Continental US - Figurative Photography

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, France, 1969. Waterskiing at Hotel Du Cap-Eden-Roc 1969 (printed later) C print Estate stamped and numbered edition of ...

Skiing Waiters 1960 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Three skiing waiters on a ski slope, with ...

Desert House Party 1970 (printed later) Chromogenic Lambda Print Estate edition of 150 Guests by the pool at Nelda Linsk's desert house in Palm Springs, California, January 1970. T...

Allan Tannenbaum "John and Yoko Kimonos Bed Laugh, NYC, 1980" Inkjet print Paper size: 13 x 19 Inches Image Size: 8.5 x 12 7/8 Edition Number: From the s...

'Cold Song III' exemplifies the avant-garde evolution of underwater fine art photography, merging contemporary conceptual art with technical mastery. This ethereal composition captur...

An underwater photograph of two naked young women in the pool. The minimalistic photograph partially depicts bodies in blue color schema. Original gallery quality print signed by th...

Reinhard Görner’s Leda with Swan unveils an intimate and evocative perspective on Correggio’s 16th-century masterpiece, capturing the painter’s exquisite handling of light, texture, ...

George Platt Lynes Photograph #6 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #6 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 58x56cm, Edition 7/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on...

"Twinkle Toes" North Pole (Russia), 2017 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Ed...

Gelatin silver print Stamped and numbered, verso 11 x 14 inches, sheet 5 x 7 inches, image (Edition of 15) 16 x 20 inches, sheet 12 x 15.75 inches, image (Edition of 10) From the ...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

A swimming pool, seen through the fronds of a palm tree, with two people swimming and a group of people sitting at tables at the poolside in the Bahamas, May 1967. Beyond the pool is...

Albrecht Fuchs Title: Factory Workshop Medium: Color Photograph mounted on Di-bond Year: 2006/2007 Signed and dated by hand Size: 14.8 × 18.5 on 17.2 × 20.9 inches Albrecht Fuchs wa...

For The Animals Shall Not Be Measured By Man - 2017 (Chicks and Chicks and sometimes Cocks) 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. ...

Mat measures 20 X 26 sight measures 13 X 19.5 Barkhor Bazaar is one of the most famous of all places to go shopping in Lhasa. This circuitous street, that encompasses the world fam...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco ...

"She Wolf" British Columbia, Canada, 2014 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Ed...

In 1971, three hundred hippies set off from California in a convoy of 90 trucks and schoolbuses to find a new life. The pregnant women amongst them, out a desire to treat birth as a normal part of proceedings, passed around birth manuals and learnt to deliver each others' babies on the road. It was the memory of the very first woman, calmly and tenderly birthing in the arms of her husband in the back of a bus on a pitstop, that was to change the lives of two watching women...

"Day Breaker" Northern Fjords, Norway, 2018 20 x 45 in / Edition of 6 - $4,500 Also available: 32 x 73 in / Edition of 6 - $8,500 39 x 90 in / Edition of 6 - $17,500 "Just as th...

This black and white photograph depicts a Black girls' team in the urban city of Philadelphia practicing the art of Double-Dutch jump rope. This series of images provide a snapshot o...

24" x 30" Edition Size: 24 *Price is for unframed. It's extra $500 for framed* Mademoiselle Chanel at work. Douglas Kirkland was sent to Paris on assignment for Look magazine, a...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

Step into the idyllic 1950s with Slim Aarons' captivating photograph, Nice Spot for Lunch, 1957. Featuring a Cliffside Picnic in Bermuda, this piece beautifully encapsulates the era'...

"Alisma Plantago Aquatica" by artist Paul Cava is a one-of-a-kind (unique) Iris print of a nude female figure from a historical glass plate on an 18th-c bota...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

The glass-fronted triangular Skaal House, lit up at night, in the Stowe Mountain ski resort in Stowe, Vermont, 1962. A pair of skis lean against the wall b...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

HIM ARCHIVAL PIGMENT PRINT AP PRINT - available (EDITION SOLD OUT) 30x45 Named one of LensCultures top 50 Emerging Artist, Marjorie Salvaterra’s images reveal “a fine line betwee...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

“Emergence 2” (FRAMED) Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series The...

Marco Pittori has always worked with photography. He uses either his own or licensed photographs, such as photographs from the renowned Los Angeles photographer Brad Elterman. "Brad’s photos provide a rare, often raunchy glimpse into a rock and roll history where it seems Brad is always at the right place at the right time, camera ready.” Pittori collects and edits the images, adding additional points of interest throughout the photograph. Marco Pittori was born 1978. He lives and works in Switzerland and has been exhibiting internationally since 1999. This artwork is a colorful depiction of the palm-lined streets of Los Angeles. This mixed media artwork has been created through a combination of screen printing and painting. Convenient local Los Angeles shipping and affordable international shipping also available. A certificate of authenticity issued by Artspace Warehouse is included. Pittori's work has been collected and exhibited internationally since 1999. Some of his public collectors include the Ramones Museum in Berlin, the Bank of Baselland, and the Gunter Sachs Collection. Public Works / Collections 2013 Sammlung Basellandschaftliche Kantonalbank, Liestal 2013 Sammlung Migros Bank, Base 2012 Ramones Museum, Berlin 2012 Sammlung Arthur Cohn 2011 Nachlass Sammlung Gunter Sachs 2008 / 2010 Rist management, Switzerland 2006 Gruner AG, Basel 2006 Psychiaterische services, Liestal, Switzerland 2005 Bank of Baselland, Liestal, Switzerland 2004 / 2007 Birshof clinic, Münchenstein, Switzerland 2003/2004/2005 Kantonalbank Baselland, Liestal, Switzerland 2002 / 2004 Cantonal Hospital, Liestal, Switzerland Solo Exhibitions (selection) 2012 Sichtbar Hamburg, kuratiert von Cosma Shiva Hagen 2011 Arlesheim Apartments 2010 Galerie Eulenspiegel "Cafe Dallas", Basel, Switzerland 2007 Galerie Louise Grossenbach, Winterthur, Switzerland 2004 / 2006 Coop, Muttenz, Switzerland 2002 / 2004 Cantonal Hospital, Liestal, Switzerland 2002 Castle fields estate, Basel, Switzerland 1999 Pathologie, Basel, Switzerland Group Exhibitions (selection) 2013 Gallery Lumas, Zurich, Vienna, Munich 2013 Cultural Association Muttenz, Switzerland 2013 Peach Editions, New York 2013 Galerie Hamburg Kennedy, New York 2012 Galerie Eulenspiegel "Nude Hollywood", Basel, Switzerland 2011 Galerie Zero, Art Plan-B Project, Berlin, Germany 2011 Kunst und Stadthalle Zug, "Pop Art in Zug", Switzerland 2011 Galerie Ohne Titel, Winterthur, Switzerland 2011 Artspace Warehouse, Basel Junction L.A., Los Angeles 2010 Gallery Lumas, New York 2010 Kunstwarenhaus, Zurich, Switzerland 2010 Workshop Wolfensberger, Atelier Exhibition with Dominique Lämmli, Celcile Wick, Samuel Burri, Switzerland 2010 International Symposium on lithography, Tidaholm, Sweden 2010 "pop art train" with Sam Shaw...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

The seaside swimming pool at the Hotel Taormina, Sicily, August 1975. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic...

Chromogenic Print – Unframed Free Shipping – Ask us foar custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My p...

Two bikini-clad holidaymakers enjoy a glass of wine outside the Carlton Hotel, Cannes, 1958. Estate stamped and hand numbered edition of 150 with certificate of authenticity from th...

Blue Pool (Suburbia) 2004 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Not mounted. The project "Subur...

"WB42" Photography 50" x 40" inch Edition of 10 by Giuliano Bekor "WB42" Year: 2012 Medium: Photography Print size: 50" x 40" Inches trim bleed Edition: 10 Artist proof: 2 Other si...

"Thinking of Rodin 2" Photography 28" x 20" inch Edition of 20 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a tube. Lika Brutyan is A...

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...

Paul Georges with Painting Jan 6, 1967 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Slim Aarons 'Porto Ercole' Il Pellicano, Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano...

BB King by Fernando Natalici: A classic image of Blues great BB King captured circa late 1970s, by legendary New York underground photographer & art designer Fernando Natalici. Med...

Actors In Antibes 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: August - Actors Kirk Douglas (left), Louis Jourd...

This early 1660s winter landscape photograph, captured by society photographer Slim Aarons, features skiers pass by a snow covered tree in Vail, Colorado, USA, 1964. This is an esta...

Designer & Manufacturer: Steven Klein (b. 1965) Markings/Notes: signed; ed. 1/5; 2004 Country of Origin & Materials: American; chromogenic print on aluminum Dimensions(H,W,D): 30"...

Slim Aarons Keep Your Cool, 1978 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity. Carmen Alv...

From The Jon Gould Collection of Andy Warhol Photographs Each photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Goul...

Morning Glory, 2016, Edition of 7 plus 2 Artist Proofs. Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with cert...

Reinhard Görner Biblioteca del Senado, Madrid 2017 59 x 50 inches ed. of 10 $6,000 71 x 60 inches ed. of 7 $9,000 83 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Keywords: Reinhard Görner, Library series, Madrid, Spain, Large-Scale Photography, Large-scale German photography, Spanish Libraries, Spanish Monuments, Library Photography...

Digital C-print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sel...

New England Skiing 1955 (printed later) C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Two women recline on improvised su...

The simplicity of hands intertwined are captured in this beautiful silver gelatin print by Doug Birkenheuer. This photograph captures light, shadow, shape and texture to great effec...

Howard Cushing 1974 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: Howard Cushing on a motorcycle outside the Cushin...

“Milk” Photography 36" x 28" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Not framed. Ships in tube. Brian Ziff is a multifaceted art...