Continental Europe - Paintings

The title of the painting refers to the author's early childhood impressions. When he woke up early in the morning in complete darkness, he would hear the sound of cars passing under...

Carnival scene in 17th-century Rome (in Piazza Navona) Michelangelo Cerquozzi (Rome 1602 – Rome 1660) workshop Roman school of bamboccianti (mid-17th century) Oil on canvas 74 x 96...

Painting was attributed to Jean-Baptiste Marie Huet (1745 - 1811) by Cabinet Turquin (France). A cute scene with children tying a ribbon around the neck of a young lamb. Rococo in th...

Oil abstract artwork Multilayered technique Texture Golden/ silver /beige /grey colours 2023 year creation Signature on the back side :: Painting :: Abstract :: This piece comes...

Work on canvas Molded frame Diensions with frame : 87 x 73.5 x 4.5 cm This captivating work depicts a female nude in a dynamic pose, combining softness and tension. Every curve of t...

Mid-Century realist oil on card of a peasant woman, dated 1963 to the reverse. Artist unknown. Presented in gilt and painted wood frame under glass. A charming, grounded painting of...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

In this painting, I imbue the scene with a lively blend of expressionism and impressionism, using both acrylic and oil to capture the vibrant, shimmering reflections in the water. My...

In this piece, I've harmoniously blended acrylics, spray paint, and ink to evoke the timeless dance of intimate connection. The vintage vibes and fine art elements coalesce, crafting...

Landscape Oil Paint on Paper Fabriano Paper one of a kind 60x70cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at t...

Currently Under restoration by professionnal. Free US CONTINENTAL shipping, incl Europe and Asia. Presale order accepted. Yes. Paul Hoeniger studied at the art academies in Ber...

Paweł Myszka graduated from the European Academy of Arts in Warsaw. He holds a Master of Arts degree in Graphic Design and Painting and graduated with hon...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Carl Schirm was a German painter of landscapes. Between 1880-1881 he made, together with Eugen Bracht, a long journey to Egypt, Palestine and Syria, at the end of which emerged lands...

Paul Mathey (1891–1972) was a Swiss painter associated with the artistic scene of the Suisse Romande region. His work was featured in significant exhibitions throughout Switzerland, ...

Joseph Schippers 1868 – Antwerp – 1950 Belgian Painter 'Sunset at Sea' Signature: signed lower right and dated 1936 'Jos. Schippers 1936’, signed and dated on revers 'Jos. Schipper...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

This artwork vividly captures two swimmers emerging from the sea, encapsulating the essence of a serene seaside moment. The painting's use of color is striking, with the bright blue ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

French artist Natalya Mougenot’s 2023 piece, "The Sunflowers of Provence," is an exceptional blend of tradition and innovation, capturing the essence of contemporary impressionism th...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Work on canvas

Le Pont Neuf - Paris. Oil on canvas by Spanish artist Joan Raset. Dimension with frame 84 cm H x 104 cm W x 4 cm D Dimension without frame 73 cm H x 92 cm W x 2 cm D Beautiful Pa...

Estado de conservación aceptable Se presenta enmarcada la obra Medidas de la obra: 62 x 51 cm. Medidas del marco: 75 x 65 cm.

This vibrant and expressive painting features a small exotic bird perched on a moss-covered branch. Its plumage delights the eye with a rich palette: bold red accents blend harmoniou...

This artwork might be one of two versions, the other one being in the Museum in les Invalides Paris. Note. This version has a more accomplished academic style. Dimensions with ori...

This painting, titled ‘October Horse’ captures a horse’s face surrounded by a swirl of autumn leaves. Painted in blue and yellow tones, the horse seems to glow, as if illuminated by ...

In this piece, I sought to capture the serene yet lively essence of nature's dance with a gentle breeze. With each stroke of oil, I infused life into the trees as they sway, subtly i...

Technical details of the painting - Title: "The Vagabond and His Dog" - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions (without frame): 10.6 x 11....

PaperLandscape Mixed-media painting on Cotton Canvas One of a kind artwork Size: 90 x 110 x 2 cm (unframed) Ready to hang Signed certificate of authenticity Style: Abstract Marili...

In this painting, I channel the raw, unbridled power of the ocean. Using thick, impulsive strokes of oil paint, I capture the tumultuous movement and vibrant colors of a towering wav...

Painter active in Rome in the early 17th century Susanna and the Old Men Oil on canvas 76 x 62 cm. with frame 92 x 78 cm. This valuable painting illustrates the piquant episode, ta...

Judith Beheading Holoferne is an oil painting made by Giovanni Raffaele Badaracco, mid-17th Century. Oil on canvas, cm. 102x75.. Very good condition. Prov. Sotheby's, Amsterdam,...

In this oil painting, I've captured the quiet intensity and discipline of ballet practice. The focus and dedication of the dancers are rendered through soft, precise strokes, reflect...

Title: Mediterranean Village, Catalonia Artist: José María Vilà Cañellas (Vic, 1914 – Barcelona, 2001) Date: 1941 Technique: Oil on canvas Support: Canvas on stretcher Dimensions (un...

Work on canvas Beige wooden frame 62 x 71 x 4.3 cm

This painting of lilacs will fill your home with a magical fragrance and warm memories. It will take you back to your childhood, reminding you of t...

Santi di Tito (Sansepolcro, 1536 - Florence, 1603) Portrait of a noblewoman, half-length, with a book in her hand 16th century Oil on panel 75 x 61 cm. - with frame 115 x 101...

Ippolito Scarsella, known as Lo Scarsellino (Ferrara, around 1550 - 1620) workshop Altarpiece depicting the Madonna and Child, St. James the Greater and the donor in armour Technique: oil on panel Measurements: 93 x 72 cm./with frame 109 x 86 cm. Provenance: Prato, Farsetti, auction of 28.10.2016, lot 261 (link) A majestic Madonna in Glory occupies the upper register of the canvas, seated on a blanket of iridescent clouds surrounded by angels, flanked by a cherub who scatters flowers contained in a cornucopia towards the infant Christ as a sign of abundance, naked and supported with both hands from the mother. In the lower part of the composition stands the figure of San Giacomo Maggiore, one of the twelve apostles, standing on the right side of the altarpiece, represented dressed in a humble tunic; one arm holds the open Gospel book, while the other holds a cross pilgrimage staff. A particular aspect of the table is the presence in the central part, to indicate its importance, of the figure of the donor, kneeling on a cushion, with his hands joined in prayer and his face observing the Virgin in an attitude of devotion, while on the opposite lectern is placed a prayer book; depicted with the features of a young leader in armor, with a sword and a rich iridescent red cloak, elements which, combined with his authoritarian composure, enhance his ennoblement. Unlike the medieval altarpieces, the knight is here included in the space of the painting and has proportionate dimensions to those of the other characters, returning to all intents and purposes in the sacred scene, with a pose that cannot but evoke the detail of the 'Montefeltro altarpiece' made by Piero della Francesca for Federico da Montefeltro, kneeling in front of the sacred group in the guise of a leader. On the right, the view recedes into depth highlighting the background of an urban landscape set on a hill behind which a mountain range stands out, with the peculiarity of the arched aqueduct that runs along the entire landscape. Presumably among these expanses were the donor's own possessions and his hometown. It is a quality table, imbued with the late Mannerist style still resistant in the second half of the 16th century, characterized by a 'sweet and affable religiosity, rendered through a manner of studied simplicity and grace', which highlights the unmistakable stylistic and chromatic connotations of the produced...

Realism, figurative, flowers, pastel colors

Thomas Hudson (Devon 1701 - London 1799) Portrait of a Notable in his Study Oil on canvas 124 x 102 cm. In antique frame 142 x 120 cm. This fascinating portrait is a valuable te...

"I received the series of 2 paintings in a dream on the eve of Easter." said Natasha Villone about this artwork. "That's why I called it “Spring Dreams”. I saw the ratio of purple, t...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

Body in the Field #1, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

ChatGPT Plus Title: Park in a Catalan City Artist: Sebastià Congost Pla (1919–2009) Technique: Oil on canvas-mounted hardboard Dimensions: 24 x 33 cm Framed dimensions: 34 x 43 cm Si...

Rafael Duran Benet (1931-2015) - Still life - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

W. Miller (British, late 19th century) - Woodland landscape with stream. 92 x 71 cm. Antique oil painting on canvas, without frame. - Work signed bottom left: “W. Miller." Condit...

Acrylic on linen canvas. Small format. Belongs to a series I am making on flowers. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed...

Post-Cubism is an original artwork realized by Giorgio Lo Fermo in 2016. Original colored oil and acrylic painting on canvas applied on plywood. Hand-signed by the artist on lower l...

Signed: Augusto Corelli (1853 - 1918). Superbly and professionally painted Italian landscape. A narrow path, an alley hanging over it with centuries-old oaks, a sea bay...

Abstract Post-Cubism is an original artwork realized by Giorgio Lo Fermo in 2012. Oil on canvas applied on hardboard. Hand signed by the artist on lower left. This contemporary ar...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Reggatas day (tribute to Seurat), by Fabio Hurtado, is an oil painting on canvas which was created in 1995 and which obtained the Honorary Medal at the C...

Midi et Soir à Èze 65 x 54 cm Acrylic on Canvas "Midi et Soir à Èze" by Grégoire Mathias is a vibrant portrayal of the picturesque village of Èze, capturing the shifting moods of mi...

⭐Landscape ⭐ Seascape from M Dubois probably born in XIX, was a plein air artist ⭐Structural Analysis :⭐ This composition is a rocky coast line in the west coast of France (Brittany...

Giovanni Giacomo Sementi (Bologna, Italy, 1580 - Rome, Italy, 1636) - Pier Francesco Cittadini (Milan, Italy, 1616 - Bologna, Italy, 1681) Danae Oil on canvas, without frame 119 x 179 cm, with frame 140 x 200 x 12 cm, weight 35 kg Expertise by Professor Giancarlo Sestieri Publications: Carne - la materia dello spirito, exhibition catalogue curated by Father Alessio Geretti, project of the scientific catalogue curated by Father Alessio Geretti, Nicole Pravisani and Giulia Toffoletti, (21 May - 22 October 2023), Illegio, Casa delle Esposizioni, pp. 56-59; Body, Love and Feelings - Works of Ancient Masters from the 16th to the 19th century. In the paintings of Giorgio Baratti private collection, Milan, exhibition catalogue curated by Alessandro Marchi, (27 July - 18 September 2011), San Marino - Historical Centre, pp. 38-39; Giorgio Baratti Collezione. Selezione di opere d’arte antica (Giorgio Baratti Collection. Selection of ancient works of art), curated by Professor Giancarlo Sestieri and with the participation of Professor Andrea Emiliani, Grafiche Veneziane, Venezia 2011, pp. 22-23. It is a gentle and graceful Danae the one portrayed by Giovanni Giacomo Sementi. A painting in which the Milanese painter Pier Francesco Cittadini also collaborated by painting the golden basin filled with flowers to the left of the scene. The work shows various pictorial influences; from the Bolognese Emilian style, to that of Ludovico Carracci (1555 - 1619) and Guido Reni (1575 - 1642), to the Baroque and Roman style. The work features an elegant red drapery which serves as the background to the entire scene, but the real protagonist is the young woman with long red hair who is lying on a bed covered by a white sheet. The girl is naked except for a lapis lazuli blue mantle...

Interesante óleo sobre tabla representando una escena de músicos Africanos. Es del siglo XIX, no le veo firma, va con un bonito marco de época posterior. En buen estado general sol...