Continental Europe - More Prints

This circa 1970 original serigraph, created in support of the Black Panther Party, is a striking and uncompromising piece of political art titled Justice. Rendered in a powerful two‑...

This striking original 1997 poster, designed by the celebrated French artist Razzia, was created to commemorate the 10th anniversary of the prestigious Concours Automobiles Classique...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Original Vintage Poster depicting Le Corbusier's Convent of La Tourette, published 1962 by the Architectural Forum to promote Modern Architecture –...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

A triumph of postwar modernism, this 1959 original poster by Jean Carlu was created for Air France as part of its legendary mid-century campaign to promote international travel with ...

Bold, cheeky, and unmistakably modernist, this 1962 original poster by the legendary Raymond Savignac announces the vibrant revue film Tous les Plaisirs du Monde, directed by Gianni ...

Flower Signal is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 30/125. Good conditions.

This powerful original French poster from the early 1970s captures the fire of international solidarity with the American Black Power movement. Featuring a striking halftone image of...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Giuseppe Capogrossi - Stencil 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Giuseppe Capogrossi B. 1900, ROME; D. 1972, ROME Giuseppe C...

Yoshitomo Nara (b. 1959, Japanese) and Hiroshi Sugito (b. 1970, Japanese) Untitled (Omaha), 2005 Medium: Lithograph on paper Dimensions: 53.5 x 62.5 cm Edition of 100 + 10 AP: Hand-s...

Rupprecht Geiger (German, 1908-2009) Zurückgehen, Weitergehen, Fortgehen, 1966 Medium: Portfolio of 20 screen prints on paper Dimensions: 35 x 28.5 cm and 35 x 57 cm (with middle fol...

This brilliant original poster by David Klein, created around 1960, captures the spirit of postwar jet-age travel with vibrant flair. Commissioned by TWA (Trans World Airlines) to pr...

Salvador Dali (1904-1989) - The Ugly Duckling Lithograph from 1966. The edition 63/75 on Japanese paper. Dimensions of work: 65 x 50 cm. Hand signed. Publisher: Gerschman, Stock...

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

Marc Chagall (1887-1985) - La Souris Metamorphosée en Fille (The Mouse Transformed into a Girl) Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensi...

(after) Alberto Magnelli Untitled (Cubist Composition) after the collage Pochoir on paper Conditions: excellent 32 x 24 cm 1956 Printed by Daniel Jacomet for XXe Siecle (issue number...

(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Decorative Motifs of the Egyptian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Decor...

Victor Vasarely (Hungarian-French, 1906–1997) Untitled (Spiegel 70), 1970 Medium: Screenprint on paper Dimensions: 83 x 62 cm Edition of 150: Hand-signed and numbered in pencil

Polish Poster of film of Serce to Samotny Mysliwy is original offset realized by Ryszard Kiwerski. Signed on the plate on the lower right. Good conditions.

Devils is an original china ink and watercolor drawing on ivory paper by Anonymous Artist of the mid-20th Century. In excellent conditions: As good as new. Image Dimensions: 18 x 20...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Robert Longo (American, born 1953) Black Palms, 1989 Medium: Lithograph on rag paper Dimensions: 169 x 127 cm (66½ x 50 in) Edition of 35: Hand-signed and numbered Condition: Excellent

Farmer is an original artwork realized by Renzo Bussotti in 1963. Hand-signed and dated in pencil by the artist on the lower right margin. Numbered in pencil on the lower left margin...

Marc Chagall (1887-1985) - Femme au bouquet (Woman with Bouquet) Lithograph from 1967. An unsigned and unnumbered proof apart from the edition of 150 Dimensions of work: 73 x 52 c...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Günther Uecker (German, born 1930) Untitled (from Nagelbuch Portfolio), 1970-1971 Medium: Etching on wove paper Dimensions: 34.6 x 34.5 cm Edition of 500: Hand-signed in pencil

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 98/150 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came ...

Henri Matisse (1869-1954) - Le Lagon (The Lagoon) Lithograph from 1983. Dimensions of sheet: 61 x 39 cm Dimensions in frame: 73 x 53 cm Publisher: George Brazilier, New York. Pr...

Joan Miro - Peacock Feathers - Original Lithograph Artist: Joan Miro Dimensions: 9 x 14-/12 inches (sheet), with the usual centerfold, as published in "Joan Miro" by Jacques Prevert ...

This original 1899 illustrated menu for Champagne Moët & Chandon captures the refined beauty of the Belle Époque, brought to life by the unmistakable hand of Alphonse Mucha, mast...

Salvador Dali (1904-1989) - Le Vieil Hippy (The Old Hippy) Drypoint etching from 1969. The edition 25/145 on Arches paper. Dimensions of work: 66 x 51 cm. Hand signed. Publisher...

T'ou't  se tient is an Artwork realized in 1975 by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Litograph on paper.Realize...

Marc Chagall (1887-1985) - Le Sept Péchés Capitaux Etching from 1925. Edition of 300 proofs. Dimensions of work: 25 x 19.5 cm. Publisher: Tériade, Paris. Reference: Kornfeld 47....

Marc Chagall (1887-1985) - Le Sept Péchés Capitaux Etching from 1925. Edition of 300 proofs. Dimensions of work: 25 x 19.5 cm. Publisher: Tériade, Paris. Reference: Kornfeld 47....

Marc Chagall (1887-1985) - Soleil couchant (Sunset) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of work: 73 x 52 cm. Re...

Picasso Poster is an offset  poster about an exhibition of Pablo Picasso's graphic works at Marino Gallery in Rome Piazza Navona. Limited edition of 1.000. Signed in the plate. Ex...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

This exquisite Art Nouveau postcard, created around 1900 by Alphonse Mucha, features the month of January (Janvier) in a poetic and dreamlike composition. Mucha, renowned for his ele...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 60 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

A cult artifact of 1970s counterculture and surf cinema, this original 1972 poster for The Freedom Riders captures the spirit of rebellion, freedom, and sensuality that defined the e...

“Guitarra y Clarinette” is a 1990 original poster, published by Silvio Zamorani Editore in Turin, after the iconic 1920 painting by Spanish Cubist master Juan Gris. This authorized e...

Jean Carzou (1907-2000) - Princesse d'Azur Lithograph from 1966. Dedicated to Pierre Sorlier, on Arches paper. Dimensions of work: 79 x 59.5 cm. Hand signed. The work is in Good...

Jean Dubuffet Banque de L'Hourloupe Original Card with a title card Original edition of 350 numbered sets with 30 hors commerce Dimensions: 25 x 16 cm Screen printed by Kelpra Studios, London Editions Alecto, London 1967 Jean Dubuffet (1901 - 1985) Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn's book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942. Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944; the Pierre Matisse Gallery gave him his first solo show in New York in 1947. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton...

Joan Miro - Blue Maze - Original Lithograph Artist: Joan Miro Editor: Maeght Year: 1956 Dimensions: 23 x 38 cm Unsigned and unnumbered as issued From Miro by Jacques Prevert Referenc...

Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche VI Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Éditio...

Maria Elena Vieira da Silva (after) - Composition - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. d...

Salvador Dali (1904-1989) - Cavalier et la mort (Knight and Death) Drypoint etching with roulette from 1969. The edition 142/145. Dimensions of work: 38 x 28 cm. Hand signed. Pu...

Full-page, colour pochoir after costume designs by Sonia Delaunay. Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni d...

This elegant original French movie poster was created in 1987 for the release of September, a film written and directed by Woody Allen. The poster features the refined and poetic art...

This luminous original 1967 French travel poster, created by the celebrated painter Yves Brayer, was commissioned by SNCF (Société Nationale des Chemins de fer Français) to promote r...

This original lithograph by Jean Cocteau, titled Petit profil d'Orphée aux arabesques, captures the distinctive fusion of mythology and modernist elegance that defines the artist’s o...

Playful and bold, this original circa 1960 poster for Nain d’Alsace – Bières Fines from Saint-Quentin bursts with vintage charm and mid-century flair. Illustrated by Seguin, a French...

This 1989 original poster by renowned Belgian artist Pierre Alechinsky was created for the Festival d'Automne à Paris, one of the city's most significant cultural events. Known for h...