Capodimonte in Naples. Giambologna then revised the scheme, this time with a third figure, in two wax models now in the Victoria and Albert Museum, London. The artist's full-scale gesso for the finished sculpture, executed in 1582, is on display at the Accademia Gallery in Florence. Bronze reductions of the sculpture, produced in Giambologna's own studio and imitated by others, were a staple of connoisseurs' collections into the 19th century. Nicolas Poussin Nicolas Poussin produced two major versions of this subject, which enabled him to display to the full his unsurpassed antiquarian knowledge, together with his mastery of complicated relations of figures in dramatic encounter. One, now at the Metropolitan Museum of Art, was executed in Rome, 1634–35. It depicts Romulus at the left giving the Signal for the abduction. The second version, of 1636–37, now at the Louvre Museum, shows that, though some of the principal figures are similar, he had not exhausted the subject. The architectural setting is more developed. Peter Paul Rubens Peter Paul Rubens painted a version of the subject about 1635–40. It is at the National Gallery, London. Jacques-Louis David Jacques-Louis David painted the other end of the story, when the women intervene to reconcile the warring parties. The Sabine Women Enforcing Peace by Running Between the Combatants (also known as The Intervention of the Sabine Women ) was completed in 1799. It is in the Louvre Museum. David had worked on it from 1796, when France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David himself had been imprisoned as a supporter of Robespierre. After David’s estranged wife visited him in jail, he conceived the IDEA of telling the story, to honor his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. The painting depicts Romulus's wife Hersilia — the daughter of Titus Tatius, leader of the Sabines — rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. Other soldiers are already sheathing their swords. The rocky outcrop in the background is the Tarpeian Rock. John Leech The English 19th century satirical painter John Leech included in his Comic History of Rome a depiction of the Rape of the Sabine Women, where the women are portrayed, with a deliberate anachronism, in Victorian costume...

Beautiful bronze leaf centerpiece sculpture is handmade by a French artisan. Please see our additional listings of this design as they are all unique. Amazing details and aged finish...

An exceptional Renaissance style patinated and gilt bronze cherub base made in the early to mid 19th century. The figure holding a 10 inch diameter solid crystal ball. Beautiful qu...

Beautiful pair of vintage Art Noeveau bookends by Verona. This set in beautifully aged cast iron reminiscence of the art noeveau era with its use of arches and curved forms. In this ...

An unusual cold painted Vienna bronze of a seated man holding a little scale in his left hand. The scale has a small weight on the scale while a banana is weighing heavier on the ot...

A topless dancer in Egyptian style dress in a dance pose. Hi cast bronze with fine details and multi patina finish. Mounted on a Pyramid design Black marble base. The base with a gold finished plaque with a musician playing a harp. Has marked name in bottom RH corner. Will require special packing and shipping for safe delivery. Title is ( The Egyptian Dancer...

Pair of Folk Art lamps - Hand carved African Figures on a black base - A decorative brass rod extend to the top with two custom made Lamp Shades...

Bust Pope Gilt Metal Bust on Hand Carved Wood Base Sculpture Antique Dealer LA . An amazing 19th Century bust depicting figure of Pope of Rome Leo XIII compo...

1960s student wood carved sculpture from the Scuola di Belle Arti in Venice.

A really cool and whimsical surfer sculpture by Mitch Berg, circa 2008. The piece is in good vintage condition and measures 10.5" W x 4.5" D x 15" H. ...

Late 19th century bronze beautiful patina George Washington hanging plaque of upper torso(Shoulders) and head.

Hand Carved Wood Basket Decorative Object Wagon Toy Antique Centerpiece LA CA . A beautiful Hand Carved wood 19th century Bibelot Wagon farm style has a wonderful aged patina . The w...

Hand painted porcelain collectible Fitz and Floyd resting Nubian camel figurine. Beautifully detailed Arabian camel, the camel is kneeling in rest and ...

Well cast and impressive sculpture of a nude woman entitle "The Vine" numbered 9/100. Bronze cast on solid marble base. Measures: 24" high.

Gorgeous Solid Brass Seahorse Sculpture, Hollywood Regence / Mid Century Modern Decorative Object. Beautiful Dramatic Stylized Sea...

Well rendered depiction of Icarus, in brown stained terracotta on an angular stone base. Statue is signed but it is difficult to interpret the signature. It appears to be "Faffa Ales...

A very nice figurative "Mother and Child" bronze sculpture on a rotating marble base by Sy (S.F.) Rosenwasser circa 1990s. The sculpture is in very good vintage condition with a grea...

This beautiful young nude has a timeless look. She sits on an oval piece of marble and contemplates. Rich, clean gilding really bring her to life. Done in such a manner that it look...

Carl Auböck model #4272-2 'Rooster' brass bell. Designed in the 1950s, this incredibly refined and sculptural bell is executed in polished brass. Produced by Carl Auböck IV in the...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

A very nice brass crucifix with a copper Jesus on the cross, circa 1960s. Nice weight and detail.

A wonderful, little gem of a piece. Thai/ Siam meditating Buddha with serenely closed eyes in the Kamphaeng Phet style. The piece has a beautiful patina acquired over time. From a collection of Asian antiques. Would be a nice addition to any South-East Asian artifacts...

A very interesting patinated bronze figurative sculpture by Venturi Arte Bologna, circa 1980s. The piece has a wonderful verdigris patina and measures 4.5"D x 15"H; it has the foundr...

Sometimes referred to as dolls, this is a highly abstract figure with conical head, arms and legs held out from body, long columnar neck wrapped with mulitple strands of different si...

Nice vintage plaster foo dog sculpture in faux bronze finish, circa 1970s.

A Meissen Porcelain articulated nodding head pagoda figure. 20th century, blue crossed swords mark on the neck, numbered 67827, painter 126D, body mark...

Beautifully forged in solid brass, these nautical ship wheels have a classic aesthetic that is ideal for coastal and nautical décor but can easily translate to industrial and eclecti...

A pair of 20th century solid stone court lady statues. The full face is with long slender eyes under arched brows flanking a strong straight nose. Hair held...

This very special large bronze was done by the highly respected artist of the Art Deco period, Pierre le Faguays (1892-1962). His works have always been some of the of the most sough...

18th century continental baroque style poly chrome decorated wood carving.

A large Italian 19th-20th century neoclassical and Greco-Roman style architectural scagliola wall plaque depicting chariots, horses, allegorical maidens and gods, inlaid and painted ...

“The Apostles” by British artist Mackenzie Thorpe. It is Parian and numbered 52/195. Dated 2012. Very good condition. Minor marks to the black base.

A good size deco figurine of a ballerina standing on one foot. Has part of one finger missing. Measures: Height at 20 3/4" and 16" long. Base is signed by the artist D.Alonzo circa 1...

This very finely detailed cold painted Vienna bronze is the work of the Bergmann Foundry. The signature is on the top of rug he is sitting on.It's exactly the kind of quality, cold painted colors and amazing detail. We suggest you study the young boy's face, he's very alive looking. The boy sits on a straw rug...

This large work of art molded during the early 1900's is signed by the artist. The winged bearded man is in good condition for its age, and on a solid wood structure. The sculpture...

Russian bronze sculpture on a marble base. Signed LAAHCEPE.

Japanese Tachibina (Imperial couple), rare and exceptionally fine standing pair of figures for the Hina Matsuri. The emperor has his arms spread to the si...

Gorgeous Italian ceramic glazed green limes on straw rope. Fabulous art piece for your home.

Venancio Blanco (1923-2018) was a Spanish sculptor. His work is dedicated to bull, horses, and their rider. The title of this work is "Ride it" It is signed and numbered 2 on 6. It...

Clay sculpture of a disapproving Woman with her hands on her hips. No signature or known designer. Woman has short hair and a slender frame. Glaze finish with abstract coloring and p...

Beautiful bronze sculpture depicting a young girl gracefully sitting down on a marble base, listening to the sea with a sea shell on her ear. Signed on the marble base "D.H. Chiparus...

A fabulous MCM ceramic "Space Bank" by Malcolm Leland for N.S. Gustin Co., circa 1950s. #2390 Designed in 1954 as a series with Los Angeles-based cerami...

A vintage Thai brass snake charmer sculpture, circa 1970s. The piece is in very good vintage condition with a nice patina (there is some discoloration to t...