California - Cabinets

Antique Chinese Wooden Bedside Cabinet with Intricately Carved Chinese Scenery. Beyond The Decorative Carvings The Carvings Can Therefore Be Enjoyed At Their Face Value For The Skill...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1950s Materials: Teak, cane Measurements: 35.5? wide x 9.5? deep x 25.75? tall Condition: In excellent original ...

The 4-drawer Arcadia chest features four drawers, cast brass hardware, and a sculptural solid American walnut or white oak base. The Lawson-Fenning Collection is designed and han...

19th century exotic Dutch colonial hexagonal cellarette. Elaborately shaped and stepped on five sides, flat across the back. Ornate pierced brass escutcheon and brass nail heads. Bra...

This rustic painted cabinet is made from reclaimed heart pine with adjustable shelves and planked doors. Seen here in 18" x 60" x 90", however i...

Each striking 2-door cabinet of contrasting woods with geometric designs on all sides; fitted with brass hardware; the interior fitted with a single drawer and burlwood shelf...

The 4-drawer Arcadia chest features four drawers, cast brass hardware, and a sculptural solid American walnut or white oak base. The Lawson-Fenning Collection is designed and handm...

A stylish pair of French Mid-Century Modern sycamore two-drawer bedside cabinets; each good quality chest fitted with two mahogany-lined drawers with fruitwood stringing centering br...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1950s Materials: Teak Measurements: 19.75? wide x 7.75? deep x 27.5? tall Condition: In excellent original condi...

A stunning and rare ash credenza or sideboard designed by Paul László for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design f...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

This elegant two-stepped cabinet showcases a distinctive half-bamboo motif, with split bamboo forming the tops of the shelves and cabinet in a lattice-lik...

The 4-drawer Arcadia chest features four drawers, cast brass hardware, and a sculptural solid American walnut or white oak base. The Lawson-Fenning Collection is designed and handm...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bookshelves Signature perforated bl...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bookshelves Signature perforated bl...

Exceptional pair of French 19 century mother of pearl and brass inlaid ebonized two door cabinets with Carrara marble tops. Late 19 century. The carrara marble tops over a frieze wit...

Kalpe 5 Piece Bedroom Set, by John Kalpe. This Set Consists Of Headboard, Mirror, 2 Nightstands Or 2 Bedside Cabinets, Long Dresser. This Set Of ...

Early 19th century British Colonial cabinet of wide-paneled and figured solid satinwood with solid ebony trim. Sri Lanka, formerly known as Ceylon, is one of the few places in the wo...

The 4-door Bronson cabinet has three drawers and four doors that feature a parquet detail on the front of the case. Available in American walnut or white oak. The Lawson-Fenning...

Large radius ends on the top and bottom barely peek over the sides to add some shape and dimension to an otherwise very box-like box. Plinth style base with scallops all around! Subt...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A late 18th century small Chinese black lacquered wood cabinet decorated with a raised animal scenery in a traditional landscape d...

Vintage mahogany lecturn with side drawer and three shelves by Baker Furniture Company, circa 1980s. Avery attractive and functional piece! #1271.

A unique hand painted cupboard from 18th century Denmark. Two door cabinet has baroque details of a faux green varigated marble overall. The legs and back are newer due to its being ...

Traditional 19th-century Belgian shop counter in richly dark original painted finish. Well-suited as a sideboard or credenza, this robust piece offers a captivating blend of utilitar...

This beautifully restored Paul Frankl-inspired late mid-century Stacked reed rattan Low Boy dresser with a mahogany top and three pull-out drawers, each drawer features a sculpted ra...

A perfect little vintage wood cabinet from France. The simple design of this cabinet is charming and timeless, with a raw wood finish and a small door to shelves in the middle. The s...

Incredible wood sideboard from France, 1940's. Beautiful carved wood square detail on cabinet doors and carved curvy legs. Cabinet doors on each end open to a single shelf with drawe...

Stunning light oak sideboard by Charles Dudouyt from France, 1940's. Carved circular detail on two doors with one interior shelf. Two center drawers for storage. Rests on two carved ...

Pair of the Classic Chinese Red Crackle Finish with Antiqued Brass Hardware Fully Assembled Ming Style Vanity Cabinets, Two Doors with One Removable Shelf and Two Drawers at Bottom f...

Danish Mid-Century furniture epitomizes Scandinavian design principles with its timeless elegance, functionality, and exceptional craftsmanship. Flourishing in the 1950s and 1960s, i...

19th Century mirrored Vitrine or Bookcase with a great patina. The top cabinet has four adjustable shelves with two glass doors that can be locked. Vintage condition.

Solid FSC Certified American White Ash, rounded corners, soft close doors, and leather details make for a delightful combination in the Mesa Media Cabinet. The Mesa Collection cente...

George III green-lacquered hanging bowfront corner cabinet. 4th quarter 18th century. Fitted with two cupboard doors, each with elabora...

A stunning and unusual French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet. The serpentine front door vitrine wi...

A beautiful "Somno" side table made of high quality Cuban mahogany with a grey marble top. This French Empire piece dates from the early 19th century, circa 1805. Meaning sleep in ...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

Immerse yourself in timeless elegance with our meticulously restored Paul Frankl-inspired Art Deco Stick Rattan Bamboo Grass mat Glass China Cabinet/Etagere....

Origin: USA Designer: George Nelson Manufacturer: Herman Miller Era: 1950s Materials: Walnut Measurements: 40.25" wide x 18.5" deep x 64" tall Chests: 40.25" wide x 18.5" deep x 39....

Large Bespoke Rattan and Mahogany Armoire – Custom Vintage Storage Cabinet An exceptional and substantial vintage armoire crafted from richly grained mahogany and natural rattan pol...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

Vintage raw wood counter with drawers. This vintage counter has a beautifully simple and vintage design on the front and the back is hollow on both sides. On the back there are 5 sma...

Wonderful red lacquered corner cabinet (encoignure) with gilt highlighted chinoiserie scene, standing on leaf and scroll feet. The interior fitted with a single shelf. French or poss...

This well constructed cabinet is black lacquered on top and sides with cream and black design finishes on doors. Each cabinet opens with a removable shelves - one on each side, for s...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

Rectangular marble top with molded edge over a conforming case fitted with a long drawer above two carved panel molded doors raised on bun feet.

Mid Century Storage Cabinets, Bookcase, Armoire, 70s, Made in Canada, Oak, Rosewood Measurements: 75" H x 20 1/8" D x 20 1/8" W Shelf depth: 19" The shelves are adjustable, they're...

The upper case with swept pediment and stepped molded edge fitted with 11 drawers and an arched door. The lower case with a slant front opening over a well above three long drawers e...

About Early to mid 19th century hand painted farmhouse desk with a lift top, large interior space with three drawers and brass knobs. The lower section has a hinged door with primit...

Early 1900s lighted curio cabinet with glass doors.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Our “Roma” Credenza - The Italian Art & Handcraft of Fine Antique Reproduction. This handsome Mediterranean style credenza features finely handcrafted aged solid Italian walnut wit...

French Provincial style mahogany display cabinet with four interior shelves and chicken wire door front. Decorative wood apron in front and bronze har...

Designed by Ashley Yeates, 'The Modern Hepburn,' handcrafted in California using FSC-certified wood and non-toxic finishes. COM/COL Exquisitely crafted, the Leah Cabinet will effor...

A beautiful sculptural 1980s faux green slate and silver lacquer cabinet by Steve Chase. The cabinet has four doors, the two centre ones open up to expose a drawer on the top and a a...

SABINE CREDENZA - Modern Linear Body and Silver Leafed Inlay with Metal Base The Sabine Credenza is a beautiful and modern piece of furniture that features a linear lacquer body wit...

Metal cabinet - 2 of them available.  

This stunning tall French cabinet was designed by architect and furniture designer Jean-Louis Godivier in the 1980s. It features a design reminiscent of a towering skyscraper, making...

COUER CABINET - Modern Cabinet with Bleached Oak and Walnut Doors The Coeur Cabinet is a customizable storage unit made in California. It feature...

Louis XV Style Bibliotheque or Book Case - a large and substantial piece and a compliment to any large room which needs sophisticated stora...