Continental Europe - Still-life Sculptures

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Contemporary animal terracotta sculpture Unique Signed by the artist

Contemporary animal terracotta sculpture Unique Signed by the artist

Contemporary terracotta sculpture Unique Signed by the artist

A poetic creation by Gregorio Botta, 4 small ceramic flowers inserted in a block of wax let water flow from them, like tears or a small stream

Contemporary animal terracotta sculpture Unique Signed by the artist

Contemporary animal terracotta sculpture Unique Signed by the artist

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Contemporary terracotta sculpture Unique Signed by the artist

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Contemporary terracotta sculpture Unique Signed by the artist

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

Contemporary animal terracotta Unique Signed by the artist

Unique terracotta sculpture Signed on the base

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

Unique terracotta sculpture Signed on the base

Unique terracotta sculpture Signed on the base

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Cold casted resin and hand finished. 78 x 78 x 25 cm. Signed Pierre Koukjian 2018 Switzerland Pierre KOUKJIAN (Italian) - Born in Beirut 1962, concep...

“Blast bucket” a Colourless Resin ice bucket. Cold casted resin and hand finished. 55 x 55 x 40 cm. Signed Pierre Koukjian 2018. Switzerland Pierre K...

This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Murano glass and metal, protected by acrylic case Edition of 50, plus 20 APs In mint Condition, accompanied by Certificate of Authenticity Acquired directly from the manufacturer Signed, numbered and dated PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack. "Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann RENATE BERTLMANN Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions. Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations. "My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export...

Sculpted BY AGUSTINA BOTTONI Hand-Sculpted in Italy Materials: solid brass with satin fnish - base in black Marquina or white Carrara marble Dimensions: 185 cm x 50 cm / 73’’ x 19,6’...

Contemporary animal terracotta sculpture Unique Signed by the artist

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Unique terracotta sculpture Signed on the base

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Cold casted resin and hand finished. 30 x 55 x 70 cm. Signed Pierre Koukjian 2018 Switzerland Pierre KOUKJIAN (Italian) - Born in Beirut 1962, conce...

After launching the supportive sign of the word "Hope" for Barack Obama's initial presidential race in 2008, Robert Indiana went on to create several artworks around this word. Furth...

Donald Sultan, White Tulips and Vase, April 4, 2014 Contemporary, 21st Century, Limited Edition Painted aluminum on polished aluminum base Edition of 25 61 x 50,8 x 8,9 cm (24 x 20 x 3.5 in.) Incised with the artists initials, titled and dated; accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. White Tulips and Vase, April 4, 2014, belong to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. One of the mainstays of making art is that you don't think of the new ideas, you discover them. "One of the mainstays of the making art is that you don't think of the new ideas, you discover them." — Donald Sultan White Tulips and Vase, April 4, 2014, represents Sultan's still-life, where the shape of the object is reduced to the bare essentials. The image reveals one of the key features of Sultan’s work - the material juxtaposition- the contrast of a weighty background with ethereal shapes of the flowers. The sculpture is made from painted aluminum on a polished aluminum base. The ephemeral shape of the flowers is gracefully combined with the weighty aluminum manifesting the synthesis of the natural and the industrial typical to Sultan´s work. The sculpture is incised with title, date, and artist initials, it is as well stamped with the edition number, publisher, and artist copyright stamp on the base verso. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

Arman Original Bronze Violin Sculpture Edition: HC 1/2 Signed and Numbered Bronze Dimensions: 36 x 50 x 24 cm Arman is a painter who moved from using objects for the ink or paint traces they leave to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects. In October 1960, Arman, Yves Klein, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, and art critic and philosopher Pierre Restany founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young artists defined themselves as bearing in common their "new perspective approaches of reality." They were reassessing the concept of art and the artist for a 20th century consumer society by reasserting the humanistic ideals in the face of Industrial Expansion. In 1961, Arman made his debut in the United States, the country which was to become his second home. During this period, he explored creation via destruction. The "Coupes" and the "Colères" featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues. The son of an antiques dealer and amateur cellist, the artist absorbed an intense appreciation for music, the art of collecting and the cultivation of discriminating taste from an early age. After studies at the Ecole Nationale des Arts Décoratifs in Nice, Arman decamped to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Staël. An avid reader, Arman sought inspiration through books and art reviews, as well as during frequent road trips throughout Europe with his artist friends from Nice, Claude Pascale and Yves Klein. 1972 Arman, Paris, Fernand Hazan, collection "Ateliers d'aujourd'hui" Otto Hahn 1973 Arman, New-York, Harry N. Abrams French Edition : Pierre Horay, with text by Pierre Restany. Henry Martin 1982 Arman: Conscious Vandalism / Vandalismo cosciente, Vérone, Edizioni Factotum-Art Sarenco 1984 Arman, New-York, Abbeville Press Jan Van der Marck The Public Sculpture of Arman, New-York, Marisa del Re Gallery Frederic Ted Castle Arman, Galerie Beaubourg, reprinted from the journal CiMayse, Paris, no. 170, May-July 1984. "Accumulations by Arman", Art in America, New-York, vol. 71, no. 11, December 1983. Frederic Ted Castle 1987 Arman, Paris, La Différence Bernard LaMarche-Vadel 1988 Arman. 13 peintures / Arthur Rimbaud. Lettres du Voyant, Paris, La différence, collection "Tels qu'en eux-mêmes" (livre publié à l'occasion de l'exposition "Arman. Peintures 87-88", Galerie Beaubourg, Paris, 1988). Jan Van der Marck 1990 Arman Estampes, Paris, Editions Marval Jane Otmezguine, Corice Canton Arman and Marc Moreau 1991 Arman, Catalogue raisonné II, Paris, La Différence Denyse Durand-Ruel 1992 Mémoires accumulés d'Arman, Paris, Belfond Otto Hahn 1993 Arman, Paris, La Différence, collection "Classiques du XXIème siècle" Pierre Cabane 1994 Arman, Catalogue raisonné III, Paris, La Différence Denyse Durand-Ruel 2004 Arman Inclusions, Bordighera, Edizioni Cudemo Tita Reut EXHIBITION CATALOGS 1959 Piccolo gioco administrativo del caso, Arman, Pierre Restany, Milan, Galleria Apollinaire 1960 À toute allure, Arman. Allures d'objets, Pierre Restany, Paris, Gallerie Saint-GerMayn 1962 Arman et la logique formelle de l'objet, Arman, Pierre Restany, Los Angeles, Dwan Gallery 1963 Arman, Arman, Alain Jouffroy, Milan, Galleria Schwarz 1964 Introduction à la peinture d'Arman , Arman, Claude Pascal. Amsterdam, Stedelijk Museum 1964 Arman, Yves Klein, Amsterdam, Stedelijk Museum Arman and Esthetic Change, Arman, Gene R. Swenson, New-York, Sidney Janis Gallery 1965 Arman, Paul Wember, Krefeld, Museum Haus Lange 1967 Arman: un acte de foi dans la spiritualité de la matière , Arman, Pierre Restany, Paris, Galerie Illeana Sonnabend 1968 Arman, John Ashbery, New York, Sidney Janis Gallery Arman, Pierre Restany, Milan, Galleria Schwarz 1969 Arman 1960-1965, Grégoire Müller, Paris, Galerie Mathias Fels Arman. Accumulations Renault, François Mathey, Paris, Union centrale des Arts décoratifs 1970 Arman Accumulations Renault, Karl-Heinz Hering, Zurich, Kunsthaus Arman piu' pittore che natura, Arman, Pierre Restany, Milan, Galleria dell'Ariete ​ 1972 Objets de luxe et fétiches raisonnables, Arman, Pierre Restany, Milan, Galleria Arte Borgogna Arman : Les Moments d'Arman, Jacques Putman, Paris, Galerie de l'Œil 1973 Selected Activities, Peter Schjedahl, New-York, John Gibson Gallery Oggetti di lusso e feticci ragionevoli, Arman, Pierre Restany, Galleria Arte Borgogna Arman: An Archeologist of the Present, Arman. Jan Van der Marck, New-York, John Gibson Gallery 1974 Le juste poids d'un homme et d'une œuvre, Arman, Pierre Restany, Arles, Salles romanes du Cloître Saint-Trophime Logician of Form / Magician of Gesture , Arman. Selected Works : 1958-1974, Jan Van der Marck, La Jolla, La Jolla Museum of Contemporary Art Arman. Concrete Lyrics, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman et la logique formelle de l'objet , Arman, L'Œuvre graphique, Pierre Restany, Saint-Paul-de-Vence, Galerie Alexandre de La Salle 1975 Arman, Objets armés, 1971-1974, Jacques Lassaigne, Paris, Musée d'Art Moderne de la ville de Paris Arman. Lyrical Surfaces, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman's Violin-Service, A Game of Correspondances , Arman, Violin-Service, Pierre Restany, Paris, Galerie Claude Tchou Arman, Surgeon of the Mass-Productive Civilization, Arman, Yoshiaki Tôno, Nagoya, Galerie Valeur 1978 Arman. Hard & Soft, Jan Van der Marck, New-York, Andrew Crispo Gallery The Iron Age and its Monuments, Arman. L’Age de fer et ses monuments, Daniel Abadie, Paris, Galerie Beaubourg Accumulations : Radiant and Wretched, Arman. Accumulations, Shunkichi Baba, Nagoya, Galerie Valeur 1980 Petite histoire du collage et de l’assemblage , Arman. Sélection rétrospective, Otto Hahn, Cluse, Centre d’Art et de Culture de Flaine Arman, Sélection rétrospective, Pierre Restany, Cluses, Centre d'Art et de Culture de Flaine Zucche in carroze, Arman, Jan Van der Marck, Portofino, Galleria Civica d'Arte Moderna 1981 Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio 1982 Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman. Le Traité du violon, Maurice Roche, Paris, Galerie Abel Rambert Arman , Arman. Carvings and Drawings, Otto Hahn, Dublin, The Salomon Gallery Arman. Papiers découpés 1982, Ted Castle, Paris, Galerie Beaubourg Arman Retrospektiv , Arman. Parade der Objekte, Retrospektive 1955 bis 1982, Joachim Büchner et Bernhard Holeczeck, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman o l'oggetto come alfabeto , Arman o l'oggetto come alfabeto, Walter Schönenberg, Lugano, Museo Civico di Belli Arti 1984 Vinticinque anni di felicità , in Arman o l'oggetto come alfabeto, Pierre Restany, Lugano, Museo Civico di Belle Arti L’allure d’Arman , Arman, Daniel Abadie, Knokke le Zoute, Christian Fayt Art Gallery Arman’s Apocalypse, Arman. The Day After, Sam Hunter, New York, Marisa del Re Gallery A la recherche du concert perdu , Arman. Recent Sculptures, Michel Butor, Monte Carlo, Galerie Le Point Arman, scultore del'réalisme sociétal , Arman o l'oggetto come alfabeto, André Verdet, Parme, Palazzetto Eucherio Santivale 1985 Un délire spiralé d'Arman , Arman, André Verdet, Zurich, Schöner Wohnen Haus Galerie Transformation of Things, Arman, Mashashi Miura, Seoul, Walker Hill Art Center A la recherche du concert perdu, Arman, Michel Butor, Genève, Galerie Sonia Zannettacci Le jour après la colère, Arman, François Bazzoli, Toulon, Musée de Toulon Arman, Claude Fournet, Toulon, Musée de Toulon Arman Retrospektive, Adolph Hanspeter, Zurich, Galerie Pavillon Werd 1986 Arman’s Gods and Goddesses , Arman. Gods and Goddesses, Henry Geldzahler, New York, Marisa del Re Gallery Arman: Hard & Soft Ware, Arman. Hard & Soft Ware, Pierre Restany, Paris, Courrèges 1987 Arman. Rythmes et Couleurs, Claude Fournet. Nice, Galerie Ferrero 1988 Opéras – rituels , Arman. Désordres lyriques, Georges Aperghis. Paris, Opéra de Paris, Salle Favard Désordres lyriques, Arman. Michel Beretti, Paris, Opéra de Paris, Salle Favard Arman as a Painter: From Guts to Geist, Arman Paintings, Pierre Restany, New-York, Marisa del Re Gallery 1989 La seconde parade des objets , Arman Retrospektiv, Pierre Restany, Lunds, Lunds Kunsthall, Malmö, Galleri GKM Arman. Shooting Colors, Pierre Restany, Paris, Galerie Beaubourg Le montreur , Arman. Works 1955-1989, Jeffrey Robinson, Londres, The Mayor Gallery Arman Sculpteur Designer, Jeffrey Robinson, Roanne, Galerie La Taille Douce Arman. A Retrospective, Manuela Rossi, Seoul, Gana Art Gallery Deux ans plus tard, Arman. Retrospektiv, Siwert Bergström, Lunds, Lunds Konsthall, Malmö, Galleri GKM 1990 Arman's Dirty Paintings , Arman. Dirty Paintings, Donald Kuspit, New-York, Marisa del Re Gallery Arman, Monochrome Accumulations 1986-1989, Donald Kuspit, New-York, Vrej Baghoomian Gallery Arman: au pays de son inspiration, Dora Llipoulou-Rogan, Athènes, Galerie 3 Per Arman : un accumulo di ragioni, Arman, Manuela Rossi, Milan, Galleria Arte Borgogna Grande Musique et Fortes Allures, Arman, Pierre Restany, Tokyo, Fuji Television Gallery 1991 Arman: A Radical Portrait of Modernity , Arman 1955-1991 : A Retrospective, Pierre Restany, Houston, The Museum of Fine Arts Arman: Bétons 1970-1974, Catherine Francblin, Paris, Galerie Georges-Philippe Valois Arman: An Artist of Our Time , Arman 1955-1991: A Retrospective, Allison de Lima Greene, Houston, The Museum of Fine Arts Painting as Object Art / Oggettistica in pittura, Arman in Italy, Achille Bonito Oliva, Milan, Fondazione Mudima Arman: a Search for Beauty, Arman in Italy, Henry Martin, Fondazione Mudima 1993 Arman. Cycles, Donald Kuspit. New York, Marisa del Re Gallery Arman, de l’objet…à la couleur-objet , Arman, Georges Dussaule, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Association d’image, Arman, André Froumessol, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Arman, Maxime Longrée, Charleroi, Galerie Pascal Retelet De la peinture à la fleur, Arman, Michel Santinelli, Cagnes-sur-Mer, Château-Musée / Galerie Beaubourg 1994 La Nuit étoilée et Arman, Arman. La Nuit étoilée, Isabelle Sobelman, Pierre Nahon, Vence, Galerie Beaubourg L’elenco appunto , La ceramica di Arman, Umberto Eco, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1995 La ceramica di Arman, Henry Martin, Bologne, Palazzo delle esposizioni, Edizioni Maggiore Arman, un homo ludens en Grèce, Arman, Manos Stefanidis, Athènes, Galerie 3 La ceramica di Arman , La ceramica di Arman, Flaminio Gualdoni, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1996 Arman. Interactives, Caroll Janis, New York, Sidney Janis Gallery 1997 Arman: Accumulations in Relation, Patrick Pacheco, Londres, James Mayor Gallery 1998 Arman, Arman. Désordres Lyriques, Bernard LaMarche-Vadel, Paris. Opéra de Paris, Salle Favart Esthétique du dandy des gadoues , Arman. Désordres Lyriques, Michel Tournier, Paris, Opéra de Paris, Salle Favart 1998 Arman, Galerie nationale du Jeu de Paume, Paris, France Arman, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany Arman, Culturgest, Lisboa, PORTUGAL Arman: Variations sur un Lénine, Galerie Patrice Trigano, Paris France Arman: Concerto pour quatre pianos, Galerie John Gibson, November, 1999, New York United States Arman: Nec mergitur, Galerie Piltzer, Paris, France Arman, Tel Aviv Museum of Art, Tel Aviv, Israël Arman, Museu de arte moderna do Rio de Janeiro, Rio de Janeiro, Brazil Arman, Museu de Arte de Sao Paulo Assis Chateaubriand (MASP), Sao Paulo SP, Brazil Arman: Fragmentation of Pianos, Galerie John Gibson, New York United States 2000 Arman, Museo de Monterrey, Monterrey, Mexico Arman: Racine carrée de fragments, Galerie Daniel Templon, Paris, France Arman, National Museum of History, Taipei, CHINA Arman: Anatomie del Tempo, Reggio Emilia, Italy Arman: Fragmentations, Galerie Georges-Philippe & Nathalie Vallois, Paris, Arman: Works on Paper, Ludwig Museum, Koblenz, Germany Arman: La Traversée des Objets, Chateau Musée de Villeneuve, Vence, France Arman: Vingt Siècles vus par Arman, Couvent des Cordeliers, Paris, France 2001 Arman, Fundaciò “la Caixa”, Barcelone, Spain Arman, Zürichsee Auktionen, Erlenbach, Switzerland Arman, Galerie Belmont, Films, Switzerland Arman: Superpositions, Guy Pieters Gallery, Knokke-le-Zoute, Belgium Arman, Sandwich Combos, Malborough Gallery, New York, United States Arman: En tout cas c’est de l’art, Galleria Dante, Padova, Italy Arman: La Traversée des Objets, Palazzo delle Zitelle, Venise, Italy Arman: Vingt Stations de l’Objet, Chantier Naval Opéra, Antibes Arman: Works on Paper, Vila Zanders Bergisch-Gladbach, Germany Arman: Through and Across Objects, Boca Raton, Florida, United States Arman: Des Cycles de la Vie, Galerie Anne Lettree, LUXEMBOURG Arman, Galeria De Arte Isabel Aninat, Santiago, CHILE Arman, Die Galerie, Zurich, Switzerland Arman: Vingt Siécles vus par Arman, Exposition au Chantier Naval Opera, Port Vabanantibes Arman: Passage a L’Acte, MAMAC, Nice, France, June 14 – October 14, 2001. 2002 Arman: Musique, Kunsthaus Grenchen, Grenchen, Switzerland Arman: Africarmania, Arman et l’Afrique, Galerie Beaubourg, Vence, France Arman: Dix Mots Pour, Sonia Zannettachi Gallery, Switzerland Arman: Œuvre Monumentale, Ville du Lavandou, Le Lavandou, France Arman: Works on Paper, Villa Haiss Museum, Zell, Germany Arman: Fragmentations, FIAC Galerie Beaubourg, Paris, France 2003 Arman: A Survey, Marlborough Gallery, New York, United States Arman: Centomilacenerentole, Dante Vecchiato Galleria d’Arte, Padova, Italy Arman: Arman, Museum of Contemporary Art of Teheran, Teheran, IRAN Arman: Le plein de l’art, Galleria Fonte d’Abisso, Milano, Italy Collection: Obelisk, 1983, (Towering accumulation of bronze cellos...

GREGORY OREKHOV Twist Dog 2017 Mirror polished stainless steel, electroplating coating 150 × 190 × 30 cm (Unique + 1 APs) GREGORY OREKHOV Gregory Orekhov was born in 1976 in Moscow ...

William Rosewood - Sudan Rhinoceros Skull Sculpture Reproduction Skull of a White Rhino 24 K Gold Leaf Edition: I/I Dimensions Skull: 79 x 38 x ...