Continental US - Landscape Photography

Laura Lloyd Ginko Leaves Archival Pigment Print Year: 2024 Visible Size: 17 x 11 inches Framed: 21.4 x 15.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard ple...

Gary Hodson Golden Hills Motel 2024 Archival Pigment Print Visible Size: 14.75 x 13.75 inches Framed Size: 23.5x 22.5 x 1.5 inches Edition: 25 Signed, titled and dated on label COA p...

Slim Aarons Marbella Club C print 1976 The swimming pool of the Marbella Club in Andalucia looks out over the sea, 1976. Estate stamped and hand numbered edition of 150 with certif...

Brooklyn Bridge 08 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1570. Not mounted. St...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Kelly Ludwig Yellow Gold Archival Pigment Print Year: 2024 Visible Size: 10.6 x 13.5 inches Framed: 17.75 x 20.75 x 1.25 x inches Signed: On Label COA provided *Black gallery frame...

A black-and-white image shot on film of architecture and a storefront window of a shoe shop in an old Paris district attracted Roberta Fineberg who was drawn to the forgotten and ver...

Panoramic seascape lit with raking light turns humans into stick figure shapes with no central point of focus. Signed and dated on lower right, numbered on verso, 2/15 Printed la...

Palm Springs Palm Trees X (Californication) - 2019 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. ...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Palm Springs E-Type (Californication) - 2021 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invento...

Stefanie Schneider Polaroid-sized unlimited Mini 'Oasis' (Sidewinder) - 2005 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid sized op...

Hotel Chelsea, New York. Fourth Floor, South, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 20 H x 30 ...

The awkward Age 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted. The artist kn...

Letham House (Stay) - 2006 Edition of 10, 6 pieces 20x20cm each, installed 45x70cm. 6 archival C-Prints, based on 6 Polaroids. Certificate and Signature label. Artist Inventory ...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Shirley Harryman Morning Light Archival Pigment Print Year: 2024 Visible Size: 12 x 12 inches Framed: 22.25 x 21.25 x 1.25 inches Signed: On Label COA provided *Black gallery frame ...

A unique original silver gelatin black and white photograph. View of a bridge over the Rhone River in Lyon, France, March 1927. The view of the Pont de l'Université in Lyon, France,...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Highly detailed mesmerizing birds' eye view of urban architectural landscape Flying High by Christian Stoll 48 x 67 inches (122 x 170cm) signed edition of 7 32 x 40 inches (81 x 10...

Perfect Blend, 2017 Edition of 7 plus 2 Artist Proofs Based on a Polaroid, Archival C-print, Not mounted. Signed on the back and with certificate. Artist inventory PL2017-162 Kirs...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Hotel Chelsea, New York. First Floor, North 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 26.6 in H x ...

High Line at 19th Street (Iconic Architectural Detail on Manhattan's West Side) by James Bleecker Contemporary sepia toned photograph of New York City's High Line, the iconic raised ...

Hotel Chelsea, New York. Room 1018, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 40 H x 60 W in. Edi...

GOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco skyline in Northern California's atmospheric morning light 58 x 110 inches ( 147 ...

End of the Road (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Hotel Chelsea, New York. Room 1018, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 20 H x 30 W in. Edi...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980 Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered ...

Sunset (Deconstructivism) - 2015 - about the narrative potential of images. 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Artist Inventory...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition. He has also photographed extensi...

Three Girls V (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Ar...

Burning Field V (The Last Picture Show) - 2004 20x20cm, Edition 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Burning Field (The Last Picture Show) - 2004 20x20cm, Edition 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventory ...

ABOUT THIS ARTIST: Samuel Escobar is an architect by trade, a hobbyist photographer and an all-round creative who loves to express his art and ideas through different mediums. Samuel...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His pictures of New York's iconic architecture carry the same romantic feel of a Parisian shooting ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Blue Sky Palm Trees (Sidewinder) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist ...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Bekins (Stranger than Paradise) 1999, 60x70cm, Edition 1/10, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, mounted on Aluminu...

Once in a Blue Moon (The Girl behind the White Picket Fence) - 2013 20x24cm, dition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory Number 17849. Not mounted. Offered is a piece from the movie: The Girl behind the White Picket Fence A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property in Morongo is dotted with vintage trailers. They surround her midcentury home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck, if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaim…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Before (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 18740. Signature label and Cert...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaic...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaic...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaic...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Slim Aarons 'Porto Ercole' Il Pellicano, Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano, Vintage Glamour, 70s...

Chromogenic print, edition 33 of 35

Mind Storm (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Untitled (Oilfields), 2004 60x60cm, Proof b4 Printing, Analog C-Print, hand-printed by the artist, based on the original Polaroid, signed in front. Artist Inventory No. 1202. Not...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...