Continental Europe - Cabinets

Bramante Storage Cabinet by Japanese Architect Kazuhide Takahama for Cassina A storage unit with modern lines, although of classical inspiration, that becomes the emblem of the Ultr...

This 2-door small sideboard ( "mini-bahut") is a handcrafted reproduction of the French Directoire Style at the end of the 18th century. This period style is remarkable with its str...

Beautiful Biedermeier half cabinet from the time of the late Biedermeier around 1830. The furniture is covered with beautiful walnut veneer on a spruce body. At the top there is a d...

The four-doors version of Morgan storage unit represents an interesting proposal for the dining area. Its doors are shaped three-dimensionally with vertical decorative motif and upho...

The mobile bar from JustFurnituress is an emblematic example of how Italian craftsmanship can blend contemporary design and functionality into a unique and distinctive piece of furni...

Two tone oak graphical door brutalist (bar) cabinet. Stately piece of furniture which offers plenty of storage space and made out of high quality oak panels. Good condition. 1970s...

Large Desk with Sideboard in Rosewood and Chromed Steel by Jørgen Pedersen, 1960's Additional Information: Material: Rosewood and chromed steel Style:...

Mid-Century Modern Saqris Bar Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Saqris stone cabinet draws inspiration ...

Discover a refined Art Deco wet bar, crafted from lacquered parchmente wood, originating from the prestigious Galleria Mobili d'Arte Cantù, Italy, dat...

Rare cabinet in solid pine manufactured by Luxus in Sweden during the 1960s. Designed by the brothers Kristiansson, Uno & Östen. One cabinet with doors and two shelves. Made from sol...

This very rare cabinet was designed by Axel Einar Hjorth and produced by Nordiska Kompaniet in Sweden. It is part of the iconic Lovö series, designed by Hjorth in the early 1930s. T...

Vintage Scandinavian filing cabinet made from solid oak with a dark patina. It's most likely made in the early 20th century, ca 1920s. A ...

Important and rare antique solid walnut cabinet, 19th century. Characterized by a refined hand carving of the wood on the front doors. The...

Contemporary armored jewelry armoire safe covered in white and beige threaded leather. Inside safe in shiny white. 24-karat gold-plated brass a...

S11 program bar module designed by Angelo Mangiarotti for Sorgente dei Mobili production 1970s * one additional elements available When you purchase vintage design products on our w...

Swedish Folk Art Cabinet, circa 1780-1830, most likely from Dalarna. This is a survivor; once it was bright with beautiful colors, but over the centuries it has become faded and dis...

This antique chest is unique and beautiful, likely handmade in the Nuristan province of northeast Afghanistan. We estimate it to be crafted in the late 19th to early 20th century. It was built from wood using traditional wedged mortise and tenon joinery, indicating its origin. The front panel is richly adorned with hand-chiseled tribal motifs of stars and flowers. The surface of the wood is beautifully textured. Its natural patina perfectly suits the wabi-sabi aesthetic—celebrating imperfection, timeworn beauty, and authenticity. The chest’s tribal design feels raw yet sophisticated, combining ancient craftsmanship with a timeless sense of modernity. This handmade piece would integrate beautifully into a variety of interiors: it can ground a minimalist or contemporary space with its earthy authenticity, lend soulful warmth to a wabi-sabi-inspired room, and enrich eclectic, bohemian, or globally curated environments. Its strong, geometric lines and understated ornamentation make it highly adaptable, whether used as a statement entryway chest...

Rare set of "RY" cabinets by Hans J. Wegner. The cabinets are made from oakwood and decorated with patinated rattan cane on the sliding doors. Each room has an adjustable shelve in s...

18th century Swedish late Baroque cabinet with original paint from Gumbodahed Skelleftea, Northern Sweden. A magnificent late Baroque cabinet that is divisible into 2 parts. Scrape...

Moon Kitchen The Moon outdoor kitchen is the perfect setting for memorable gatherings, whether it’s an intimate dinner or a moment with family and friends...

This is a unique and monumental Dutch Baroque cupboard called “Kussenkast" from the late 17th century, probably circa 1670-1680. Made of rosewoo...

Like the hard metal sheets that identify the armour of a samurai, the scales on the skin of this piece define its appearance. A dynamic shape, taking on the evocative strength of Art Deco furnishings...

Mid-Century pair nightstands 1950s Vittorio Dassi manner in folder and burl walnut, legs in dark beech, walnut burl flame veneer on the doors and sides; interior in mahogany folder....

Mid century cabinet with build-in record player and radio, it was made in the former Czechoslovakia in the 1950´s. The construction is made of wood in a walnut veneer. The Gramophone...

The item was carefully refurbished. The hairpin iron legs were added afterwards.

Rare 18th-century wooden cabinet in the style of Louis XV, fine French manufacture. The cabinet is made entirely of fine dark wood, four legs for support. The two legs at the front are more worked and thin, very important, those at the back have classic square strong dorma. The cabinet is developed in height rather than width. Centrally there is only one door all decorated with sinuous wood inlays and squiggly fretwork, very true to the French Baroque style. At the top we see a semi-curved frieze, which lends even more majesty to the product. Inside, it is all covered with antique pink wallpaper...

Glossy finish and coloring define a classic contemporary furniture trend Ovetto Lacoque White, the perfect furniture and design complement for homes and environments that enhance nat...

Storage unit designed by Charlotte Perriand in 1939. Relaunched in 2014. Manufactured by Cassina in Italy. Part of the Cassina collection since 2004, the Riflesso storage unit cr...

Finnish birch cabinet in Alvar Aalto style from the 1940s. Birch. Good vintage condition, minor patina consistent with age and use. Beautiful Scandin...

Trinité - description: This elegant cabinet with Surrealist flair is made of iron, wood and ceramics. Every element of this functional piece radiates refined sophistication and...

A reworking of 1950s bar cabinets with a breathtaking new appearance. The urban view is split over two separate yet complementary modules, destined to hold the bottles and glasses, r...

EXCEPTIONAL CABINET KNOWN AS THE SUMÈNE CABINET   ORIGIN : FRANCE, NÎMES PERIOD : 16th CENTURY   Height: 199 cm Width: 180.5 cm Depth: 69 cm   Walnut wood Good state of preservation ...

Cabinet Linea with structure in solid walnut, with clear glass doors and clear glass shelves. With metal base in matt black finish. Intside drawer in solid walnut with rails in solid...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Very well preserved Art Deco bar cabinet from the late 1920s. This high cabinet has a lot of typical details from the Dutch Amsterdamse School Period, that was predominantly an archi...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

This is the Swedish Modern 1940s cabinet from the furniture factory AB Walfrid Svensson & Co in Karlstad. It comes with stained oak burl veneered double doors, decorated with a bea...

Striking brass frame and hand cut Lapis lazuli imitation Murano glass Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan. Available also the pair .

Oblò A Cabinet / Colorama Collection by Matteo Zorzenoni Oblò is a collection of cabinets and cupboards with a strong personality. Circular and oblong holes covered in glass charact...

The innovative style that revolutionizes the shape of the recycling container The simplicity of white, the perfect answer to any decorating need, from minimal or industrial to countr...

This bar cabinet was produced in Italy, in the late 1930s and is a really unique and special piece. Its tremendous historical and artistic value is what makes this item a real piece of art, hard to find and one of a kind. Firstly, let's talk about its history. It was produced most likely in 1939 in Mariano Comense which is a small village near Milan by the artist Giuseppe Anzani. Anzani has been one of the greatest, if not the greatest wood crafter and inlaid maker. He started his career as an engraver when he was a little child and he won awards for his skills when he was only 16. Later on, he started also to master the art of wood inlay, becoming the most skilled inlayer of all times. His fame was so big that people from all over the world used to come to his little laboratory in the small and unknown village...

Guillerme et Chambron, cabinet, model 'Thierry', oak, ceramic, France, 1960s This model 'Thierry' case piece is designed by Guillerme & Chambron. It features geometric engravings in...

This unique and remarkable Danish Art Nouveau pine cabinet, a creation of architect Hans Karl Kristensen during the years 1910-1920 in Ry, Denmark, stands as a captivating exemplar o...

Børge Mogensen sideboard of teak with two doors in the front. Inside with shelves and pull-out trays. Please note that the feet are not original and are made of oak. Brass keys that ...

A pair of beautiful oak bookcases made by Danish cabinetmaker I.P. Mørck, Copenhagen in the 1930s. The bookcases are simple and functional with adjustable shelves. Elegant handmade p...

19th Century Dutch safe from F.J.P. Trousselot Rotterdam, ca 1880 A Dutch safe from F.J.P. Trousselot Rotterdam in stained imitation wood on cast lion legs with two safe doors and t...

The collection is enriched with a version with four drawers and more contemporary finishes. In 1994 Nanda Vigo designed a ten-drawer cabinet for Acerbis Storet. It became part of the Bed Side collection thanks to its bedroom-style finishes. The current version preserves its poetic dimension and introduces contemporary elements that enable it to be versatile in the living and dining area. Structure and drawers A chest of drawers’ system made of medium density wood fibre with open grain brushed veneer in black ash and dark stained walnut finishes. The furniture’s key element is the drawers’ moulding...

Cabinet Art Deco, French, circa 1930. Credenza buffet burr walnut. Two doors and one shelf. The varnish was redone. Good condition. Shipping: L 160, P 52, H 91 46 Kg.

Designed passionately and exquisitely by the incomparable talents, the Cabinet was created to grace the most regal of dining rooms with its elegance and splendor. Inspired by the aristocratic palaces of the Alexandrian pashas of Egypt, the mother of pearl Cabinet...

Ettore Sottsass's Casablanca cabinet boasts a totem-like profile, closely resembling his iconic Carlton room divider and Ashoka lamp. This piece stands out...

France / 16th century / cabinet / oak, ironwork, metal / Rustic / Mid-century A rare to find antique cabinet in solid oak with beautiful warm patina. Hand crafted in France in the 16th century. This tall cabinet has authentic ironwork decorations and wrought iron rivets and hardware. Behind the door, 4 spacious sturdy shelves. This tall wooden cabinet...

Italian design bookcase or cabinet 1960s high quality furniture. This Italian design furniture is made of teak wood and can be used in differe...

Beautiful symmetric cabinet designed by Kurt Østervig and manufactured by A/S Randers, Denmark 1960. This elegant high cabinet epitomizes the grace and functionality of Scandinavian ...

France / 1960 / cabinet / teak / Mid-century / Vintage A teak bookcase or cabinet from the 1960s with two shelves and beautifully crafted faceted base. This French cabinet with its...

This wall cabinet, crafted in Finland in the 1950s, features three sliding doors, one of which is made of clear glass. It exemplifies Scandinavian design with its clean lines and fun...

Produced by Seffle Möbelfabrik, Sweden, 1960s.

50% deposit payment for R David Craig on the following product: Basjoo limited edition. Marked by a delightful palette of neutral and relaxing colour white, hot gray, canaletto walnu...

For all homes and kitchens, for all dining establishments with a contemporary taste Ovetto Galà Glossy Orange is the designer recycling container designed for all environments that n...