Continental US - Animal Prints

Artist: Michael David, American (1954 - ) Title: Blue from the Being Series Year: 1991 Medium: Lithograph, signed and numbered in pencil Edition: 50 Size: 46 x 35 in. (116.84 x 88.9 ...

Artist: Dan May (American, 1955-) Title: "Dog Portrait" *Signed by May in pencil lower left Year: 2004 Medium: Original Monoprint on unbranded white cotto...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Mastiff C France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits. ...

Josh Keyes "Mad World" contemporary street art print from an edition of 300. Dimensions on the piece are 13x16 inches / 33x40.6cm and printed on fine art 29...

Artist: Burton Morris Title: Dollar Sign from Heard on the Street Year: 1997 Medium: Screenprint, signed and numbered in pencil Edition Size: 375 Image Size: 11 x 14 inches Paper Siz...

Artist: Karel Appel Title: Cat in the Night Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand ...

Artist: Colin Self Title: Power and Beauty No. 6 Year: 1969 Medium: Screenprint, signed, numbered and titled in ink Edition: 75 Size: 26 x 41 inches

Wonderful mid century modern wood cut of wild Penguins by Israeli artist Hannah Yakin Hiyze (Dutch/Israeli, b. 1933), 1967. 13/33. Signed, number, dated and titled lower left edge. Condition: some waviness to paper. Presented under glass with vintage painted wood frame. Image size: 14"H x 37"W. Born Hannah van Hulst in Amsterdam, during World War II, Hannah developed her artistic talents, experiencing "happy times in which necessity bore creativity." After the war she went to high school and studied art at Academia Artibus, Utrecht, the Netherlands and in Paris with famous poster designer and graphic artist Paul Colin. In 1956 she emigrated to Israel where she met and married the artist Abraham Yakin...

Artist: Benny Andrews, American (1930 - 2006) Title: Moving On Year: 1980 Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil Edition: 275 Size: 30 in. x 22 in. (...

Artist: Dan May (American, 1955-) Title: "Crazy Dog" *Signed and numbered by May in pencil lower left Year: 1996 Medium: Original Screenprint on unbranded white wove paper Limited ed...

St. George Jackson Mivart and John Gerrard Keulemans Hand Colored Lithograph

Neck & Neck is a lithograph on paper, 9.5 x 6.75 inches image size. From the edition of 395 and framed in a contemporary, silver-tone frame. Initialed by the artist lower right and n...

TITLE Mark Drew Diptych Print Set Exclusive "Time to Grind" & "Keep Their Heads Ringing" The Peanuts Charles Schulz YEAR 2019 CLASSIFICATION Limited editio...

Figurative abstract wood cut print titled "Copula Blanca" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10," title, and signature bottom margin. Image, 31.25"H x 23...

"The Winner" - Etching on Paper Clean and modern drypoint etching of a horse skeleton by Maria Bennett (American, 20th Century). This etching has layer...

"Contentment, " Grey Japanese Bantams, by the British painter and printmaker John Robert Granville Exley (usually JR Exley) is more than about poultry. This male/female pair sit in c...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Larus, Cinereus (European Herring Gull)" (Plate 101) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Origi...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Artist: John Gould (English, 1804-1881) Title: "Myzanthe Ignipectus (Fire-breasted Flowerpecker)" (Vol. 2, Plate 40) Portfolio: The Birds of Asia Year: 1850-1883 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 235 Printer: Hullmandel & Walton, T. Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Anker No. 178; Nissen No. IVB 368; Sauer No. 17, Zimmer page 258; Wood page 365; Sitwell page 102 Sheet size: 21.38" x 14.57" Image size: 16" x 9.75" Condition: Light toning to sheet. Has been professionally stored away for decades. In excellent condition with strong colors Extremely rare Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's seven volume "The Birds of Asia", (1850-1883) (First edition), which consists of 530 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Asia" was Gould's last work before his death. Gold gilded edges as issued. The fire-breasted flowerpecker is a species of bird in the family Dicaeidae found in the Indian Subcontinent and Southeast Asia. Like other flowerpeckers, this tiny bird feeds on fruits and plays an important role in the dispersal of fruiting plants. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed and dated ...

Another Cock and Bull Story is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LXXXV/C (there were also 275 Arabic and 20 AP...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Artist: Pablo Picasso Title: Head of a Calf (Plate XXXVI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3...

L' ARBRE EXTATIQUE is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper, 100% acid free, by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. L' ARBRE EXTATIQUE confronts the viewer with a bold exotic yellow female nude set against a deep black background. One cannot avoid being intrigued by this exotic woman - her striking blue eye and long blue hair, posing with hand on her hip as an exotic red bird closes in towards her; a light yellow sphere encasing a green leafed tree form above. Print size - 23.25 x 19.75 in. unframed, excellent condition, full bleed image, vivid colors, pencil signed by Corneille Edition size - 200, plus proofs Year published - 1981 Printed at J K Fine Art Editions Co. NYC About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

Wonderfully preserved hand-colored 1830's lithograph "Ground Squirrel" by Thomas Doughty (American, 1793 - 1856), circa 1830. From "The Cabinet of Natural History and American Rural Sports." Phila: J.&T. Doughty, 1830-32. Sold previously by Bland Gallery, Early 20th century East Side gallery specializing in miniatures. Presented in frame with new acid-free mat under plexiglass. Image size: 7.25"H x 8.75"W. Doughty’s short-lived magazine “The Cabinet of Natural History and American Rural Sports” is an important imprint in the history of American printing. It contained the first colored sporting prints made in America. Issued in monthly parts and published from the end of 1830 until the spring of 1834, “The Cabinet” featured articles on hunting, detailed descriptions of newly discovered flora and fauna, and some of the finest examples of early American hand-colored lithography. It was originally the work of the Doughty brothers, Thomas and John, with virtually all of the plates being the work of Thomas, who also founded the Hudson River School. But, by the spring of 1832, the partnership had broken up and Thomas had moved to Boston. An abbreviated third volume lacked Thomas’ touch. Printed by Childs & Inman, the partnership between Philadelphia engraver and lithographer Cephas G. Childs and New York portrait...

This artwork titled "Hybrid" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vivian...

This artwork titled "Nature Morte aux Lapins" (Still Life with Rabbits) c. 1950 is an original color lithograph on Arches paper by noted French ...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Hand signed, titled, dated, and numbered in pencil by the artist. Edition of 100. Frame size: 40 x 32.75 inches. Artwork is in excellent condition. Certificate of authenticity inc...

George Cronias (1925-2004) "Track Pals" Original Color Lithograph C.1960 Track pals hanging out on a nice day at Santa Anita Lithograph dimensions 17.75"...

Mike Mitchell - Japanese Paradise Flycatcher - Contemporary Artist Artists Mitchell, Mike Manufacturer Static Medium Edition Details Year: 2018 Class: Art Print ...

Artist: Igor Galanin, Russian/American (1937 - ) Title: Pig with Pink Bow Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: 100, HC XXX Paper Size: 33.5...

A surreal daliesque take on the plight of the rhinos. Pierre-Yves Riveau is an artist living in Nantes, France and is better known as PEZ on different social networking sites. He wo...

Bald Eagle Martin Barooshian, Armenian/American (1929–2022) Date: circa 1979 Etching and Aquatint, signed, titled and numbered in pencil Edition of 50/60 Image Size: 14.25 x 14 inche...

This artwork titled "Chained Beast" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sut...

This Blue Dog work consists of a blue dog sitting in a black background that is covered in silver blue dog heads. The dog has soulful yellow eyes. This pop art animal original silk...

Mighty Mouse Ronnie Cutrone, American (1948–2013) Screenprint, signed and numbered in pencil Edition of 45/150 Image Size: 36 x 26 inches Size: 40 x 30 in. (101.6 x 76.2 cm) Frame Si...

Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and numbered 14/50 in pencil by the artist. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 19.85 x 17.65 inches. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

"Echoes of Return" Photography 29.5" x 20" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

This Blue Dog work consists of 5 blue dog heads nestled in the leafy section of a black tree. The background is green, red and purple with 4 flower sprigs. The dogs all have soulfu...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

The Merican Pelican and The Pelican from George Edwards "A Natural History of Birds, Most of which have not been figured or described and others very little known..." published in Lo...

FANTASTIC ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100...

The single letter "E", from the alphabet, illustrated by elephants. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and ...

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed in pencil b...

John Gould: 1804-1881. British ornithologist and bird artist. He was the equivalent to the American Audabon. He produced books with lithographed prints such as The Birds of Great Bri...

Artist: Karel Appel Title: Smiling Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand signe...

Artist: Karel Appel Title: Green Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand signed ...

Artist: Karel Appel Title: Sad Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand signed an...

This artwork titled "Puerto Escondido" 1992 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/20 in p...

Leonor Fini Dancer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

BACK TO EARTH is an original hand drawn lithograph by the American woman artist printmaker Margo Humphrey printed using hand lithography methods on archival Arches printmaking paper ...

1970's modernist anthropomorphic animals at a bar by Stephen Martin (American, 20th Century). Several animals sit at a bar, with a few in the b...

SITTING IN A LANDSCAPE is an original hand drawn limited edition lithograph by the Dutch artist Karel Appel printed using traditional hand lithography techniques on archival printma...

The Thibet Dog 1887 Etching

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

FLYING OWL is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. FLYING OWL is a lively...