Connecticut - Photography
99
to
69
3,549
59,629
29,366
257
72
2,253
763
507
526
590
860
745
827
Overall Height
to
Overall Width
to
2,769
142
41
40
20
5
1
434
216
184
178
174
148
129
128
106
98
86
81
80
79
67
65
64
59
57
55
4
238
3,292
1
9
6
11
32
73
16
30
47
402
372
306
297
164
2,288
2,142
1,870
1,682
1,658
Item Ships From: Connecticut
Randal Ford - White Arabian Stallion No. 2, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - White Arabian Stallion No. 1, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - Black Arabian Horse No. 1, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - White Arabian Stallion No. 3, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - Black Arabian Horse No. 4, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - Black Arabian Horse No. 3, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - Decorated Saddlebred Arabian Mare, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"Having secured 19 national championship titles and hailed as one of the most decorated horses of her breed, 15-year-old Peanut’s competitive winnings speak volumes to her strength, ...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - Saddlebred Arabian Mare No. 2, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"Having secured 19 national championship titles and hailed as one of the most decorated horses of her breed, 15-year-old Peanut’s competitive winnings speak volumes to her strength, ...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Randal Ford - Saddlebred Arabian Mare No. 1, Photography 2024, Printed After
By Randal Ford
Located in Greenwich, CT
"Having secured 19 national championship titles and hailed as one of the most decorated horses of her breed, 15-year-old Peanut’s competitive winnings speak volumes to her strength, ...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print
Chad Kleitsch - Untitled Flower # 86, Photography 2005, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 86
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Connecticut - Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 156, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 156
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Connecticut - Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
David Yarrow Photograph / The Rolling Stones / Horses
By David Yarrow
Located in Greenwich, CT
Edition of 20, signed by artist
This is a special image for me; in part because it is such a low percentage capture and in part because its dynamism extols the wild nature of mustan...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Pigment
Tyler Shields - Gator Birkin Monochrome, Photography 2014, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Silver Gelatin
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
Tyler Shields is a photographer...
Category
21st Century and Contemporary Contemporary Connecticut - Photography
Materials
Archival Paper, Digital, Pigment, Archival Pigment, Digital Pigment, Sil...
Peter Andrew Lusztyk - Window (Sunset), Photography, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
Window (Sunset)
Digital C-Print / Archival Pigment Print
Available sizes:
48 x 36 - Edition of 20
60 x 40 - Edition of 10
Locations from around the world.
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, C Print, Digital, Archival Pigment
Tyler Shields - Python Birkin II, Photography 2016, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes & editions for each size of this photograph:
22.5" x 30" Edition of 3
30" x 40" Edition of 3
45...
Category
2010s Contemporary Connecticut - Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Digital, Archiv...
Actias Luna, Green, Yellow, Brown Moth Insect Nature Photograph
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a light green luna moth with brown circular markings on its wings and a fuzzy yellow abdomen is dramatic against a ...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, Archival Pigment
David Yarrow Photograph / Testarossa / Vintage Car
By David Yarrow
Located in Greenwich, CT
Testarossa - edition of 12, signed by artist
We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no d...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Pigment
David Yarrow Photograph / Ferrari II / Staged Wolves Series, Vintage Car
By David Yarrow
Located in Greenwich, CT
Ferrari II - edition of 12, signed by artist
In the 1950s, the Californian Dream made Route 66 the most famous road in the world. The route of flight for the American Middle Class, ...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Pigment
Hyles Lineata, Yellow, Pink, Brown, White Nature Moth Insect Photograph
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a moth with yellow, pink and black markings on its wings and a long proboscis is dramatic against a solid white bac...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, Archival Pigment
Hemileuca Neomoegeni White, Yellow, Black Stripes Moth Insect Wings Nature
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a white moth with black stripes and yellow circular markings on its wings is dramatic against a solid white backgro...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, Archival Pigment
Tyler Shields - Bow Silhouette, Photography 2024, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Silhouette
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Connecticut - Photography
Materials
Luster, Paper, Archival Ink, Archival Paper, Black and White, C Print
Tyler Shields - Back Silhouette, Photography 2024, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Silhouette
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Connecticut - Photography
Materials
Paper, Luster, Archival Ink, Archival Paper, Black and White, C Print
Tyler Shields - Legs in the Gold Room, Photography 2024, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Connecticut - Photography
Materials
Luster, Paper, Archival Paper, Photographic Paper, C Print, Archival Pig...
Tyler Shields - Red Birkin High Heel, Photography 2024, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18"
30" x 30"
45" x 45"
60" x 60"
70" x 70"
Editions of 3 + 2 Artist Proofs
...
Category
2010s Contemporary Connecticut - Photography
Materials
Paper, Luster, Archival Paper, C Print, Archival Pigment
Grammia Virgo Female, Coral Red, Black Peach Moth Insect Wings Nature Photograph
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a coral red moth with black markings on its wings and abdomen and pale peach on its upper wings is dramatic and vib...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, Archival Pigment
Arachnis Picta, Magenta Pink, Black, Gray, White Moth Insect Nature Photograph
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a magenta pink moth with black circular markings down its abdomen and black, white and gray on its upper wings is d...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Pigment, Archival Paper
Hemileuca Electra, Red Orange, Black, Yellow White Moth Insect Nature Photograph
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a bright, crimson red orange moth with white, black and yellow circular markings on its wings is dramatic against a...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Paper, Archival Pigment
Xanthopastis Regnatrix, Pink, Orange, Brown, White, Nature Moth Insect
By Joseph Scheer
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a moth with pink, orange and black markings on its upper wings is dramatic against a solid white background.
Pric...
Category
2010s Contemporary Connecticut - Photography
Materials
Archival Pigment, Archival Paper
Justin Owensby - Beverly Hills 1911, Photography 2023, Printed After
Located in Greenwich, CT
About the work:
Materials:
Chromogenic print on Fuji Luster / Pigment print of Luster
Sizes, Prices, and Edition Size:
14.5" x 20" $450.00 Edition of 10
22" x 30" $1,000.0...
Category
2010s Connecticut - Photography
Materials
Luster, C Print
Patrick Sansone, Ideal and Bird, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Gallatin Dining Room 2023, Lambda C Print, Ed 2/10
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Shelby Legs, 2021, Lambda C Print, Ed 1/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Richard Klein, Johnson Hs. & Guest Hs. General View (2024), Ed 2/3, replica
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Dada Connecticut - Photography
Materials
Photographic Film, Film, Archival Paper, Digital, Wood
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Connecticut - Photography
Materials
Metal
Patrick Sansone, Flourescent Fuji, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Empty Center, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Sue's Window, 2021, Lambda C Print, Ed 2/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Cicero Electronics, 2023, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Connecticut - Photography
Materials
Metal
Richard Klein, American Glassware, 2010-2024, Found and altered objects
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Connecticut - Photography
Materials
Metal
Patrick Sansone, Musicians Only, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Connecticut - Photography
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Connecticut - Photography
Materials
Metal
Patrick Sansone, Greenwood Sprite, 2021, Lambda C Print, Ed 1/10, Street Photo
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Blue Cloud, 2022, Lambda C Print, Ed 1/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Alabama Rec Room, 2022, Lambda C Print, Ed 1/10, Street Photo
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Christlike, 2023, Lambda C Print, Ed 1/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Ballard Abstract, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Connecticut - Photography
Materials
Metal
Patrick Sansone, Club Diamond, 2023, Lambda C Print, Ed 1/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Chef's Hardware, 2022, Lambda C Print, Ed 1/10, Street Photo
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Flower Express, 2022, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, St. Roch and Bird, 2022, Lambda C Print, Ed 1/10, Street Photo
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Connecticut - Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Brigitte Bardot Holster Hip, Photography 1971, Printed After
By Terry O'Neill
Located in Greenwich, CT
Brigitte Anne-Marie Bardot is one of the most iconic French actresses and models in the world. She is one of the best known sex symbols of the 1950s and 1960s and was widely referred...
Category
1970s Contemporary Connecticut - Photography
Materials
Black and White, Silver Gelatin, Archival Paper
David Burdeny - Guys Lunch and Grocery, Saskatchewan, CA, 2020, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Connecticut - Photography
Materials
Photographic Paper, Digital, Pigment
Tyler Shields - Birkin Stack, Photography 2022, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
All Editions of 3:
30" x 25"
40" x 30"
60" x 50"
72" x 57"
84" x 67"
Tyler ...
Category
2010s Contemporary Connecticut - Photography
Materials
Luster, Paper, Archival Ink, Archival Paper, Photographic Paper, C Print...
Tyler Shields - Chanel Acid, Photography 2015, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18" $2,500.00
30" x 30" $5,000.00
45" x 45" $12,000.00
60" x 60" $20,000....
Category
21st Century and Contemporary Contemporary Connecticut - Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Digital Pigment
Tyler Shields - Python Birkin I, Photography 2016, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
22.5" x 30" ONE LEFT
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2...
Category
2010s Contemporary Connecticut - Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Digital, Archiv...
Read More
Some of the Best Beatles Photos Were Taken by Paul McCartney
A trove of recently unearthed personal photos adds another dimension to the abundance of press images of the Fab Four.
Photographer to Know: Rinko Kawauchi
From toddlers playing to fires blazing, the Japanese lenswoman poetically captures fleeting dramas on planet Earth.
Photographer Jerry Schatzberg Remembers a Legendary Shoot with Bob Dylan
The acclaimed lensman and the folk-rock phenomenon clicked, and a captivating portrait followed.
Photographer to Know: Jeannette Montgomery Barron
Her stunning portraits of Jean-Michel Basquiat, Andy Warhol and other artists chronicle a crucial chapter of New York’s cultural history.
11 of Annie Leibovitz’s Most Talked-About Photographs
See why the famed photographer's celebrity portraits have graced magazine covers and become headline grabbers in their own right for five decades and counting.
This Photo of the Salton Sea Captures a Serene Moment Amid an Environmental Disaster
Addison Jones shares how she got this gorgeous minimalist shot while immersed in the stink of dead fish.
This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Photographers to Know: E2 – Kleinveld & Julien
With elaborate staging and meticulous postproduction techniques, the subversive duo is reimagining art history.
Recently Viewed
View AllMore Ways To Browse
Pierre Watch
The Back Vault
Rise And Fall Light
Retro Las Vegas Sign
Female Nudes Photograph Abstract
Vintage School Films
Animal Vanity
Large Vintage Radio
70s Print Suit
Vintage Beach Men
Still Hunt Sculpture
Mirror With Purple Frame Frame
Men Swimming
J Rice
50s Retro Star
Colonial Artwork
Lipstick Covers
Jet Aircraft