Continental US - Figurative Photography

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

The contemporary color photograph is printed on Baryta paper, 13” x 19" (sheet size), an archival pigment print signed, dated, titled on recto (front of photo) by the artist. Edition of 5. 2- a/p's. Double Helix...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumb...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

This ethereal underwater photograph showcases minimalist composition in rich teal and turquoise tones, capturing a performer suspended in crystalline waters. The topless young woman ...

"The Turn" represents a pivotal moment in contemporary underwater fine art photography, where sculptural form meets fluid dynamics. In this arresting composition, a figure in vibrant...

"Pipe Tee" by artist Paul Cava is a one-of-a-kind (unique) archival pigment print of a nude man and woman from a historical glass plate on a historic mechani...

Yokohama, Japan: c 1880. Hand-tinted albumen print, 8 1/8 x 10 1/2 inches (205 x 267 mm), numbered 1625 and captioned "Dancing" in negative at lower right; pencil inscription in Jap...

Wall Street, 1955-56 is a 19" x 13" limited edition print (8 of Ed 9) by photographer Leonard Freed. The work is signed verso (back of photo) by Brigitte Freed (wife of the photograp...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistication and whimsy. Whether she’s shooting for brands like Dove, Diet Pepsi, Credit Suisse, L’Oreal, Tampax and Ligne Roset or diverse collaborative partners like Badgley Mischka, DSW, Kate Spade, Macy’s, Neiman Marcus and Target, Liz gives even the most familiar, everyday scene a fantastical twist. She transports us from the realm of the ordinary into the extraordinary. Starting with a no-nonsense approach, she lets the magic happen in front of the lens as simply as possible to keep the unexpected as human as possible. Liz’s personality is evident in her work as a photographer and director: at every turn, a sense of playfulness and polish, scaffolded by a carefully calculated vision. She meticulously compiles inspirations and influences, ranging from the everyday to the magnificent, making each image more inventive than the last. Liz Von Hoene is part of the Trunk Archive...

Ormond Gigli Girls in the Window, 1960 (printed later) Color coupler print 44 x 44 inches Signed, dated and numbered edition 22/45 Ormond Gigli: The Visionary Behind the "Girls in...

image size: 10 x 8 inches Young male sitting against dark background Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner. ed...

Walking the Bulldog, 1994 Archival pigment print 40 x 60 inches Signed and numbered edition of 10 Robert Farber (b. 1944) is a renowned photographer whose five-decade career spans b...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

Edition 2 of 3, 2APs Large Size: 24 x 36 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the h...

'Mirror, Mirror' (Bombay Beach) 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory...

Alas Tres, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Medium size: 24 in H x 36 in W. Edition of 10 + 1AP Unframed 2020 Black and White Photograph All prices...

Missing -2018 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2016-458. No...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Erwin Blumenfeld, Electa Editrice Portfolios, 1...

Cortina, by Ricky Cohete From the Viva series Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissa...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a black and white photograph featuring a group of teenagers sitting on top of a car filled with surfboards. Archival Pigment P...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion f...

Edition # 1/10 This is the framed price listed. The photograph is also available unframed in the two additional sizes listed. Heal disguises her contemporary characters in a fict...

Color Archival Pigment print 36 x 24 in. Ed of 10 Unframed The artist uses vivid contrast of color to add an extra dimension in the movement and shadows of each piece. Almost givi...

PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx ...

Underwater nude photograph of a young beautiful golden hair woman on black background. Her body is partially covered with a golden scarf leaving uncovered beautiful buttocks. Origi...

Underwater nude photograph of a girl dancing in a swimming pool. The dark pool is filled with sharp sunbeams. Some mysterious light ornaments cover the pool bottom and inner water su...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. One 4.5 x 3.25 inch unique vintage Kodak print of Tina Chow (1975). Prints ar...

This captivating black-and-white photograph, titled Mainbocher Corset by Horst P. Horst, masterfully blends elegance and geometry. The composition features a woman seen from behind, ...

Oil on canvas Signed in red, u.l. $6500.00 + $300.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

An indication that we have entered a new era of creativity, are the photographs of John Casado. “His nudes reveal new attitudes and visions that stamp him firmly as an artist who differs from his predecessors of the past 170 years. In the past two centuries, the nude has evolved slowly, but there is now a decided change.” David Leddick...

Circular color photograph a red mythical figure in an icy Arctic landscape Archival pigment print, ed. of 5 10 inch diameter image on 22 x 17 inc...

Underwater nude photograph of a model swimming in the pool. "There were five grand pianos at her house, a pool at the third floor, and a sad man on the bottom of that pool me. I jus...

10.75 x 16 inches - Edition 1 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly positive person and this positivity often reflects in my work delivering images with a strong message on personal growth, self-love, and empowerment. I want my images to give hope and teach people to appreciate themselves, to love, dream, and believe that everything is possible if we believe it is. My images often feature simple backgrounds, saturated colors, and characteristic props like flowers, plants, origami, or balloons. creating dreamlike images both rich aesthetically and in meaning." - Fares Micue...

"Presentation of Sensuality" Nude Photography 60x40 in Ed. 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 36" x 24" inch Editio...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

Film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper (1901 - 1961) and James Stewart (1908 - 1997) enjoy a joke at a New Year's cocktail party ...

"Presentation of Sensuality" Nude Photography 45x30 in Ed. 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 36" x 24" inch Editio...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

An underwater photograph of a naked young woman wrapped in bubbles. This is a bright high resolution photograph with rich green and golden tones migrating onto blue and orange. Ori...

Yokohama, Japan: c 1885. Hand-tinted albumen print, 10 1/2 x 8 inches (268 x 204 mm), hand-numbered 498 in negative; pencil inscription in Japanese on verso. Light scratch in negati...

Don Hunstein image is the photo used for the actual color cover of “The Freewheelin’ Bob Dylan” album. This iconic image shows Bob & his girlfriend Suze Rotolo walking down a cold an...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

"Wynyard, Sydney" is a framed photograph on paper by Xan Padron, depicting a compilation of walking figures set against a vibrant architectural background. Padron's signature techniq...

Underwater nude photograph of a model swimming in the pool. "There were five grand pianos at her house, a pool at the third floor, and a sad man on the bottom of that pool me. I jus...

"Porcelain II" captures a young naked woman floating in dark waters, their pale form creating ethereal ripples against the black backdrop. This underwater fine art photograph showcas...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Underwater nude photograph of a model swimming in the pool. "There were five grand pianos at her house, a pool at the third floor, and a sad man on the bottom of that pool me. I jus...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...