Continental Europe - Ceramics
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Item Ships From: Continental Europe
Large Tubular Vase in Black Glazed Stoneware, Jean-Pierre Bonardot, circa 1990
By Jean-Pierre Bonardot
Located in Saint-Ouen, FR
Large tubular vase « Bambou » in black glazed stoneware by Jean-Pierre Bonardot.
Artist monogram under the base. Unique piece. Circa 1990.
H : 30.3’ X 6.3’ X 5.1’ inches.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture "Solctice", Exclusivity for Aurélien Gendras
By Mart Schrijvers
Located in Saint-Ouen, FR
Porcelain sculpture entitled "Solstice".
Unique piece.
Signed under the base.
2022.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Porcelain
Théodore Deck, Ceramic Vase, Signed, circa 1870
By Theodore Deck
Located in Saint-Ouen, FR
Théodore Deck (1823-1891), ceramic vase, signed, circa 1870.
Category
Late 19th Century French Art Nouveau Antique Continental Europe - Ceramics
Materials
Ceramic
Geometrical Ceramic Vase by Pierre Devie, France, circa 1970
By La Borne Potters
Located in Saint-Ouen, FR
A geometrical ceramic vase by Pierre Devie, France.
Perfect original conditions.
Signed and dated under the base "Devie 1971".
Unique piece,
circa 1971.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Wedgwood Ceramic Jug, with Hunting Scenes, England 1940s
Located in Milan, IT
The jug is made of fine pottery with a cream colored glaze cover. The flared body shows elements in relief in the first elevation. Then a central band wit...
Category
Mid-20th Century British Continental Europe - Ceramics
Materials
Ceramic
Green and brown glazed stoneware vase by Pol Chambost, circa 1930.
By Pol Chambost
Located in Saint-Ouen, FR
Green and brown glazed stoneware vase by Pol Chambost.
Artist signature under the base. Circa 1930.
H : 13.4’ x 9.4’ inches.
Category
20th Century French Art Deco Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Relief majolica ceramic possible Giovanni De Maio - 45 available
By Vietri
Located in Lugo, IT
Relief majolica ceramic in the style of Giovanni De Maio
45 available.
Good condition.
Thanks
Category
1920s Italian Vintage Continental Europe - Ceramics
Materials
Maiolica, Ceramic
Ceramic Cup by Sainte, Radegonde with White and Green Glazes, circa 1950- 1960
By Sainte Radegonde
Located in Saint-Ouen, FR
A ceramic cup with white and green glaze decoration by Sainte Radegonde.
Perfect original conditions.
Signed " D" under the base.
Circa 1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Important Sculpture in Black Glazed Stoneware, Jean-Pierre Bonardot, 2022
By Jean-Pierre Bonardot
Located in Saint-Ouen, FR
Important sculpture with wings in black glazed stoneware by Jean-Pierre Bonardot.
Handwritten signature of the artist. Unique piece. 2022.
H : 2...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Alexandre Foucher to La Borne, circa 1970
By La Borne Potters
Located in Saint-Ouen, FR
A ceramic vase by Alexandre Foucher to La Borne.
Perfect original conditions.
Signed under conditions.
Circa 1970-1980.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Eugene Lion, to Saint- Amand-en-Puisaye, circa 1920
By Eugène Lion
Located in Saint-Ouen, FR
A big ceramic vase by Eugene Lion with glaze decoration.
Signed under the base " E. Lion".
Circa 1920.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Sculpture in Glazed and Engobed Stoneware, Jean-Pierre Bonardot, 1999
By Jean-Pierre Bonardot
Located in Saint-Ouen, FR
Sculpture in glazed stoneware and engobed by Jean-Pierre Bonardot.
Artist signature under the base « JP Bonardot 99 ». Unique piece. 1999.
H : 7.08’ x 21.6’ x 13.8’ inches.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A porcelain sculpture by Wayne Fischer, 1997
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
1997.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Important Sculpture in Black Glazed Stoneware, Jean-Pierre Bonardot, 2022
By Jean-Pierre Bonardot
Located in Saint-Ouen, FR
Important sculpture with wings in black glazed stoneware by Jean-Pierre Bonardot.
Handwritten signature of the artist. Unique piece. 2022.
H : 23.6’ x 7.08’ x 7.08’ inches.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Abstract Stoneware Sculpture by La Borne Potters, circa 1970, Signed
By La Borne Potters
Located in Saint-Ouen, FR
An abstract stoneware sculpture, circa 1970 by La Borne Potters.
Signed.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Large Porcelain Biscuit Screen with Four Adjustable Leaves, Anne Barrès, 2010
By Anne Barrès
Located in Saint-Ouen, FR
Large porcelain biscuit screen with four adjustable leaves by Anne Barrès.
Artist signature on the back. circa 2010. Unique piece. Patinated metal structure. H : 76.6’ x 24.8’ x 3.5...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Metal
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Large Wall Sculpture Entitled « Grande Voile » in Grey Clay and Rebar, 1970-1980
By Anne Barrès
Located in Saint-Ouen, FR
Large wall sculpture entitled « Grande voile » in grey clay and rebar by Anne Barrès.
Circa 1970-1980.
Unique piece.
H : 19.7’ x 59.4’ x 4.1’ inches.
Category
1970s Beaux Arts Vintage Continental Europe - Ceramics
Materials
Metal
Glazed Stoneware Wall Sculpture Entitled « Burka », Anne Barrès, circa 2000-2010
By Anne Barrès
Located in Saint-Ouen, FR
Glazed stoneware wall sculpture entitled « Burka » by Anne Barrès.
Artist signature on the back « Anne Barrès ».
circa 2000-2010. Unique piece. Can be displayed both indoors and o...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Exceptionnel Ceramic Dish with Abstract Decoration by Jean Linard to La Borne
By Jean Linard
Located in Saint-Ouen, FR
An exceptionnel ceramic dish with abstract glazes decoration by Jean Linard to La Borne, circa 1970.
Perfect conditions.
Signed under the base " Linard".
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Cup by François Eve, circa 1980-1990
By François Eve
Located in Saint-Ouen, FR
A ceramic cup with beige glaze decoration by François Eve.
Signed under the base "Eve".
Perfect original conditions,
circa 1980-1990.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A porcelain sculpture by Wayne Fischer, 2015
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2015.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware and Steel Screen, Anne Barrès, circa 2000
By Anne Barrès
Located in Saint-Ouen, FR
Stoneware and steel screen by Anne Barrès.
circa 2000. Unique piece. Can be displayed both indoors and outdoors.
H : 31.9’ x 32.3’ x 2.9’ inches (ceramic only).
H : 37.40’ x 34.6...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Metal
Porcelain Sculpture "Solctice", by Mart Schrijvers, 2022
By Mart Schrijvers
Located in Saint-Ouen, FR
Porcelain sculpture entitled "Solstice" .
Unique piece.
Signed under the base.
2022.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Porcelain
Large Glazed Stoneware Screen with Four Leaves, Anne Barrès, circa 2000-2010
By Anne Barrès
Located in Saint-Ouen, FR
Large glazed stoneware screen with four leaves by Anne Barrès.
Artist signature under the base. Circa 2000-2010. Unique piece.
Can be displayed both indoors or outdoors.
H : 75.2...
Category
21st Century and Contemporary Beaux Arts Continental Europe - Ceramics
Materials
Metal
Wall Ceramic Sculpture with White and Green Glazes Decoration, circa 1950-1960
By Sainte Radegonde
Located in Saint-Ouen, FR
A wall ceramic sculpture with white and green glazes decoration.
In the style of sainte radegonde.
Perfect original conditions.
Circa 1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase by Jacques Pouchain and L' Atelier Dieulefit
By Jacques Pouchain and Atelier Dielufit
Located in Saint-Ouen, FR
A ceramic vase by Jacques Pouchain and l' Atelier Dieulefit.
Perfect original conditions.
Signed under the base.
Circa 1970-1980.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A porcelain sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality.
The alignment of technique and what it causes one to see and feel has rarely been so intimately successful.
Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 1989
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
1989.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Dish by Gustave Tiffoche, circa 1960-1970
By Gustave Tiffoche
Located in Saint-Ouen, FR
A big ceramic dish by Gustave Tiffoche.
Perfect original conditions.
Circa 1970-1980.
Signed under the base.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Important Glazed Stoneware Sculpture Entitled « Flétrie », Anne Barrès, 2010
By Anne Barrès
Located in Saint-Ouen, FR
Important glazed stoneware sculpture entitled « Flétrie » by Anne Barrès.
circa 2010. Unique piece.
Can be displayed both indoors and outdoors.
H : 32.7’ x 33.8’ x 28.7’ inches...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Metal
Danish ceramics from the 1950s by the Royal Copenhagen workshop in Denmark
By Royal Copenhagen, Marianne Johnson
Located in SAINT-YRIEIX-SUR-CHARENTE, FR
Small ceramic dish by Marianne Johnson for Royal Copenhagen in the 1950s, from the ‘Tenera’ series.
17x17cm H:3,5cm
Royal Copenhagen is one of Europe's oldest porcelain manufacturer...
Category
Mid-20th Century Danish Mid-Century Modern Continental Europe - Ceramics
Materials
Ceramic, Porcelain
Big Ceramic Covered Jar by Alain Gaudebert, Vers 1990
By Alain Gaudebert
Located in Saint-Ouen, FR
A big ceramic covered jar with glazes decoration by Alain Gauderbert.
Perfect original conditions.
Signed under the base " Gaudebert ".
Circa 1...
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Goat Ceramic by Dominique Pouchain
By Dominique Pouchain
Located in bruxelles, BE
Ceramic in the shape of a goat designed by Dominique Pouchain. Stamped on the underside.
For shipping, request us for receive the best price.
Category
1990s French Mid-Century Modern Continental Europe - Ceramics
Materials
Ceramic
Big Covered Ceramic Jar by Jean & Jacqueline Lerat, circa 1940
By Jean and Jacqueline Lerat
Located in Saint-Ouen, FR
A ceramic covered jar by Jean and Jacqueline Lerat to La Borne.
Perfect original conditions.
Signed under the base " JJ LERAT LA BORNE ".
Circa...
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Lucien Arnaud, to Saint- Amand-en-Puisaye, circa 1920
By Lucien Arnaud
Located in Saint-Ouen, FR
A ceramic vase by Lucien Arnaud with glaze decoration.
Signed under the base " Lucien Arnaud ".
Circa 1920.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Zoomorphic Ceramic Sculpture by Pierre Roulot, circa 1960
By Pierre Roulot
Located in Saint-Ouen, FR
A zoomorphic ceramic sculpture by Pierre Roulot.
Perfect original conditions.
Signed under the base "Roulot".
circa 1950-1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Robert Heraud, circa 1970-1980
By Annie Maume & Robert Heraud
Located in Saint-Ouen, FR
A ceramic vase by Robert Heraud.
Wood firing.
Perfect original conditions.
Signed under the base.
Circa 1980.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality.
The alignment of technique and what it causes one to see and feel has rarely been so intimately successful.
Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A porcelain sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Pitcher with Glaze Decoration by Accolay, circa 1960-1970
By Accolay Pottery
Located in Saint-Ouen, FR
A ceramic pitcher with glaze decoration by Accolay.
Perfect original conditions.
Signed under the base,
Circa 1960-1970.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Rare Pair of Decorative Wall- Mounted Ceramic by Alfred Renoleau, circa 1900
By Alfred Renoleau
Located in Saint-Ouen, FR
A rare pair of decorative wall-mounted ceramic by Alfred Renoleau.
Perfect conditions.
Each piece is signed,
circa 1900.
Category
19th Century French Beaux Arts Antique Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Dish by Guillaume to La Borne, circa 1936
By La Borne Potters
Located in Saint-Ouen, FR
A ceramic dish with glaze decoration.
Perfect original conditions.
1936.
Signed and dated under the base "Guillaume 1936".
Category
20th Century French Art Deco Continental Europe - Ceramics
Materials
Ceramic
Ceramic Sculptural Vase to La Borne, Signed at the Base, circa 1970
By Martin Hammond
Located in Saint-Ouen, FR
A big ceramic vase to La Borne.
Perfect original conditions.
circa 1970.
Signed at the base.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Gabriele Puetz Pillow Pillar 'Nichts' Vintage German Art Pottery Sculpture # 5/7
Located in Landau an der Isar, Bayern
Gabriele Pütz vintage abstract realism ceramic artwork made in Germany, 1982. This work is made of a round clay tower / pillar with pillow edge details. On the body of the tower is w...
Category
1980s German Modern Vintage Continental Europe - Ceramics
Materials
Ceramic, Clay
Wall Ceramic Dish by Jacques Poussine France 1970s
By Jacques Poussine
Located in HYÈRES, FR
Wall ceramic dish by Jacques Poussine & Pat Rowland.
Two position on the wall.
Abstract bird decoration.
France, 1970s
Category
1970s French Vintage Continental Europe - Ceramics
Materials
Ceramic
Rare dutch "Gaper" statue with monkey on his shoulder.
Located in Leuven , BE
A gaper is a stone or wooden figurehead, often depicting a Moor, Muslim, or North African. The figurehead first appeared in the late 16th century as a hangout sign used outside the storefronts of drug stores in the Netherlands. The meaning of gaper is the same in English; the figurehead is always displayed with an open mouth, sometimes with a pill resting on his tongue. The gaper's gaping tongue could represent the intake of medicine and grimace represents the bitter taste of the medicine. The gaper takes on various appearances that are symbolic of the origin for the pharmacist...
Category
20th Century Dutch Continental Europe - Ceramics
Materials
Plaster
