Continental Europe - More Prints

Geneviève Claisse - Kinetic Composition II - Original Signed Lithograph Publisher Stamp Edition: EA Geneviève CLAISSE, born in 1935 in France, a relative to Auguste Herbin. She is recognized today as one of the most important geometrical abstract French artist of the 1970s. Her approach to painting was influenced by reading Art d’Aujourd’hui, Tribune of Geometrical Abstraction. 1958 First solo exhibits in the Galerie Caille in Cambrai and Galerie Hybler in Paris. 1961 First exhibit in the Galerie Denise René in Paris where she regularly exhibited in the following years. 1965 + Focused work on color (Cercles, ADN) 1967 Museum of Fine Arts of La Chaux-de-Fonds. Biennale of Paris. 1968 “Art...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Marc Chagall (1887-1985) - The Mountebanks Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall (1887-1985) - Profile and Red Child Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent conditi...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXVI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Marc Chagall (1887-1985) - Couple Beside the Tree Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condit...

Image dimensions: 30x39 cm. Hand signed and numbered by artist with pencil. Edition of 60 prints. Published in the general catalogue "Jean Pierre Velly - L'Oeuvre Grave", by Didier B...

Marc Chagall (1887-1985) - The Wandering Musicians Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche V Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed edition ...

Composition is an artwork realized  in the Mid-20th Century. Lithograph. The artwork is in good conditions . The artwork is depicted skillfully through confident strokes with a dy...

Marc Chagall (1887-1985) - Le lion et le moucheron Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer 2...

Salvador Dali (1904-1989) - God, Time, Space, and the Pope Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher:...

Salvador Dali (1904-1989) - The Great Inquisitor Expels the Saviour Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm P...

Salvador Dali (1904-1989) - Gala's Godly Back Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Transworld A...

Salvador Dali (1904-1989) - A Shattering Entrance upon the American Stage Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4...

Salvador Dali (1904-1989) - The Museum of Genius and Fancy Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher:...

The color lithograph "Knight on Steed" by Simon Dittrich, created in 1972, captures the artist’s abstract approach to portraying human figures, with a focus on strength and power. Th...

Untitled is a print realized by Giuseppe Capogrossi (Rome, 1900 - 1972). Lithograph on paper Hand-signed lower right, numbered, edition lower left, 56/80 prints. Embossing stamp of...

Marc Chagall (1887-1985) - Le cirque Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Abraham, Pater Multarem Gentium is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

Image dimensions: 31.5x24 cm. Edition of 50 prints, numbered and signed by the Artist. Excellent conditions. Ref. Toninelli II n.1967

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Marc Chagall (1887-1985) - Bouquet and Bird (trial proof) Woodcut print from 1960. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 73.2 x 53.3 cm ...

Image dimensions: 32x33 cm. Interesting Etching on watermarked paper, representing a violinist with abstract shapes. Artist's Proof, hand-signed with pencil on lower margin by the a...

Zao Wou-ki - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Zao Wou Ki (1921 - 2013) At the tender age of fourteen Zao Wou-Ki...

Bernard Buffet (1928-1999) - Le Tambour Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is in...

Image dimensions: 22 x 16 cm. This artwork by Henry Moore is hand signed, numbered and dated. This original aquatint is from an edition of 100 prints. This wonderful etching represents the famous bronze sculpture, Glenkiln Cross. This original graphic work is in excellent conditions. Passepartout included : 50 x 35 cm Reference: Cramer, 188. Henry Moore is best known for his semi-abstract monumental bronze sculptures. He is also famous for depicting Londoners during the Blitz during WWII, his series of drawings and graphic works on paper. His original prints represent abstractions of the human figure, typically reclining figures. Prints are the most affordable and reasonably priced artworks...

This  Fassianos, Erotikon - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by  Alekos Fassianos held at Galerie Di Meo in Paris in 2008....

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Condition: Good Condition Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1...

Original silkscreen poster for Fred Sandback's exhibition at Galerie Reckermann, Cologne, March 12–April 15, 1971. Catalogue raisonné: 1970.01

Joan Miro (1893-1983) - Composition Lithograph from 1974. Dimensions of work: 56.2 x 27.5 cm. Plate signed. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Act II, Scene III - From “Romeo and Juliet”  is an artwork realized by Salvador Dalí in 1975. Mixed colored lithograph. Signed and dated on plate on the lower...

Le jouer de luth is a modern artwork realized by Ossip Zadkine in 1965. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof. Includes frame

"Georges Braque (1882-1963) - Carnets intimes de Braque XII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

Vintage poster realized in occasion of Henry Moore's Exhibition in Mestna Galerija Ljubljana in 1983. Photolihtograph. Good condition.

Bernard Buffet (1928-1999) - Les Tricoteuses Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work ...

Japanese Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork rep...

Invasion de l'espace is a vintage print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the Fr...

The Creation of Things is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Bernard Buffet (1928-1999) - Still Life with a Glass Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, Paris...

Bernard Buffet (1928-1999) - Sigura Bank Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent condit...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Gianni Schicchi's Bite - Hell Canto 30 is a Color Wood-cut on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Me...

The Blasphermers - Hell Plate 14 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on...

Santiago Calatrava is a world-renowned architect, structural engineer, sculptor, and artist. From the Athens 2004 Olympic Sports Complex to the World Trade Center Transportation Hub in Manhattan, he exhibits a remarkable twin prowess for aesthetics and engineering, a simultaneous sensitivity to both the appearance and the anatomy of a structure. His influences are wide-ranging: Auguste Rodin’s approach to sculpture and architecture, principles of classicism and Greek Cycladic...

On The Edge of the Seventh Circle - Hell  plate 4 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good co...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Cerne Abbas, Giant, Tump is a colored etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimension: 38.5x18 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson. This contemporary original print represents the Cerne Abbas giant, the figure carved on the slope of a steep hill. This giant naked man is located in England, near the village of Cerne Abbas, north of Dorchester, in Dorset. The engraving, 55 meters high and 51 wide, is formed by a trench 30 cm wide, 30 cm deep, made by tearing the grass and digging the earth up to the underlying plaster. In the right hand the giant holds a 37 meter long club. Composed by three different etchings, each olf these titled on the right margin, this is a very interesting contemporary artwork not to be missed for your home collection! A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Soldiers is a wonderful colored lithograph on paper, realized in 1971 by the Italian artist Marcello Ercole. Hand-signed and numbered in pencil on the lower margin. Edition of 100 p...

The Irascibile from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print by  Salvador Dalì , realized in 1963. Good conditions. Not signed. Plate n.8 (as reported o...

Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...

Calder's Mobiles is a vintage poster realized after Alexander Calder in the 1970s. Colour lithograph and offset on paper. Not signed Published by Galerie Maeght, Paris. Good condi...

Composition is a lithograph realized by  Ossip Zadkine stamped on the lower right. Numbered, edition 35/65 The artwork represents an abstract composition through strong strokes in...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLVII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Photography of the Absence is a vintage poster of the exhibition of the Italian photographer Luigi Ghirri (1943-1992) held in Rome, Galleria Rondanini, in 1976. Offset print, in ver...

L’agonie is an original colored etching on paper realized by Félicien Rops in 1886, 3rd state of colours proof n°8, from Pellet éditeur, inscribed in p...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

Yoshitomo Nara (1959, Japanese) Marching on a Butterbur Leaf, 2019 Medium: Offset print on archival quality paper (incl. 5 stickers, as issued) Dimensions: 61 × 45.7 cm (24 × 18 in) ...