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Item Ships From: Continental US
Black Cat 1981 Lithograph on Arches Archival Paper
By Walasse Ting
Located in Rochester Hills, MI
Artist: Walasse Ting Title: Black Cat - Midnight Cat Year: 1981 Medium: Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked AP Walasse Ting (DING...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Lithograph

Frogs and Toad, Signed lithograph (AP), from Conspiracy: The Artist as Witness
By Jack Beal
Located in New York, NY
Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...
Category

1970s Realist Continental US - Animal Prints

Materials

Lithograph

The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
By Pablo Picasso
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Continental US - Animal Prints

Materials

Drypoint, Aquatint

Hunt Slonem "White Bunnies II" Lithograph
By Hunt Slonem
Located in Boston, MA
Artist: Slonem, Hunt Title: White Bunnies II Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Signatu...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Lithograph

LE PEINTRE A LA PALETTE (BLOCH 1153)
By Pablo Picasso
Located in Aventura, FL
Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...
Category

1960s Cubist Continental US - Animal Prints

Materials

Paper, Linocut

Reflections 24x36 Black & White Photography, Kodiak Bear Photograph Grizzly
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 24x36 Unsigned print Archival pigment paper - Kodak Luster Archival Inks Signed and nu...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

MAGENTA HORSE, THREE GEISHAS Signed Lithograph, Asian Women, Horse, Parrots
By Walasse Ting
Located in Union City, NJ
MAGENTA HORSE, THREE GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. MAGENTA HORSE, THREE GEISHAS is a freely expressed Chinese Ink Brush drawing depicting a colorful magenta horse with dark purple black mane and tail standing with three lovely Asian women...
Category

1980s Contemporary Continental US - Animal Prints

Materials

Lithograph

In Praise of Prairie Dogs (19-325), 11 Color lithograph, Signed/N Judy Chicago
By Judy Chicago
Located in New York, NY
Judy Chicago In Praise of Prairie Dogs (19-325), 2019 11 Color Lithograph on light blue Pescia paper Hand signed, dated and numbered from the limited edition of 95 on the front 22 × ...
Category

2010s Feminist Continental US - Animal Prints

Materials

Lithograph

BALD EAGLE FS II.296
By Andy Warhol
Located in Aventura, FL
Bald Eagle, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 75/150 (there were also 30 AP's, 5 PP's, 5 EP'...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Paper, Screen

"The Pink Panther" By Paco Pomet Street Urban Art Print
By Paco Pomet
Located in Draper, UT
SHARE Paco Pomet (b. 1970, Granada, Spain) lives and works in Granada, Spain. He uses his precise observation to reflect the humour and realism, emphasizing the aggressiveness, assa...
Category

2010s Street Art Continental US - Animal Prints

Materials

Screen

"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper
By Bruce Weinberg
Located in Soquel, CA
"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper High contrast, multi-layer etching by Bruce Weinberg (American, 1942-1994). A moebius strip is shown against a dar...
Category

1980s American Modern Continental US - Animal Prints

Materials

Laid Paper, Lithograph

"X", for Xingu River Ray, from Kelvin Mann's animal alphabet
By Kelvin Mann
Located in Palm Springs, CA
Searching for a "PG rated" image - Xingu River ray, illustrates the letter "X", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in folio box...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Etching, Aquatint

Warner Brothers Orchestra Bugs Bunny Daffy Duck Porky Pig Cartoon Movie Legends
By Albert Al Hirschfeld
Located in New York, NY
Warner Brothers Orchestra Bugs Bunny Daffy Duck Porky Pig Cartoon Movie Legends Al Hirschfeld (1903-2003) Warner Brothers Orchestra Etching and Aquatint Sight 15 1/4 x 23 1/2 inches...
Category

1990s Performance Continental US - Animal Prints

Materials

Paper, Lithograph

"Z", for Zoo from Kelvin Mann's animal alphabet
By Kelvin Mann
Located in Palm Springs, CA
"Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in fol...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Etching, Aquatint

"K", for Kiwi from Kelvin Mann's animal alphabet
By Kelvin Mann
Located in Palm Springs, CA
The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Etching, Aquatint

Original Italian Emidio di Nola Italian Macaroni original vintage food poster
Located in Spokane, WA
Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....
Category

1950s Aesthetic Movement Continental US - Animal Prints

Materials

Lithograph

Blue Dog "Dancing with the Crawfish"
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a Blue Dog sitting to the left of a saxophone-playing chef. The chef is wearing a white apron, chef hat, and a brown shirt and trousers. The chef is ...
Category

1990s Pop Art Continental US - Animal Prints

Materials

Screen

HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important Prints
By Millard Sheets
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category

1930s American Modern Continental US - Animal Prints

Materials

Lithograph

Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

"The Elements" complete set of four Diasec-mounted giclée prints on aluminum
By Damien Hirst
Located in Boca Raton, FL
Complete set of the series "The Elements" by artist Damien Hirst. Four Diasec-mounted giclée prints ("Water," "Fire," "Earth" and "Air") on aluminum composite panels. From an edition...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Giclée

About A Cat, CoBrA Group Modern Lithograph by Karel Appel
By Karel Appel
Located in Long Island City, NY
This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...
Category

1970s Modern Continental US - Animal Prints

Materials

Lithograph

Lepidoptera (Butterflies) /// Scottish Natural History Zoology Animal Engraving
Located in Saint Augustine, FL
Artist: William MacGillivray (Scottish, 1796-1852) Title: "Lepidoptera (Butterflies)" (Plate XII) Portfolio: The Edinburgh Journal of Natural History, and of The Physical Sciences Ye...
Category

1830s Victorian Continental US - Animal Prints

Materials

Watercolor, Engraving, Intaglio

"Magic Circus" framed lithograph by Michel Delacroix hand signed and numbered
By Michel Delacroix
Located in Boca Raton, FL
"Magic Circus" lithograph by Michel Delacroix. Hand-signed MIchel Delacroix. Hand-numbered XX/C. Depicts a circus, complete with elephant and horses, traveling through a French city...
Category

20th Century Other Art Style Continental US - Animal Prints

Materials

Lithograph

Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Osage Sheep State II
By Theodore Waddell
Located in Kansas City, MO
Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...
Category

1990s Contemporary Continental US - Animal Prints

Materials

Lithograph

Au Repos
By Graciela Rodo Boulanger
Located in San Francisco, CA
This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...
Category

Late 20th Century Modern Continental US - Animal Prints

Materials

Lithograph

A Burro Train, New Mexico
By Peter Moran
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category

Late 19th Century American Realist Continental US - Animal Prints

Materials

Laid Paper, Etching

Siberian Tiger, Endangered Species Unique Trial Proof 1983 F&S IIB. 297
By Andy Warhol
Located in Miami, FL
Unique Trial Proof, from the Endangered Species Portfolio. Authenticated by Andy Warhol Foundation with supporting paperwork, blindstamp lower left. This is an unsigned and unnumbere...
Category

1980s Contemporary Continental US - Animal Prints

Materials

Screen

LITTLEWOODS Signed Lithograph, Historic Stone Farmhouse, Bucks County Landscape
By Peter Sculthorpe
Located in Union City, NJ
LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...
Category

1980s Realist Continental US - Animal Prints

Materials

Lithograph

We Shall Not Talk of War, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...
Category

1970s American Realist Continental US - Animal Prints

Materials

Lithograph

The Mock Turtle's Story Alice in Wonderland Salvador Dali 1969 original woodcut
By Salvador Dalí­
Located in Paonia, CO
The Mock Turtle's Story is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random...
Category

1960s Surrealist Continental US - Animal Prints

Materials

Photogravure

"Dust and Horses" 30x40 Black and White Photography Wild Horses Mustangs Photo
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival paper Framing available. Inquire for rates. Shane...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

"Mustang Reflection" 36x48 - Black and White Photography of Wild Horse Horses
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" 36 x 48 Edition of 12. Signed by artist. ...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

The Cow, etching by Stan Washburn
By Stan Washburn 1
Located in Palm Springs, CA
Signed, titled and numbered etching from the edition of 100. In individual prints, and his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravi...
Category

1970s Contemporary Continental US - Animal Prints

Materials

Etching

HEARTLAND Hand Drawn Lithograph, Winter Landscape Stone Farmhouse Bucks County
By Peter Sculthorpe
Located in Union City, NJ
HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...
Category

1980s Realist Continental US - Animal Prints

Materials

Lithograph

Midnight Surprise (Blue Dog Series), George Rodrigue
By George Rodrigue
Located in Fairfield, CT
Artist: George Rodrigue (1944-2013) Title: Midnight Surprise (Blue Dog Series) Year: 2000 Edition: 62/150, plus proofs Medium: Silkscreen on archival paper Size: 22 x 17.5 inches Con...
Category

Early 2000s Pop Art Continental US - Animal Prints

Materials

Screen

Tie Me Up - White - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog on a white background wearing a necktie decorated with blue dogs and alligators. The dog has soulful yellow eyes. This pop art animal original oil on canvas is hand-signed by the artist. Artist: George Rodrigue Title: Blue Dog “Tie...
Category

2010s Pop Art Continental US - Animal Prints

Materials

Screen

SINGLIN' OUT Signed Lithograph, Rocky Mountain Landscape, Cowboy, Horses
By Conrad Schwiering 1
Located in Union City, NJ
SINGLIN' OUT by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. SINGLIN' OUT is a realistic Western landscape scene set in Wyoming with a backdrop of Wyoming's majestic purple gray Grand Teton mountains...
Category

1980s American Realist Continental US - Animal Prints

Materials

Lithograph

Barn Owl Study 10
By Beth Moon
Located in Sante Fe, NM
My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Elephant Equilibriste, Signed Surrealist Mezzotint by Mario Avati
By Mario Avati
Located in Long Island City, NY
Artist: Mario Avati, French (1921 - 2009) Title: Elephant Equilibriste Year: 1969 Medium: Mezzotint, signed and numbered in pencil Edition: 35/50 Image Size: 17.5 x 24 inches Size: 2...
Category

1960s Modern Continental US - Animal Prints

Materials

Mezzotint

Original Metropole Messageries Maritimes Union Francaise vintage travel poster
Located in Spokane, WA
Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-s...
Category

1950s Art Deco Continental US - Animal Prints

Materials

Lithograph

Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in market
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Ink, Pencil, Graphite, Etching, Aquatint, Mixed Media

George's Sweet Inspirations
By George Rodrigue
Located in Philadelphia, PA
George Rodrigue George's Sweet Inspirations From the rare limited edition of 150 Original serigraph on paper Hand signed and numbered 2000 20x16 inches MINT CONDITION
Category

Early 2000s Continental US - Animal Prints

Materials

Lithograph, Screen

Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Sacelle male, de la cote de Coromandel" (Plate 949) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...
Category

1770s Realist Continental US - Animal Prints

Materials

Engraving, Watercolor, Laid Paper, Intaglio

Top Dog - White - Blue Dog Silkscreen Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of one blue dog sitting on a white background with a blue frame line around the dog. The dog has soulful yellow eyes. This pop art animal original silksc...
Category

1990s Pop Art Continental US - Animal Prints

Materials

Screen

The Party Animal II (Giraffe)
By Robert Deyber
Located in Greenwich, CT
The Party Animal II (Giraffe) is a lithograph on paper, initialed lower right 'BD', 9.5 x 7.25" image size. From the edition of 395, numbered LXVII/C (there were also 275 Arabic and ...
Category

21st Century and Contemporary Contemporary Continental US - Animal Prints

Materials

Paper, Lithograph

Three Cocker Spaniels original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...
Category

1930s Realist Continental US - Animal Prints

Materials

Etching

"On Any Sunday" - 50x25 Wild Horses, Mustangs Photography, Fine Art Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed in Photo Rag using only archival ink. 40x26 Edi...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Erté, Ebony in White, 1982
By Erté
Located in Fairfield, CT
Artist: Erte, Romain de Tirtoff (1892-1990) Title: Ebony in White Year: 1982 Medium: Lithograph on wove paper Size: 33 x 24 inches Condition: Good Inscription: Signed by the artist N...
Category

1980s Art Deco Continental US - Animal Prints

Materials

Lithograph

A Domestic Cat Playing with a Garter Snake, from Eaux-Fortes Animaux & Paysages
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category

Mid-19th Century Barbizon School Continental US - Animal Prints

Materials

Laid Paper, Etching

Antique Birds - 17th Century Hand Watercolor Engraving
Located in Soquel, CA
Antique Birds - 17th Century Hand Watercolored Etching Antique Birds, from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Di...
Category

17th Century French School Continental US - Animal Prints

Materials

Paper, Watercolor, Engraving

High Sierra Mustangs 40x60, Black and White Photography, Wild Horses Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" Edition of 10. Signed by artist. Framing available...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Phalacrocorax Graculus (Spectacled Cormorant) /// John Gould Ornithology Bird
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881) Title: "Phalacrocorax Graculus (Spectacled Cormorant)" (Vol. 5, Plate 53) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 21.63" x 14.75" Image size: 17.25" x 12.25" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The spectacled cormorant or Pallas's cormorant is an extinct marine bird of the cormorant family of seabirds that inhabited Bering Island and possibly other places in the Commander Islands and the nearby coast of Kamchatka in the far northeast of Russia. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category

1860s Victorian Continental US - Animal Prints

Materials

Watercolor, Lithograph

Midnight Surprise
By George Rodrigue
Located in Pembroke Pines, FL
Artist: George Rodrigue Title: Midnight Surprise Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Ex...
Category

21st Century and Contemporary Pop Art Continental US - Animal Prints

Materials

Screen

Nixon + Spiro - Zero, Extremely rare 1968 political poster offset lithograph
Located in New York, NY
Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...
Category

1960s Modern Continental US - Animal Prints

Materials

Lithograph, Offset

Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category

Late 19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Bubblegum
Located in New York, NY
Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Archival Pigment

COUPS DE TÊTE Signed Lithograph, Surrealist Group, Panic Movement Arrabal, Topor
Located in Union City, NJ
COUPS DE TÊTE is a hand drawn, stone lithograph by the French artist Chrisitian Zeimert printed in Paris France c.1974 using hand lithography techniques on archival Rives BFK printmaking paper, 100% acid free. COUPS DE TÊTE presents a surreal, close-up portrait of a two male elk head-butting with a group of books between their opposing heads. Visible on the books spines are the names of members belonging to the 1960s Panic Movement group. Print size - 13 x 15.25 in., unframed, very good condition, pencil signed printers proof, inscribed H.C. with personal dedication to the master printer "Joseph", edition size unknown Image size - 8.25 x 10.5 in. Year - c. 1974 Christian Zeimer (1934 - 2020) was a French painter, the son of an upholsterer and designer who also worked as a salesman and Le Bon Marché. After he left the École Boulle, he learned how to engrave on jewelry. He then studied at the École nationale supérieure des arts décoratifs, where he studied under the painter Marcel Gromaire. A libertarian and anarchist, he worked alongside Fernando Arrabal, Alejandro Jodorowsky, Olivier O. Olivier, and Roland Topor and participated in the Panic Movement in the 1960s. He contributed to the newspaper Le Fou Parle and the magazine Hara-Kiri. Alongside Henri Cueco, Jacques Jouet, Hervé Le...
Category

1970s Surrealist Continental US - Animal Prints

Materials

Lithograph

Barn Owl XVI
By Beth Moon
Located in Sante Fe, NM
My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Schlange / Snake
By Katharina Fritsch
Located in New York, NY
Katharina Fritsch Schlange / Snake 1999/2001 Plastic, paint 7/8 x 7 1/2 x 3 3/8 inches; 2 x 19 x 9 cm Edition of 240 Accompanied by a certificate of authenticity signed and numbered ...
Category

Early 2000s Contemporary Continental US - Animal Prints

Materials

Plastic, Paint

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